| 1 |
Improvisation on Bach's Arioso, from Cantata No. 156 |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
5:44 |
| 2 |
Air on a Six-String (after Bach's Suite No. 3 for Strings) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
4:05 |
| 3 |
The New Orleans Concerto (after Bach's 1st Movement of the Italian Concerto) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
3:07 |
| 4 |
Honesty (after Bach's 2nd Movement from the Double Concerto) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
5:56 |
| 5 |
Betrayal (after Bach's Prelude No. 2 in C minor from the Well Tempered Clavier 1) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
2:56 |
| 6 |
Oath (after Bach's Prelude No. 3 in C sharp major from the Well Tempered Clavier 2) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
4:35 |
| 7 |
Wheelworks (after Bach's Prelude No. 5 in D major from the Well Tempered Clavier 1) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
3:44 |
| 8 |
Secret (after Bach's Wachet auf, ruft uns die Stimme from Cantata No. 140) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
5:31 |
| 9 |
Candlelight (after Bach's Prelude No. 8 in E flat minor from the Well Tempered Clavier 1) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
3:57 |
| 10 |
Seduction (after Bach's Three-part Invention No. 15) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
2:32 |
| 11 |
The Soul in Stained Glass (after Bach's Largo from Sonata No. 3 for Violin) |
Philip Aaberg, Eugene Friesen & Tracy Silverman |
6:23 |
