The Complete RCA Album Collection 1
Mastering: Matthias ErbMastering: Martin Kistner
Photography: Jamie Buceta
Photography: Dorothea van Haeften
Photography: Don Hunstein
Photography: Regina Touney
Photography: Carol Weinberg
Photography: Garry Winogrand
Producer: Robert Russ
No reviews available.
Bach: Goldberg Variations
| 1 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | Johann Sebastian Bach | 2:19 |
| 2 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | Johann Sebastian Bach | 1:06 |
| 3 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | Johann Sebastian Bach | 0:50 |
| 4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | Johann Sebastian Bach | 1:15 |
| 5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | Johann Sebastian Bach | 0:37 |
| 6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | Johann Sebastian Bach | 0:51 |
| 7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav. | Johann Sebastian Bach | 0:34 |
| 8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | Johann Sebastian Bach | 1:12 |
| 9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | Johann Sebastian Bach | 1:00 |
| 10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | Johann Sebastian Bach | 0:52 |
| 11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | Johann Sebastian Bach | 0:58 |
| 12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | Johann Sebastian Bach | 0:55 |
| 13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | Johann Sebastian Bach | 1:32 |
| 14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | Johann Sebastian Bach | 3:01 |
| 15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | Johann Sebastian Bach | 1:03 |
| 16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | Johann Sebastian Bach | 2:21 |
| 17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | Johann Sebastian Bach | 1:34 |
| 18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav | Johann Sebastian Bach | 1:03 |
| 19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | Johann Sebastian Bach | 0:51 |
| 20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | Johann Sebastian Bach | 0:39 |
| 21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | Johann Sebastian Bach | 0:56 |
| 22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | Johann Sebastian Bach | 1:46 |
| 23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | Johann Sebastian Bach | 0:46 |
| 24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | Johann Sebastian Bach | 1:01 |
| 25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | Johann Sebastian Bach | 1:44 |
| 26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | Johann Sebastian Bach | 5:46 |
| 27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | Johann Sebastian Bach | 0:55 |
| 28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | Johann Sebastian Bach | 0:47 |
| 29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | Johann Sebastian Bach | 1:09 |
| 30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | Johann Sebastian Bach | 0:59 |
| 31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | Johann Sebastian Bach | 0:46 |
| 32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | Johann Sebastian Bach | 2:28 |
Schubert: Piano Sonata no. 18
| 1 | Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile | Franz Schubert | 2:04 |
| 2 | Piano Sonata no. 18 in G major, D 894: II. Andante | Franz Schubert | 8:35 |
| 3 | Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio | Franz Schubert | 4:39 |
| 4 | Piano Sonata no. 18 in G major, D 894: IV. Allegretto | Franz Schubert | 9:34 |
Bach, Mozart: Concertos for 2 & 3 Pianos
| 1 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro] | Johann Sebastian Bach | 5:43 |
| 2 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach | 5:10 |
| 3 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro | Johann Sebastian Bach | 4:57 |
| 4 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro | Johann Sebastian Bach | 6:53 |
| 5 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio | Johann Sebastian Bach | 6:12 |
| 6 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro | Johann Sebastian Bach | 4:43 |
| 7 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro | Wolfgang Amadeus Mozart | 10:08 |
| 8 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante | Wolfgang Amadeus Mozart | 7:36 |
| 9 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro | Wolfgang Amadeus Mozart | 6:51 |
| 10 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichelnd hold und liebich klingen” - Presto | Ludwig van Beethoven | 1:59 |
Busoni: Fantasia contrappuntistica / Reger: Cello Sonata no. 4
