| 1 | Petroushskates | Joan Tower | 5:56 |
| 2 | Critical Moments 2: I. Dotted eighth note = 120 | George Perle | 1:15 |
| 3 | Critical Moments 2: II. Quarter note: 104 | George Perle | 1:16 |
| 4 | Critical Moments 2: III. Eighth note = 88 | George Perle | 2:07 |
| 5 | Critical Moments 2: IV. Eighth note = 112 | George Perle | 0:54 |
| 6 | Critical Moments 2: V. Quarter note = 88 | George Perle | 1:22 |
| 7 | Critical Moments 2: VI. Dotted quarter note = 112 | George Perle | 0:49 |
| 8 | Critical Moments 2: VII. Quarter note = 44 | George Perle | 1:29 |
| 9 | Critical Moments 2: VIII. Quarter note = 63 | George Perle | 1:05 |
| 10 | Critical Moments 2: IX. Dotted eighth note = 126 | George Perle | 1:11 |
| 11 | Variations | David Schober | 9:12 |
| 12 | Thirteen Ways: I. Leaden, bleak | Thomas Albert | 2:08 |
| 13 | Thirteen Ways: II. Aloof, persistant | Thomas Albert | 1:50 |
| 14 | Thirteen Ways: III. Nimble, capricious | Thomas Albert | 2:28 |
| 15 | Thirteen Ways: IV. Sensuous, relaxed | Thomas Albert | 3:42 |
| 16 | Thirteen Ways: V. Freely, like a birdsong | Thomas Albert | 1:43 |
| 17 | Thirteen Ways: VI. Subdued, but urgently | Thomas Albert | 2:42 |
| 18 | Thirteen Ways: VII. Exuberant, but increasingly stodgy | Thomas Albert | 1:57 |
| 19 | Thirteen Ways: VIII. Steady, rhythmic | Thomas Albert | 2:37 |
| 20 | Thirteen Ways: IX. Spacious, detached | Thomas Albert | 2:03 |
| 21 | Thirteen Ways: X. Orotund, discordant | Thomas Albert | 1:51 |
| 22 | Thirteen Ways: XI. Driving, relentless | Thomas Albert | 2:07 |
| 23 | Thirteen Ways: XII. Seamless, expansive | Thomas Albert | 1:56 |
| 24 | Thirteen Ways: XIII. Serene | Thomas Albert | 1:42 |