| 1 | Transcendental Study no. 72. Canonica | Kaikhosru Shapurji Sorabji | 2:18 |
| 2 | Transcendental Study no. 73. Quasi preludio corale. Sonorità piena morbida e dolcissima | Kaikhosru Shapurji Sorabji | 1:48 |
| 3 | Transcendental Study no. 74. Ostinato. Secco – Fantasticamente grottesco | Kaikhosru Shapurji Sorabji | 4:30 |
| 4 | Transcendental Study no. 75. Passacaglia. Largo | Kaikhosru Shapurji Sorabji | 2:54 |
| 5 | Transcendental Study no. 76. Imitationes. Presto assai | Kaikhosru Shapurji Sorabji | 1:10 |
| 6 | Transcendental Study no. 77. Mouvement semblable et perpétuel. Scorrevole | Kaikhosru Shapurji Sorabji | 1:37 |
| 7 | Transcendental Study no. 78. (untitled) Leggiero e veloce | Kaikhosru Shapurji Sorabji | 1:49 |
| 8 | Transcendental Study no. 79. The inlaid line. Legatissimo la linea melodica | Kaikhosru Shapurji Sorabji | 2:14 |
| 9 | Transcendental Study no. 80. La linea melodica. Mormorando sordamente | Kaikhosru Shapurji Sorabji | 5:51 |
| 10 | Transcendental Study no. 81. The suspensions. Lento quasi adagio e gravemente solenne | Kaikhosru Shapurji Sorabji | 5:40 |
| 11 | Transcendental Study no. 82. (untitled) Sordamente e oscuramente minaccioso | Kaikhosru Shapurji Sorabji | 2:31 |
| 12 | Transcendental Study no. 83. Arpeggiated fourths | Kaikhosru Shapurji Sorabji | 4:33 |