| 1 |
Three-Page Sonata (1905): Allegro Moderato |
Charles Ives |
2:04 |
| 2 |
Three-Page Sonata (1905): Andante |
Charles Ives |
3:16 |
| 3 |
Three-Page Sonata (1905): Allegro - March Time |
Charles Ives |
2:38 |
| 4 |
Study No. 6 (1907-09) |
Charles Ives |
4:22 |
| 5 |
Study No. 7 (1907) |
Charles Ives |
2:58 |
| 6 |
Study No. 8 (1907) |
Charles Ives |
1:51 |
| 7 |
Study No. 9 "The Anti-Abolitionist Riots" (1907) |
Charles Ives |
3:19 |
| 8 |
Study No. 15 (1907-1909; 1920s) |
Charles Ives |
4:05 |
| 9 |
Study No. 16 / 19 (1907-1909; 1902s) |
Charles Ives |
2:15 |
| 10 |
Study No. 23 (1912-1914; 1920s) |
Charles Ives |
4:07 |
| 11 |
Set of Five Take-Offs (1906): I. The Seen and Unseen or Sweet and Tough |
Charles Ives |
2:55 |
| 12 |
Set of Five Take-Offs (1906): II. Rough and Ready or The Jumping Frog |
Charles Ives |
3:06 |
| 13 |
Set of Five Take-Offs (1906): III. Song Without (good) Words |
Charles Ives |
3:17 |
| 14 |
Set of Five Take-Offs (1906): IV. Scene Episode |
Charles Ives |
2:12 |
| 15 |
Set of Five Take-Offs (1906): V. Bad Resolutions and Good One |
Charles Ives |
0:57 |
| 16 |
Study No. 20 (1920s) |
Charles Ives |
7:31 |
| 17 |
Study No. 22 (1909) |
Charles Ives |
1:57 |
| 18 |
Study No. 21 "Some South-Paw Pitching" (1917) |
Charles Ives |
2:48 |
| 19 |
Evocations, Four Chants for Piano (1937-1954): I. Largo (To Harriette Miller) |
Carl Ruggles |
2:01 |
| 20 |
Evocations, Four Chants for Piano (1937-1954): II. Andante con fantasia (To John Kirkpatrick) |
Carl Ruggles |
2:51 |
| 21 |
Evocations, Four Chants for Piano (1937-1954): III. Moderato appasionato (To Charlotte Ruggles) |
Carl Ruggles |
1:37 |
| 22 |
Evocations, Four Chants for Piano (1937-1954): IV. Adagio Sostenuto (To Charles Ives) |
Carl Ruggles |
3:32 |