Complete Recordings on Archiv Produktion and Deutsche Grammophon 7
Photography: Clive BardaPhotography: Sheila Rock
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Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
| 1 | Requiem for Mignon, op. 98b: No. 1 “Wen bringt ihr uns zur stillen Gesellschaft?” (chorus, sopranos I & II, altos I & II) / No. 2 “Ach! Wie ungern brachten wir ihn her!” (soprano I, alto I) / No. 3 “Seht die mächtigen Flügel doch an!” (chorus, sopranos I & II) / No. 4 “In euch lebe die bildende Kraft” (chorus, sopranos I & II, alto I) / No. 5 “Kinder! kehret ins Leben zurück!” (bass, sopranos I & II, altos I & II, chorus) / No. 6 “Kinder! eilet ins Leben hinan!” (chorus, sopranos I & II) | Robert Schumann | 12:46 |
| 2 | Nachtlied, op. 108: “Quellende, schwellende Nacht” | Robert Schumann | 9:14 |
| 3 | Das Paradies und die Peri, op. 50: Part One. No. 1 “Vor Edens Tor im Morgenprangen” (alto solo) | Robert Schumann | 4:12 |
| 4 | Das Paradies und die Peri, op. 50: Part One. No. 2 “Wie glücklich sie wandeln, die sel'gen Geister” (The Peri) | Robert Schumann | 2:14 |
| 5 | Das Paradies und die Peri, op. 50: Part One. No. 3 Recitative “Der hehre Engel, der die Pforte des Lichts bewacht” (tenor solo) - “Dir, Kind des Stamms, schön, doch voll Sünden” (The Angel) | Robert Schumann | 1:58 |
| 6 | Das Paradies und die Peri, op. 50: Part One. No. 4 “Wo find' ich sie? Wo blüht, wo liegt die Gabe” (The Peri) | Robert Schumann | 2:30 |
| 7 | Das Paradies und die Peri, op. 50: Part One. No. 5 “So sann sie nach und schwang die Flügel” (tenor solo) - “O süßes Land! O Götterpracht!” (vocal quartet) | Robert Schumann | 1:07 |
| 8 | Das Paradies und die Peri, op. 50: Part One. No. 6 “Doch seine Ströme sing jetzt rot” (chorus) | Robert Schumann | 2:45 |
| 9 | Das Paradies und die Peri, op. 50: Part One. No. 7 “Und einsam steht ein Jüngling noch” (tenor solo, chorus) - “Komm, kühner Held, unud huld'ge mir” (Gazna) - “Du schlugst des Landes Bürger” (The Young Man, Gazna) | Robert Schumann | 2:26 |
| 10 | Das Paradies und die Peri, op. 50: Part One. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus) | Robert Schumann | 2:13 |
| 11 | Das Paradies und die Peri, op. 50: Part One. No. 9 “Die Peri sah das Mal der Wunde” (tenor solo) - “Sei dies, mein Geschenk, willkommen dorten” (The Peri, vocal quartet, chorus) | Robert Schumann | 6:50 |
Schumann: Das Paradies und die Peri (Parts II & III)
| 1 | Das Paradies und die Peri, op. 50: Part Two. No. 10 “Die Peri tritt mit schüchterner Gebärde vor Edens Tor” (tenor solo) - “Gern grüßen wir, die so gegangen” (The Angel, chorus) | Robert Schumann | 3:01 |
| 2 | Das Paradies und die Peri, op. 50: Part Two. No. 11 “Ihr erstes Himmelschoffen schwand” (tenor solo) - “Hervor aus den Wässern geschwind” - “Ach Eden, ach Eden” (chorus, The Peri) | Robert Schumann | 3:35 |
| 3 | Das Paradies und die Peri, op. 50: Part Two. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor solo) - “Für euren ersten Fall” (The Peri) | Robert Schumann | 3:46 |
| 4 | Das Paradies und die Peri, op. 50: Part Two. No. 13 “Die Peri weint” (tenor solo, vocal quartet) | Robert Schumann | 2:35 |
| 5 | Das Paradies und die Peri, op. 50: Part Two. No. 14 “Im Waldesgrün am stillen See” (alto) - “Ach, einen Tropfen nur aus der See” (The Young Man) | Robert Schumann | 3:11 |
