1 | Roméo et Juliette, op. 17: Grande fête chez Capulet | Hector Berlioz | 11:46 |
2 | Roméo et Juliette, op. 17: La reine Mab. Scherzo | Hector Berlioz | 7:42 |
3 | Roméo et Juliette, op. 17: Scène d’amour | Hector Berlioz | 1:45 |
4 | Roméo et Juliette, op. 17: Roméo au tombeau des Capulets | Hector Berlioz | 8:04 |
1 | Romeo and Juliet | Pyotr Ilyich Tchaikovsky | 2:13 |
2 | Romeo and Juliet: The Montagues and the Capulets | Serge Prokofiev | 5:27 |
3 | Romeo and Juliet: Dance | Serge Prokofiev | 1:50 |
4 | Romeo and Juliet: Romeo at Juliet’s Tomb | Serge Prokofiev | 6:33 |
5 | Romeo and Juliet: Dance of the Girls from the Antilles | Serge Prokofiev | 2:17 |
6 | Romeo and Juliet: Tybalt’s Death | Serge Prokofiev | 4:43 |
1 | L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse | Igor Stravinsky | 3:25 |
2 | L'Oiseau de feu: Variation de l’Oiseau de feu | Igor Stravinsky | 1:16 |
3 | L'Oiseau de feu: Ronde des princesses (Khorovode) | Igor Stravinsky | 5:30 |
4 | L'Oiseau de feu: Danse infernale du roi Kachtcheï | Igor Stravinsky | 3:56 |
5 | L'Oiseau de feu: Berceuse | Igor Stravinsky | 3:26 |
6 | L'Oiseau de feu: Final | Igor Stravinsky | 3:27 |
7 | Le Chant du rossignol: Introduction. Presto – Andantino – Tempo I | Igor Stravinsky | 2:29 |
8 | Le Chant du rossignol: Marche chinoise | Igor Stravinsky | 3:41 |
9 | Le Chant du rossignol: Chant du rossignol | Igor Stravinsky | 3:37 |
10 | Le Chant du rossignol: Jeu du rossignol mécanique | Igor Stravinsky | 12:50 |
1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | Ludwig van Beethoven | 7:58 |
2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | Ludwig van Beethoven | 10:45 |
3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | Ludwig van Beethoven | 4:52 |
4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | Ludwig van Beethoven | 8:42 |
5 | Overture "The Consecration of the House", op. 124 | Ludwig van Beethoven | 12:13 |
1 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio | Johannes Brahms | 9:53 |
2 | Symphony no. 3 in F major, op. 90: 2. Andante | Johannes Brahms | 9:13 |
3 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | Johannes Brahms | 6:33 |
4 | Symphony no. 3 in F major, op. 90: 4. Allegro | Johannes Brahms | 8:40 |
5 | Tragic Overture, op. 81 | Johannes Brahms | 11:31 |
1 | Pini di Roma: 1. I pini di Villa Borghese | Ottorino Respighi | 2:35 |
2 | Pini di Roma: 2. Pini presso una catacomba | Ottorino Respighi | 6:24 |
3 | Pini di Roma: 3. I pini del Gianicolo | Ottorino Respighi | 6:39 |
4 | Pini di Roma: 4. I pini della Via Appia | Ottorino Respighi | 4:52 |
5 | Night on Bald Mountain | Modest Mussorgsky | 9:50 |
6 | Capriccio espagnol, op. 34: 1. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov | 1:12 |
7 | Capriccio espagnol, op. 34: 2. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov | 4:47 |
8 | Capriccio espagnol, op. 34: 3. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov | 1:11 |
9 | Capriccio espagnol, op. 34: 4. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov | 4:27 |
10 | Capriccio espagnol, op. 34: 5. Fandango asturiano | Nikolai Rimsky-Korsakov | 3:05 |
1 | Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto – Allegro vivace | Franz Schubert | 7:54 |
2 | Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante | Franz Schubert | 9:14 |
3 | Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace – Trio | Franz Schubert | 3:39 |
4 | Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro | Franz Schubert | 6:54 |
5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato | Franz Schubert | 10:54 |
6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante con moto | Franz Schubert | 11:36 |
