1 |
Petroushskates |
Joan Tower |
5:56 |
2 |
Critical Moments 2: I. Dotted eighth note = 120 |
George Perle |
1:15 |
3 |
Critical Moments 2: II. Quarter note: 104 |
George Perle |
1:16 |
4 |
Critical Moments 2: III. Eighth note = 88 |
George Perle |
2:07 |
5 |
Critical Moments 2: IV. Eighth note = 112 |
George Perle |
0:54 |
6 |
Critical Moments 2: V. Quarter note = 88 |
George Perle |
1:22 |
7 |
Critical Moments 2: VI. Dotted quarter note = 112 |
George Perle |
0:49 |
8 |
Critical Moments 2: VII. Quarter note = 44 |
George Perle |
1:29 |
9 |
Critical Moments 2: VIII. Quarter note = 63 |
George Perle |
1:05 |
10 |
Critical Moments 2: IX. Dotted eighth note = 126 |
George Perle |
1:11 |
11 |
Variations |
David Schober |
9:12 |
12 |
Thirteen Ways: I. Leaden, bleak |
Thomas Albert |
2:08 |
13 |
Thirteen Ways: II. Aloof, persistant |
Thomas Albert |
1:50 |
14 |
Thirteen Ways: III. Nimble, capricious |
Thomas Albert |
2:28 |
15 |
Thirteen Ways: IV. Sensuous, relaxed |
Thomas Albert |
3:42 |
16 |
Thirteen Ways: V. Freely, like a birdsong |
Thomas Albert |
1:43 |
17 |
Thirteen Ways: VI. Subdued, but urgently |
Thomas Albert |
2:42 |
18 |
Thirteen Ways: VII. Exuberant, but increasingly stodgy |
Thomas Albert |
1:57 |
19 |
Thirteen Ways: VIII. Steady, rhythmic |
Thomas Albert |
2:37 |
20 |
Thirteen Ways: IX. Spacious, detached |
Thomas Albert |
2:03 |
21 |
Thirteen Ways: X. Orotund, discordant |
Thomas Albert |
1:51 |
22 |
Thirteen Ways: XI. Driving, relentless |
Thomas Albert |
2:07 |
23 |
Thirteen Ways: XII. Seamless, expansive |
Thomas Albert |
1:56 |
24 |
Thirteen Ways: XIII. Serene |
Thomas Albert |
1:42 |