| 6 | Das Paradies und die Peri, op. 50: Part Two. No. 15 “Verlassener Jüngling” (mezzo-soprano solo) - “Doch sieh, wer naht dort leise schleichend” (tenor solo) - “Du hier?” (The Young Man) | Robert Schumann | 4:02 |
| 7 | Das Paradies und die Peri, op. 50: Part Two. No. 16 “O lass mich von der Luft durchdringen” (The Maiden) | Robert Schumann | 4:20 |
| 8 | Das Paradies und die Peri, op. 50: Part Two. 4 bars before No. 17 “Schlaf nun und ruhe in Träumen voll Duft” (The Peri, chorus) | Robert Schumann | 4:04 |
| 9 | Das Paradies und die Peri, op. 50: Part Three. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus) - “Auch der Geliebten vergesset nicht” (vocal quartet: sopranos I & II, altos I & II) - “Seht da, die Bahn zum ew'gen Licht” (sopranos I & II, chorus) | Robert Schumann | 2:50 |
| 10 | Das Paradies und die Peri, op. 50: Part Three. 3 bars before No. 19 “Dem Sang von ferne lauschend” (tenor solo) - “Noch nicht! Treu war die Maid” (The Angel) | Robert Schumann | 2:58 |
| 11 | Das Paradies und die Peri, op. 50: Part Three. No. 20 “Verstoßen! Verschlossen aufs neu das Goldportal!” (The Peri) | Robert Schumann | 4:14 |
| 12 | Das Paradies und die Peri, op. 50: Part Three. No. 21 “Jetzt sank des Abends goldner Schein” (baritone solo) | Robert Schumann | 4:21 |
| 13 | Das Paradies und die Peri, op. 50: Part Three. No. 22 “Und wie sie niederwärts sich schwingt” (tenor solo) - “Peri, ist's wahr, dass du in den Himmel willst?” (vocal quartet: sopranos I & II, altos I & II) - “Mit ihrer Schwestern Worten wächst ihr Schmerz” (baritone solo) | Robert Schumann | 3:54 |
| 14 | Das Paradies und die Peri, op. 50: Part Three. No. 23 “Hinab zu jenem Sonnentempel!” (The Peri) - “Sie schwebt herab im frohen Hoffen” (tenor solo) - “Doch horch, wie Vesperruf zum Beten” (mezzo-soprano solo) - “Und was fühlt er, der sünd'ge Mann” (tenor solo) - “'s war eine Zeit, due selig Kind” (The Man) | Robert Schumann | 5:51 |
| 15 | Das Paradies und die Peri, op. 50: Part Three. No. 24 “O heil'ge Tränen inn'ger Reue” (vocal quartet, chorus) | Robert Schumann | 3:15 |
| 16 | Das Paradies und die Peri, op. 50: Part Three. No. 25 “Es fällt ein Tropfen aufs Land Ägypten” (The Peri) - “Und sieh, demütig betend kniet der Mann” (tenor solo, chorus) | Robert Schumann | 7:14 |
| 17 | Das Paradies und die Peri, op. 50: Part Three. No. 26 “Freud', ew'ge Freude, mein Werk ist getan” - “Willkommen, willkommen unter den Frommen!” (The Peri, chorus) | Robert Schumann | 6:22 |
Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
| 1 | Psalm 24 for Chorus, Organ and Orchestra | Lili Boulanger | 3:59 |
| 2 | Psalm 129 for Chorus and Orchestra | Lili Boulanger | 7:38 |
| 3 | Vieille Prière bouddhique for Tenor, Chorus and Orchestra | Lili Boulanger | 8:36 |
| 4 | Du fond de l'abîme (Psalm 130) for Alto, Tenor, Chorus, Organ and Orchestra | Lili Boulanger | 2:45 |
| 5 | Symphony of Psalms: 1. Exaudi orationem meam, Domine | Lili Boulanger | 3:03 |
| 6 | Symphony of Psalms: 2. Exspectans exspectavi Dominum | Lili Boulanger | 5:50 |
| 7 | Symphony of Psalms: 3. Alleluia, laudate Dominum | Lili Boulanger | 11:25 |
Stravinsky: The Rake's Progress (Acts I & II beg.)