1 | Symphony no. 1 in E-flat major, K. 16: 1. Allegro molto | Wolfgang Amadeus Mozart | 3:01 |
2 | Symphony no. 1 in E-flat major, K. 16: 2. Andante | Wolfgang Amadeus Mozart | 2:04 |
3 | Symphony no. 1 in E-flat major, K. 16: 3. Presto | Wolfgang Amadeus Mozart | 2:18 |
4 | Symphony no. 28 in C major, K. 200 (189k): 1. Allegro spiritoso | Wolfgang Amadeus Mozart | 5:21 |
5 | Symphony no. 28 in C major, K. 200 (189k): 2. Andante | Wolfgang Amadeus Mozart | 4:49 |
6 | Symphony no. 28 in C major, K. 200 (189k): 3. Menuetto. Allegretto – Trio | Wolfgang Amadeus Mozart | 4:04 |
7 | Symphony no. 28 in C major, K. 200 (189k): 4. Presto | Wolfgang Amadeus Mozart | 3:28 |
8 | Symphony no. 41 in C major. K. 551 “Jupiter”: 1. Allegro vivace | Wolfgang Amadeus Mozart | 8:23 |
9 | Symphony no. 41 in C major. K. 551 “Jupiter”: 2. Andante cantabile | Wolfgang Amadeus Mozart | 8:02 |
10 | Symphony no. 41 in C major. K. 551 “Jupiter”: 3. Menuetto. Allegretto – Trio | Wolfgang Amadeus Mozart | 5:32 |
11 | Symphony no. 41 in C major. K. 551 “Jupiter”: 4. Finale. Molto allegro | Wolfgang Amadeus Mozart | 6:22 |
1 | Symphony No. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | Ludwig van Beethoven | 9:31 |
2 | Symphony No. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach | Ludwig van Beethoven | 11:46 |
3 | Symphony No. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute | Ludwig van Beethoven | 5:25 |
4 | Symphony No. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm | Ludwig van Beethoven | 3:40 |
5 | Symphony No. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | Ludwig van Beethoven | 9:25 |
6 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Ludwig van Beethoven | 0:30 |
7 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Ludwig van Beethoven | 0:34 |
8 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Ludwig van Beethoven | 1:02 |
9 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Ludwig van Beethoven | 0:33 |
10 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Ludwig van Beethoven | 1:01 |
11 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Ludwig van Beethoven | 1:16 |
12 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Ludwig van Beethoven | 0:43 |
13 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Ludwig van Beethoven | 0:24 |
14 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Ludwig van Beethoven | 0:25 |
15 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Ludwig van Beethoven | 1:06 |
16 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Ludwig van Beethoven | 0:28 |
17 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Ludwig van Beethoven | 1:48 |
1 | L’Enfant et les sortilèges: "J’ai pas envie de faire ma page" (L’Enfant) | Maurice Ravel | 2:04 |
2 | L’Enfant et les sortilèges: "Bébé a été sage?" (Maman) | Maurice Ravel | 1:12 |
3 | L’Enfant et les sortilèges: "Ça m’est égal!" (L’Enfant) | Maurice Ravel | 1:08 |
4 | L’Enfant et les sortilèges: "Votre serviteur humble, Bergère" (Le Fauteuil, La Bergère, Les Meubles) | Maurice Ravel | 1:46 |
5 | L’Enfant et les sortilèges: "Ding, ding, ding, ding" (L’Horloge comtoise, L’Enfant) | Maurice Ravel | 1:19 |
6 | L’Enfant et les sortilèges: "How’s your mug?" (La Théière, La Tasse) | Maurice Ravel | 0:54 |
7 | L’Enfant et les sortilèges: "Keng-ça-fou, Mah-jong" (La Tasse, La Théière) | Maurice Ravel | 1:30 |
8 | L’Enfant et les sortilèges: "Oh ! Ma belle tasse chinoise!" (L’Enfant) | Maurice Ravel | 0:42 |
9 | L’Enfant et les sortilèges: "Arrière ! Je réchauffe les bons" (Le Feu, L’Enfant) | Maurice Ravel | 2:22 |
10 | L’Enfant et les sortilèges: "Adieu, pastourelles!" (Les Pâtres, Les Pastoures, Un Pâtre, Une Pastourelle) | Maurice Ravel | 3:09 |
