1 |
Transcendental Study no. 72. Canonica |
Kaikhosru Shapurji Sorabji |
2:18 |
2 |
Transcendental Study no. 73. Quasi preludio corale. Sonorità piena morbida e dolcissima |
Kaikhosru Shapurji Sorabji |
1:48 |
3 |
Transcendental Study no. 74. Ostinato. Secco – Fantasticamente grottesco |
Kaikhosru Shapurji Sorabji |
4:30 |
4 |
Transcendental Study no. 75. Passacaglia. Largo |
Kaikhosru Shapurji Sorabji |
2:54 |
5 |
Transcendental Study no. 76. Imitationes. Presto assai |
Kaikhosru Shapurji Sorabji |
1:10 |
6 |
Transcendental Study no. 77. Mouvement semblable et perpétuel. Scorrevole |
Kaikhosru Shapurji Sorabji |
1:37 |
7 |
Transcendental Study no. 78. (untitled) Leggiero e veloce |
Kaikhosru Shapurji Sorabji |
1:49 |
8 |
Transcendental Study no. 79. The inlaid line. Legatissimo la linea melodica |
Kaikhosru Shapurji Sorabji |
2:14 |
9 |
Transcendental Study no. 80. La linea melodica. Mormorando sordamente |
Kaikhosru Shapurji Sorabji |
5:51 |
10 |
Transcendental Study no. 81. The suspensions. Lento quasi adagio e gravemente solenne |
Kaikhosru Shapurji Sorabji |
5:40 |
11 |
Transcendental Study no. 82. (untitled) Sordamente e oscuramente minaccioso |
Kaikhosru Shapurji Sorabji |
2:31 |
12 |
Transcendental Study no. 83. Arpeggiated fourths |
Kaikhosru Shapurji Sorabji |
4:33 |