| 1 | The Rake's Progress: Act One. Prelude | Igor Stravinsky | 0:31 |
| 2 | The Rake's Progress: Act One, Scene 1. Duet and Trio: “The woods are green” (Anne, Rakewell, Trulove) | Igor Stravinsky | 3:28 |
| 3 | The Rake's Progress: Act One, Scene 1. Recitative: “Anne, my dear” (Trulove, Anne, Rakewell) | Igor Stravinsky | 0:52 |
| 4 | The Rake's Progress: Act One, Scene 1. Recitative: “Here I stand” (Rakewell) / Aria: “Since it is not by merit” (Rakewell) | Igor Stravinsky | 2:33 |
| 5 | The Rake's Progress: Act One, Scene 1. Recitative: “Tom Rakewell?” (Shadow, Rakewell) | Igor Stravinsky | 1:15 |
| 6 | The Rake's Progress: Act One, Scene 1. Recitative: “Fair lady, gracious gentlemen” (Shadow) / Quartet: “I wished but once” (Rakewell, Shadow, Anne, Trulove) | Igor Stravinsky | 4:59 |
| 7 | The Rake's Progress: Act One, Scene 1. Recitative: “I'll call the coachman, sir” (Shadow, Trulove) | Igor Stravinsky | 0:10 |
| 8 | The Rake's Progress: Act One, Scene 1. Duettino: “Farewell for now” (Anne, Rakewell) | Igor Stravinsky | 1:14 |
| 9 | The Rake's Progress: Act One, Scene 1. Recitative: “All is ready, sir” (Shadow, Rakewell) | Igor Stravinsky | 0:45 |
| 10 | The Rake's Progress: Act One, Scene 1. Arioso: “Dear father Trulove” (Rakewell) / Terzettino: “Laughter and light” (Rakewell, Anne, Trulove, Shadow) | Igor Stravinsky | 2:53 |
| 11 | The Rake's Progress: Act One, Scene 2. Chorus: “With air commanding and weapon handy” | Igor Stravinsky | 2:30 |
| 12 | The Rake's Progress: Act One, Scene 2. Recitative and Scene: “Come, Tom” (Shadow, Rakewell, Mother Goose) | Igor Stravinsky | 3:17 |
| 13 | The Rake's Progress: Act One, Scene 2. Chorus: “Soon dawn will glitter” | Igor Stravinsky | 0:36 |
| 14 | The Rake's Progress: Act One, Scene 2. Recitative: “Sisters of Venus, Brothers of Mars” (Shadow) | Igor Stravinsky | 0:56 |
| 15 | The Rake's Progress: Act One, Scene 2. Cavatina: “Love, too frequently betrayed” (Rakewell) | Igor Stravinsky | 2:44 |
| 16 | The Rake's Progress: Act One, Scene 2. Chorus: “How sad a song” (chorus, Mother Goose) | Igor Stravinsky | 1:04 |
| 17 | The Rake's Progress: Act One, Scene 2. Chorus: “The sun is bright, the grass is green” (chorus, Shadow) | Igor Stravinsky | 2:05 |
| 18 | The Rake's Progress: Act One, Scene 3. Recitative: “No word from Tom” (Anne) | Igor Stravinsky | 1:56 |
| 19 | The Rake's Progress: Act One, Scene 3. Aria: “Quietly, night” (Anne, Trulove) | Igor Stravinsky | 2:11 |
| 20 | The Rake's Progress: Act One, Scene 3. Recitative: “My father! Can I desert him” (Anne) | Igor Stravinsky | 1:00 |
| 21 | The Rake's Progress: Act One, Scene 3. Cabaletta: “I go, I go to him” (Anne) | Igor Stravinsky | 2:49 |
| 22 | The Rake's Progress: Act Two, Scene 1. Aria: “Vary the song, O London, change!” (Rakewell) | Igor Stravinsky | 2:50 |
| 23 | The Rake's Progress: Act Two, Scene 1. Recitative: “Nature, green unnatural mother” (Rakewell) | Igor Stravinsky | 2:23 |
| 24 | The Rake's Progress: Act Two, Scene 1. Aria (reprise): “Always the quarry” (Rakewell) | Igor Stravinsky | 1:34 |
| 25 | The Rake's Progress: Act Two, Scene 1. Recitative: “Master, are you alone?” (Shadow, Rakewell) | Igor Stravinsky | 1:07 |