11 | L’Enfant et les sortilèges: "Ah! C’est Elle! C’est Elle!" (L’Enfant, La Princesse) | Maurice Ravel | 4:57 |
12 | L’Enfant et les sortilèges: "Toi, le cœur de la rose" (L’Enfant) | Maurice Ravel | 1:44 |
13 | L’Enfant et les sortilèges: "Deux robinets coulent dans un réservoir!" (Le Petit Vieillard, L’Enfant, Les Chiffres) | Maurice Ravel | 1:47 |
14 | L’Enfant et les sortilèges: "Oh! Ma tête!" (L’Enfant) | Maurice Ravel | 1:16 |
15 | L’Enfant et les sortilèges: Duo miaulé (Le Chat, La Chatte) | Maurice Ravel | 1:34 |
16 | L’Enfant et les sortilèges: Musique d’insectes, de rainettes, etc. | Maurice Ravel | 1:06 |
17 | L’Enfant et les sortilèges: "Ah ! Quelle joie de te retrouver, Jardin!" (L’Enfant, L’Arbre, Les Autres Arbres) | Maurice Ravel | 1:41 |
18 | L’Enfant et les sortilèges: "Où es-tu ? Je te cherche…" (La Libellule, Le Rossignol, L’Enfant) | Maurice Ravel | 1:51 |
19 | L’Enfant et les sortilèges: Ronde des Chauves-Souris: "Rends-la-moi…tsk, tsk… " (La Chauve-Souris, L’Enfant) | Maurice Ravel | 0:34 |
20 | L’Enfant et les sortilèges: Danse des rainettes | Maurice Ravel | 1:54 |
21 | L’Enfant et les sortilèges: "Sauve-toi, sotte! Et la cage? La cage?" (L’Écureuil, La Rainette) | Maurice Ravel | 0:56 |
22 | L’Enfant et les sortilèges: "La cage, c’était pour mieux voir ta prestesse" (L’Enfant, L’Écureuil) | Maurice Ravel | 1:45 |
23 | L’Enfant et les sortilèges: "Ah! C’est l’Enfant au couteau!" (Les Bêtes, Les Arbres) | Maurice Ravel | 0:36 |
24 | L’Enfant et les sortilèges: "Il a pansé la plaie ... " (Les Bêtes) | Maurice Ravel | 2:21 |
25 | L’Enfant et les sortilèges: "Il est bon, l’Enfant, il est sage" (Les Bêtes, L’Enfant) | Maurice Ravel | 2:44 |
1 | Symphony no. 4 in A major, op. 90 "Italian": 1. Allegro vivace | Felix Mendelssohn | 7:34 |
2 | Symphony no. 4 in A major, op. 90 "Italian": 2. Andante con moto | Felix Mendelssohn | 6:00 |
3 | Symphony no. 4 in A major, op. 90 "Italian": 3. Con moto moderato | Felix Mendelssohn | 6:54 |
4 | Symphony no. 4 in A major, op. 90 "Italian": 4. Saltarello. Presto | Felix Mendelssohn | 5:52 |
5 | Symphony no. 5 in D major, op. 107 "Reformation": 1. Allegro – Allegro con fuoco | Felix Mendelssohn | 10:33 |
6 | Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace | Felix Mendelssohn | 5:22 |
7 | Symphony no. 5 in D major, op. 107 "Reformation": 3. Andante | Felix Mendelssohn | 3:00 |
8 | Symphony no. 5 in D major, op. 107 "Reformation": 4. Chorale “Ein feste Burg ist unser Gott”. Andante con moto – Allegro maestoso | Felix Mendelssohn | 7:55 |
1 | Symphony no. 5 in B-flat major, D. 485: 1. Allegro | Franz Schubert | 4:57 |
2 | Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto | Franz Schubert | 10:45 |
3 | Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto – Trio | Franz Schubert | 4:21 |
4 | Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace | Franz Schubert | 5:42 |
5 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 1. Adagio – Allegro | Franz Schubert | 6:46 |
6 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 2. Andante | Franz Schubert | 4:34 |
7 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 3. Scherzo. Presto – Più lento | Franz Schubert | 4:38 |
8 | Symphony no. 6 in C major D. 589 "Little C major Symphony" 4. Allegro moderato | Franz Schubert | 7:46 |
1 | Symphony in D minor: 1. Lento – Allegro non troppo | César Franck | 1:47 |
2 | Symphony in D minor: 2. Allegretto | César Franck | 9:44 |
3 | Symphony in D minor: 3. Allegro non troppo | César Franck | 9:15 |
1 | The Young Person’s Guide to the Orchestra, op. 34: Tuning up – "These are sounds made by a hundred musicians playing many different kinds of instruments" | Benjamin Britten | 1:04 |