| 1 | Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta | Ferruccio Busoni | 2:28 |
| 2 | Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato | Max Reger | 11:25 |
| 3 | Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I | Max Reger | 3:55 |
| 4 | Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo | Max Reger | 9:53 |
| 5 | Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia | Max Reger | 8:55 |
Bartók: Piano Concertos no. 1 & 3
| 1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók | 9:47 |
| 2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca | Béla Bartók | 9:19 |
| 3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | Béla Bartók | 7:23 |
| 4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | Béla Bartók | 7:13 |
| 5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | Béla Bartók | 11:35 |
| 6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | Béla Bartók | 6:57 |
Schubert: Piano Sonata no. 7 / Schumann: Waldszenen
| 1 | Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato | Franz Schubert | 8:05 |
| 2 | Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto | Franz Schubert | 6:35 |
| 3 | Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio | Franz Schubert | 5:12 |
| 4 | Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato | Franz Schubert | 8:14 |
| 5 | Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell | Robert Schumann | 2:38 |
| 6 | Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft | Robert Schumann | 1:19 |
| 7 | Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach | Robert Schumann | 2:25 |
| 8 | Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam | Robert Schumann | 4:37 |
| 9 | Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell | Robert Schumann | 0:59 |
| 10 | Waldszenen, op. 82: No. 6: Herberge. Mäßig | Robert Schumann | 2:44 |
| 11 | Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart | Robert Schumann | 4:34 |
| 12 | Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig | Robert Schumann | 2:28 |
| 13 | Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell | Robert Schumann | 4:52 |
Schoenberg: Piano Concerto / 5 Piano Pieces / Violin Fantasy
| 1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Arnold Schönberg | 5:54 |
| 2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Arnold Schönberg | 2:47 |
| 3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Arnold Schönberg | 8:23 |
| 4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Arnold Schönberg | 7:00 |
| 5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Arnold Schönberg | 3:08 |
| 6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Arnold Schönberg | 1:26 |
| 7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Arnold Schönberg | 4:57 |
| 8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Arnold Schönberg | 1:39 |
| 9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Arnold Schönberg | 3:02 |
| 10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Arnold Schönberg | 6:52 |
| 11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Arnold Schönberg | 2:57 |
Peter Serkin Plays Mozart (1)
| 1 | Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I | Wolfgang Amadeus Mozart | 1:55 |
| 2 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | Wolfgang Amadeus Mozart | 7:39 |
| 3 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | Wolfgang Amadeus Mozart | 11:03 |
| 4 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | Wolfgang Amadeus Mozart | 5:02 |
| 5 | Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso | Wolfgang Amadeus Mozart | 11:11 |
Peter Serkin Plays Mozart (2)
| 1 | Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533) | Wolfgang Amadeus Mozart | 9:52 |
| 2 | Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533) | Wolfgang Amadeus Mozart | 9:23 |
| 3 | Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494) | Wolfgang Amadeus Mozart | 7:47 |
| 4 | Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I | Wolfgang Amadeus Mozart | 7:04 |
| 5 | Rondo in D major, K. 485: Allegro | Wolfgang Amadeus Mozart | 6:57 |
| 6 | Rondo in A minor, K. 511: Andante | Wolfgang Amadeus Mozart | 12:21 |
Beethoven: Violin (Piano) Concerto
| 1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Ludwig van Beethoven | 2:54 |
| 2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Ludwig van Beethoven | 11:25 |
| 3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Ludwig van Beethoven | 10:08 |
Messiaen: Visions de l'Amen
| 1 | Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel | Olivier Messiaen | 6:06 |
| 2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé | Olivier Messiaen | 6:05 |