| 26 | The Rake's Progress: Act Two, Scene 1. “Come master, observe the host” (Shadow) | Igor Stravinsky | 1:11 |
| 27 | The Rake's Progress: Act Two, Scene 1. Aria: “In youth the panting slave” (Shadow) | Igor Stravinsky | 1:58 |
| 28 | The Rake's Progress: Act Two, Scene 1. Duet-Finale: “My tale shall be told” (Rakewell, Shadow) | Igor Stravinsky | 2:21 |
| 29 | The Rake's Progress: Act Two, Scene 2. Introduction | Igor Stravinsky | 1:50 |
| 30 | The Rake's Progress: Act Two, Scene 2. Recitative: “How strange” (Anne) / Arioso: “O heart be stronger” (Anne) | Igor Stravinsky | 3:28 |
| 31 | The Rake's Progress: Act Two, Scene 2. Duet: “Anne! here!” (Rakewell, Anne) | Igor Stravinsky | 2:31 |
| 32 | The Rake's Progress: Act Two, Scene 2. Recitative: “My love, am I to remain in here for ever?” (Baba, Anne, Rakewell) | Igor Stravinsky | 0:58 |
| 33 | The Rake's Progress: Act Two, Scene 2. Trio: “Could it then have been known” (Anne, Rakewell, Baba) | Igor Stravinsky | 3:07 |
| 34 | The Rake's Progress: Act Two, Scene 2. Finale: “I have not run away” (Baba, Rakewell, chorus) | Igor Stravinsky | 2:24 |
Stravinsky: The Rake's Progress (Acts II cont. & III)
| 1 | The Rake's Progress: Act Two, Scene 3. Aria: “As I was saying” (Baba, Rakewell) / Baba's Song: “Come, sweet, come” (Baba, Rakewell) / Aria: “Scorned! Abused!” (Baba) | Igor Stravinsky | 3:33 |
| 2 | The Rake's Progress: Act Two, Scene 3. Recitative: “My heart is cold, I cannot weep” (Rakewell) | Igor Stravinsky | 0:21 |
| 3 | The Rake's Progress: Act Two, Scene 3. Pantomime: “Fa la la” (Shadow) | Igor Stravinsky | 1:03 |
| 4 | The Rake's Progress: Act Two, Scene 3. Recitative - Arioso - Recitative: “Oh, I wish, is were true” (Rakewell, Shadow) | Igor Stravinsky | 1:43 |
| 5 | The Rake's Progress: Act Two, Scene 3. Duet: “Thanks to this excellent device” (Rakewell, Shadow) | Igor Stravinsky | 1:38 |
| 6 | The Rake's Progress: Act Two, Scene 3. Recitative: “Forgive me, master” (Shadow, Rakewell) | Igor Stravinsky | 2:26 |
| 7 | The Rake's Progress: Act Three, Scene 1. “Ruin, Disaster, Shame” (chorus, Anne, Sellem) | Igor Stravinsky | 3:02 |
| 8 | The Rake's Progress: Act Three, Scene 1. Recitative: “Ladies, both fair and gracious” (Sellem) | Igor Stravinsky | 1:27 |
| 9 | The Rake's Progress: Act Three, Scene 1. Aria: “Who hears me, knows me” (Sellem, chorus) / Bidding Scene: “Seven - eleven” (chorus, Sellem) / Aria: “Behold it, Roman, moral” (Sellem, chorus) / Bidding Scene: “Fifteen - and a half” (chorus, Sellem) / Recitative: “Wonderful” (Sellem) / Aria (cont.): “An unknown object draws us” (Sellem, chorus) / Final Bidding Scene: “Fifty - fifty-five” (chorus, Sellem, Baba) | Igor Stravinsky | 3:30 |
| 10 | The Rake's Progress: Act Three, Scene 1. Aria: “Sold! Annoyed!” (Baba, chorus, Rakewell, Shadow) / Recitative: “Now what was that!” (chorus, Baba, Anne, Sellem) | Igor Stravinsky | 2:12 |
| 11 | The Rake's Progress: Act Three, Scene 1. Duet: “You love him” (Baba, Anne, chorus, Sellem) / Ballad Tune: “If boys had wings” (Rakewell, Shadow, Anne, Baba, Sellem, chorus) | Igor Stravinsky | 4:02 |
