1 |
Fantasia a 6 (No. 5) |
Thomas Lupo |
3:26 |
2 |
Fantasia a 6 (No. 5) |
Orlando Gibbons |
3:10 |
3 |
So beautie on the waters stood (from Ayres 1609) |
Alfonso Ferrabosco II |
1:30 |
4 |
Pavin for 3 lyra viols (from Lessons 1609) |
Alfonso Ferrabosco II |
5:12 |
5 |
In Nomine through all parts a 6 |
Alfonso Ferrabosco II |
5:00 |
6 |
Fantasia for the Great Dooble Bass No. 2 |
Orlando Gibbons |
3:50 |
7 |
Fantasia for the Great Dooble Bass No. 3 |
Orlando Gibbons |
4:08 |
8 |
So, so, leave off this last lamenting kisse (from Ayres 1609) |
Alfonso Ferrabosco II |
2:57 |
9 |
O com'è gran martire |
Claudio Monteverdi / William Lawes |
2:14 |
10 |
Fantasia Chi può mirarvi |
John Coprario |
3:21 |
11 |
Royal Consort (Old Version) Sett no. 7 in A minor: I. Aire |
William Lawes |
2:27 |
12 |
Royal Consort (Old Version) Sett no. 7 in A minor: II. Alman |
William Lawes |
1:51 |
13 |
Royal Consort (Old Version) Sett no. 7 in A minor: III. Alman II |
William Lawes |
1:10 |
14 |
Royal Consort (Old Version) Sett no. 7 in A minor: IV. Aire |
William Lawes |
1:28 |
15 |
Royal Consort (Old Version) Sett no. 7 in A minor: V. Corant |
William Lawes |
1:48 |
16 |
Royal Consort (Old Version) Sett no. 7 in A minor: VI. Saraband |
William Lawes |
0:58 |
17 |
Ardo sì – |
Thomas Lupo |
2:03 |
18 |
Ardi o gela |
Thomas Lupo |
2:07 |
19 |
When pale famine (To the most disconsolate Great Brittaine) |
John Coprario |
2:57 |
20 |
Pavin first for 3 lyra viols (No. 563) |
William Lawes |
4:48 |
21 |
Almain for 3 lyra Viols (No. 564) |
William Lawes |
1:36 |
22 |
Là tra 'l sangue (Latral) |
Claudio Monteverdi / Richard Mico |
1:43 |
23 |
(Parte Seconda) |
Richard Mico |
1:52 |
24 |
Fantazia 1st for 3 lyra viols (No. 567) |
William Lawes |
2:44 |
25 |
Serabrand for 3 lyra viols (No. 569) |
William Lawes |
1:18 |
26 |
Fortune and Glory (To the most High and Mighty Princes Charles) |
John Coprario |
2:05 |
27 |
Fantasia a 6 (No. 6) |
Orlando Gibbons |
3:47 |