| 3 | Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent | Olivier Messiaen | 7:32 |
| 4 | Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour | Olivier Messiaen | 11:07 |
| 5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré | Olivier Messiaen | 7:35 |
| 6 | Visions de l'Amen: VI. Amen du Jugement. Très modéré | Olivier Messiaen | 2:40 |
| 7 | Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux | Olivier Messiaen | 7:23 |
| 8 | Catalogue d'oiseaux: No. 7 Rousserolle effarvatte | Olivier Messiaen | 2:49 |
Mozart: Piano Concertos nos. 14 & 15
| 1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace | Wolfgang Amadeus Mozart | 8:19 |
| 2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino | Wolfgang Amadeus Mozart | 7:29 |
| 3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo | Wolfgang Amadeus Mozart | 7:06 |
| 4 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wolfgang Amadeus Mozart | 11:38 |
| 5 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wolfgang Amadeus Mozart | 6:11 |
| 6 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wolfgang Amadeus Mozart | 7:36 |
Messiaen: Vingt Regards sur l'Enfant-Jésus (1)
| 1 | Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent | Olivier Messiaen | 8:10 |
| 2 | Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré | Olivier Messiaen | 3:34 |
| 3 | Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré | Olivier Messiaen | 3:19 |
| 4 | Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré | Olivier Messiaen | 4:56 |
| 5 | Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent | Olivier Messiaen | 6:27 |
| 6 | Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif | Olivier Messiaen | 10:46 |
| 7 | Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré | Olivier Messiaen | 4:14 |
| 8 | Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif | Olivier Messiaen | 2:20 |
| 9 | Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré | Olivier Messiaen | 2:50 |
| 10 | Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif | Olivier Messiaen | 8:01 |
Messiaen: Vingt Regards sur l'Enfant-Jésus (2)
| 1 | Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent | Olivier Messiaen | 8:15 |
| 2 | Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif | Olivier Messiaen | 2:26 |
| 3 | Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux | Olivier Messiaen | 4:09 |
| 4 | Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif | Olivier Messiaen | 4:37 |
| 5 | Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme | Olivier Messiaen | 12:04 |
| 6 | Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré | Olivier Messiaen | 2:33 |
| 7 | Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré | Olivier Messiaen | 6:05 |
| 8 | Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré | Olivier Messiaen | 5:41 |
| 9 | Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent | Olivier Messiaen | 8:53 |
| 10 | Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif | Olivier Messiaen | 13:00 |
Messiaen: Quatuor pour la fin du Temps
| 1 | Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux | Olivier Messiaen | 2:23 |
| 2 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré | Olivier Messiaen | 5:33 |
| 3 | Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste | Olivier Messiaen | 7:44 |
| 4 | Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif | Olivier Messiaen | 1:52 |
| 5 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique | Olivier Messiaen | 7:42 |
| 6 | Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant | Olivier Messiaen | 6:27 |
| 7 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif | Olivier Messiaen | 7:15 |
| 8 | Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique | Olivier Messiaen | 8:06 |
Mozart: Piano Concertos nos. 16 & 17
| 1 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | Wolfgang Amadeus Mozart | 10:06 |
| 2 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | Wolfgang Amadeus Mozart | 7:26 |
| 3 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto | Wolfgang Amadeus Mozart | 6:37 |
| 4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | Wolfgang Amadeus Mozart | 12:16 |
| 5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | Wolfgang Amadeus Mozart | 11:43 |
| 6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | Wolfgang Amadeus Mozart | 8:01 |
Schubert: Piano Quintet “The Trout”
| 1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace | Franz Schubert | 9:48 |
| 2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante | Franz Schubert | 7:29 |
| 3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio | Franz Schubert | 4:33 |