| 12 | The Rake's Progress: Act Three, Scene 1. Stretto-Finale: “I go to him” (Anne, Baba, Sellem, chorus) / Ballad Tune (reprise): “Who cares a fig” (Rakewell, Shadow, Baba, chorus) | Igor Stravinsky | 1:52 |
| 13 | The Rake's Progress: Act Three, Scene 2. Prelude | Igor Stravinsky | 2:06 |
| 14 | The Rake's Progress: Act Three, Scene 2. Duet: “How dark and dreadful is this place” (Rakewell, Shadow) | Igor Stravinsky | 4:14 |
| 15 | The Rake's Progress: Act Three, Scene 2. Recitative: “Very well, then, my dear and good Tom” (Shadow, Rakewell) | Igor Stravinsky | 1:04 |
| 16 | The Rake's Progress: Act Three, Scene 2. Duet: “Well, then” - “My heart is wild with fear” (Shadow, Rakewell, Anne) | Igor Stravinsky | 6:35 |
| 17 | The Rake's Progress: Act Three, Scene 2. “I burn! I burn! I freeze!” (Shadow) | Igor Stravinsky | 2:16 |
| 18 | The Rake's Progress: Act Three, Scene 2. “With roses crowned” (Rakewell) | Igor Stravinsky | 1:22 |
| 19 | The Rake's Progress: Act Three, Scene 3. Arioso: “Prepare yourselves, heroic shades” (Rakewell) / Dialogue: “Madmen's words are all untrue” (chorus, Rakewell) / Chorus - Minuet: “Leave all love and hope behind” | Igor Stravinsky | 3:22 |
| 20 | The Rake's Progress: Act Three, Scene 3. Recitative: “There he is. Have no fear” (Keeper, Anne, Rakewell) | Igor Stravinsky | 0:56 |
| 21 | The Rake's Progress: Act Three, Scene 3. Arioso: “I have waited” (Rakewell) | Igor Stravinsky | 1:01 |
| 22 | The Rake's Progress: Act Three, Scene 3. Duet: “In a foolish dream” (Rakewell, Anne) | Igor Stravinsky | 2:35 |
| 23 | The Rake's Progress: Act Three, Scene 3. Recitative: “I am exceedingly weary” (Rakewell) | Igor Stravinsky | 0:56 |
| 24 | The Rake's Progress: Act Three, Scene 3. Lullaby: “Gently, little boat” (Anne, chorus) | Igor Stravinsky | 3:00 |
| 25 | The Rake's Progress: Act Three, Scene 3. Recitative: “Anne, my dear, the tale is ended now” (Trulove, Anne) | Igor Stravinsky | 0:50 |
| 26 | The Rake's Progress: Act Three, Scene 3. Duettino: “Every wearied body” (Anne, Trulove) | Igor Stravinsky | 1:38 |
| 27 | The Rake's Progress: Act Three, Scene 3. Finale - Recitative: “Where art thou, Venus?” (Rakewell, chorus) | Igor Stravinsky | 2:51 |
| 28 | The Rake's Progress: Act Three, Scene 3. Mourning Chorus: “Mourn for Adonis” | Igor Stravinsky | 1:39 |
| 29 | The Rake's Progress: Act Three, Epilogue. “Good people, just a moment” (Anne, Baba, Rakewell, Shadow, Trulove) | Igor Stravinsky | 2:28 |
Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
| 1 | Die sieben Todsünden: Prologue: “Meine Schwester und ich stammen aus Louisiana” (Anna) | Kurt Weill | 3:24 |
| 2 | Die sieben Todsünden: 1. Faulheit: “Hoffentlich nimmt sich unsre Anna auch zusammen” (family) | Kurt Weill | 3:47 |
| 3 | Die sieben Todsünden: 2. Stolz: “Als wir aber ausgestattet waren” (Anna, family) | Kurt Weill | 4:18 |
| 4 | Die sieben Todsünden: 3. Zorn: “Das geht nicht vorwärts!” (family, Anna) | Kurt Weill | 4:00 |
| 5 | Die sieben Todsünden: 4. Völlerei: “Da ist ein Brief aus Philadelphia” (family) | Kurt Weill | 2:58 |
| 6 | Die sieben Todsünden: 5. Unzucht: “Und wir fanden einen Mann in Boston” (Anna, family) | Kurt Weill | 5:37 |
| 7 | Die sieben Todsünden: 6. Habsucht: “Wie hier in der Zeitung steht, ist Anna” (family) | Kurt Weill | 2:56 |
| 8 | Die sieben Todsünden: 7. Neid: “Und die letzte Stadt der Reise war San Francisco” (Anna, family) | Kurt Weill | 5:06 |
| 9 | Die sieben Todsünden: Epilogue: “Darauf kehrten wir zurück nach Louisiana” (Anna) | Kurt Weill | 1:55 |
| 10 | Lady in the Dark: My Ship | Kurt Weill | 2:42 |
| 11 | Lady in the Dark: One Life to Live | Kurt Weill | 3:04 |
| 12 | Buddy on the Nightshift | Kurt Weill | 2:09 |
| 13 | Nannas Lied | Kurt Weill | 4:06 |
| 14 | Happy End: Bilbao-Song | Kurt Weill | 4:27 |
| 15 | Happy End: Surabaya-Johnny | Kurt Weill | 6:01 |
| 16 | Happy End: Das Lied von der harten Nuss | Kurt Weill | 1:08 |
| 17 | Je ne t'aime pas | Kurt Weill | 4:29 |
| 18 | Schickelgruber | Kurt Weill | 2:51 |
| 19 | Der Abschiedsbrief | Kurt Weill | 3:28 |
| 20 | One Touch of Venus: Foolish Heart | Kurt Weill | 2:28 |
| 21 | One Touch of Venus: Speak Low | Kurt Weill | 3:59 |
| 22 | One Touch of Venus: I'm a Stranger Here Myself | Kurt Weill | 3:13 |
Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
| 1 | Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé | 8:15 |
| 2 | Waltz “Wiener Bürger”, op. 419 | Carl Michael Ziehrer | 8:52 |
| 3 | Waltz “Ballsirenen” | Franz Lehár | 7:14 |
| 4 | Waltz “Die Schönbrunner”, op. 200 | Josef Lanner | 8:14 |
| 5 | Fächer-Polonaise, op. 525 | Carl Michael Ziehrer | 3:16 |
| 6 | Waltz “Gold und Silber”, op. 79 | Franz Lehár | 8:55 |
| 7 | Tourbillon-Galopp, op. 142 no. 1 | Josef Lanner | 1:52 |
| 8 | Schönfeld-Marsch, op. 422 | Carl Michael Ziehrer | 2:56 |
| 9 | Der Opernball: Overture | Richard Heuberger | 7:03 |
Mozart: Thamos, König in Ägypten
| 1 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 1a Chor mit Solisten: »Schon weichet dir, Sonne« | Sir John Eliot Gardiner | 6:47 |
| 2 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 2 Zwischenakt | Sir John Eliot Gardiner | 6:30 |
| 3 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 3 Zwischenakt | Sir John Eliot Gardiner | 4:23 |
| 4 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 4 Zwischenakt | Sir John Eliot Gardiner | 2:57 |
| 5 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 5 Zwischenakt | Sir John Eliot Gardiner | 3:27 |
| 6 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 6a Chor mit Solisten: »Gottheit, über alle mächtig!« | Sir John Eliot Gardiner | 4:53 |
| 7 | Thamos, König in Ägypten, K. 345 (336a) (Original Version 1776): Nr. 7a Schlussmusik zum 5. Akt | Sir John Eliot Gardiner | 1:25 |
| 8 | Thamos, König in Ägypten, K. 345 (336a) (Final Versions 1779/1780): Nr. 1 Chor mit Solisten: »Schon weichet dir, Sonne« | Sir John Eliot Gardiner | 7:09 |
| 9 | Thamos, König in Ägypten, K. 345 (336a) (Final Versions 1779/1780): Nr. 6 Chor mit Solisten: »Gottheit, über alle mächtig!« | Sir John Eliot Gardiner | 9:40 |
| 10 | Thamos, König in Ägypten, K. 345 (336a) (Final Versions 1779/1780): Nr. 7b Chor mit Solo (Sethos): »Ihr Kinder des Stabes, erzittert« | Sir John Eliot Gardiner | 7:11 |