| 4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto | Franz Schubert | 8:33 |
| 5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto | Franz Schubert | 7:15 |
Mozart: Piano Concertos nos. 18 & 19
| 1 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | Wolfgang Amadeus Mozart | 12:16 |
| 2 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Wolfgang Amadeus Mozart | 11:45 |
| 3 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | Wolfgang Amadeus Mozart | 7:42 |
| 4 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro | Wolfgang Amadeus Mozart | 11:20 |
| 5 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto | Wolfgang Amadeus Mozart | 7:47 |
| 6 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai | Wolfgang Amadeus Mozart | 7:22 |
Tashi Plays Stravinsky
| 1 | L'Histoire du soldat: I. Marche du soldat | Igor Stravinsky | 1:30 |
| 2 | L'Histoire du soldat: II. Le Violon du soldat | Igor Stravinsky | 2:44 |
| 3 | L'Histoire du soldat: III. Petit concert | Igor Stravinsky | 2:54 |
| 4 | L'Histoire du soldat: IV. Tango - Valse - Ragtime | Igor Stravinsky | 6:02 |
| 5 | L'Histoire du soldat: V. Danse du diable | Igor Stravinsky | 1:25 |
| 6 | Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88 | Igor Stravinsky | 3:28 |
| 7 | Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60 | Igor Stravinsky | 4:51 |
| 8 | Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116 | Igor Stravinsky | 3:45 |
| 9 | Pastorale | Igor Stravinsky | 2:57 |
| 10 | 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo | Igor Stravinsky | 2:38 |
| 11 | 3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168 | Igor Stravinsky | 1:22 |
| 12 | 3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160 | Igor Stravinsky | 1:19 |
| 13 | Suite Italienne: I. Introduzione. Allegro moderato | Igor Stravinsky | 2:15 |
| 14 | Suite Italienne: II. Serenata. Larghetto | Igor Stravinsky | 3:04 |
| 15 | Suite Italienne: III. Aria. Allegro all breve - Largo | Igor Stravinsky | 6:39 |
| 16 | Suite Italienne: IV. Tarantella. Vivace | Igor Stravinsky | 2:24 |
| 17 | Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace | Igor Stravinsky | 4:45 |
Tashi Plays Beethoven
| 1 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo | Ludwig van Beethoven | 11:18 |
| 2 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile | Ludwig van Beethoven | 8:18 |
| 3 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | Ludwig van Beethoven | 6:36 |
| 4 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio | Ludwig van Beethoven | 6:41 |
| 5 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio | Ludwig van Beethoven | 5:47 |
| 6 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto | Ludwig van Beethoven | 6:39 |
Tashi Plays Mozart
| 1 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro | Wolfgang Amadeus Mozart | 10:08 |
| 2 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart | 6:48 |
| 3 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II | Wolfgang Amadeus Mozart | 7:27 |
| 4 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro | Wolfgang Amadeus Mozart | 10:09 |
| 5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | Wolfgang Amadeus Mozart | 8:31 |
| 6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | Wolfgang Amadeus Mozart | 7:36 |
| 7 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | Wolfgang Amadeus Mozart | 5:45 |
Chopin: Variations brillantes / Nocturnes / Mazurkas / Berceuse / Barcarolle
| 1 | Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace | Frédéric Chopin | 7:58 |
| 2 | Nocturne in F major, op. 15/1: Andante cantabile | Frédéric Chopin | 4:15 |
| 3 | Mazurka in C major, op. 56/2: Vivace | Frédéric Chopin | 1:33 |
| 4 | Mazurka in A-flat major, op. posth. | Frédéric Chopin | 1:20 |
| 5 | Mazurka in B major, op. 41/2: Animato | Frédéric Chopin | 1:12 |
| 6 | Mazurka in D major, op. 33/3: Vivace | Frédéric Chopin | 2:14 |
| 7 | Mazurka in F minor, op. 68/4: Andantino | Frédéric Chopin | 3:55 |
| 8 | Mazurka in B-flat major, op. 7/1: Vivace | Frédéric Chopin | 2:11 |
| 9 | Nocturne in E major, op. 62/2: Sostenuto | Frédéric Chopin | 6:38 |
| 10 | Waltz in A-flat major, op. 64/3: Moderato | Frédéric Chopin | 2:59 |
| 11 | Trois Nouvelles Études: No. 2 in A-flat major: Allegretto | Frédéric Chopin | 1:53 |
| 12 | [Prélude] in A-flat major, op. posth.: Presto | Frédéric Chopin | 0:42 |
| 13 | Berceuse in D-flat major, op. 57: Andante | Frédéric Chopin | 4:45 |
| 14 | Barcarolle in F-sharp major, op. 60: Allegretto | Frédéric Chopin | 9:12 |
Tashi Plays Takemitsu
| 1 | Quatrain II | Tōru Takemitsu | 1:40 |
| 2 | Water Ways | Tōru Takemitsu | 10:01 |
| 3 | Waves | Tōru Takemitsu | 10:40 |