2 | The Young Person’s Guide to the Orchestra, op. 34: "It all starts with an idea" | Benjamin Britten | 2:03 |
3 | The Young Person’s Guide to the Orchestra, op. 34: "All of them are now ready …". Theme | Benjamin Britten | 2:42 |
4 | The Young Person’s Guide to the Orchestra, op. 34: "It is time that each instrument speaks for itself". Variation A | Benjamin Britten | 0:31 |
5 | The Young Person’s Guide to the Orchestra, op. 34: "When two oboes discuss the theme, their observation may seem more penetrating". Variation B | Benjamin Britten | 0:44 |
6 | The Young Person’s Guide to the Orchestra, op. 34: "Clarinets are glib talkers and are very popular". Variation C | Benjamin Britten | 0:40 |
7 | The Young Person’s Guide to the Orchestra, op. 34: "Easily recognized is the gossip of the bassoon". Variation D | Benjamin Britten | 0:51 |
8 | The Young Person’s Guide to the Orchestra, op. 34: "30 of the 60 string players are violinists". Variation E | Benjamin Britten | 0:46 |
9 | The Young Person’s Guide to the Orchestra, op. 34: "The alto voice of the viola is larger than the violin’s". Variation F | Benjamin Britten | 0:54 |
10 | The Young Person’s Guide to the Orchestra, op. 34: "The violoncello is larger still". Variation G | Benjamin Britten | 1:13 |
11 | The Young Person’s Guide to the Orchestra, op. 34: "The double bass stands as high as a man". Variation H | Benjamin Britten | 1:03 |
12 | The Young Person’s Guide to the Orchestra, op. 34: Words plucked from any of the harp’s 47 strings are always easy to understand". Variation I | Benjamin Britten | 0:52 |
13 | The Young Person’s Guide to the Orchestra, op. 34: "The horn is a brass instrument". Variation J | Benjamin Britten | 1:13 |
14 | The Young Person’s Guide to the Orchestra, op. 34: "These two trumpets challenge each other in a brilliant exchange". Variation K | Benjamin Britten | 0:32 |
15 | The Young Person’s Guide to the Orchestra, op. 34: "The giants of the brass, the trombones and tuba, always like to have the last word". Variation L | Benjamin Britten | 1:00 |
16 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Benjamin Britten | 1:37 |
17 | The Young Person’s Guide to the Orchestra, op. 34: "Everyone has had his say". Fugue | Benjamin Britten | 3:10 |
18 | Peter and the Wolf, op. 67: Introduction. "Peter and the Wolf – a musical tale for children" | Serge Prokofiev | 2:01 |
19 | Peter and the Wolf, op. 67: "Now to our story. Early one morning, Peter opened the gate …" | Serge Prokofiev | 4:39 |
20 | Peter and the Wolf, op. 67: "Suddenly, something caught Peter’s attention" | Serge Prokofiev | 4:07 |
21 | Peter and the Wolf, op. 67: "No sooner had Peter gone …" | Serge Prokofiev | 3:09 |
22 | Peter and the Wolf, op. 67: "And now, this is how things stood" | Serge Prokofiev | 6:03 |
23 | Peter and the Wolf, op. 67: "But now … now the hunters came out of the woods" | Serge Prokofiev | 2:12 |
24 | Peter and the Wolf, op. 67: "And now … now imagine the triumphant procession" | Serge Prokofiev | 4:40 |
1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | Pyotr Ilyich Tchaikosvky | 1:46 |
2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | Pyotr Ilyich Tchaikosvky | 8:43 |
3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo (Pizzicato ostinato). Allegro | Pyotr Ilyich Tchaikosvky | 5:34 |
4 | Symphony no. 4 in F minor, op. 36: 3. Scherzo (Pizzicato ostinato). Allegro | Pyotr Ilyich Tchaikosvky | 8:32 |
1 | Symphony no. 2 in B-flat major, D. 125: 1. Largo – Allegro vivace | Franz Schubert | 10:20 |
2 | Symphony no. 2 in B-flat major, D. 125: 2. Andante – Variationen I–V | Franz Schubert | 7:38 |
3 | Symphony no. 2 in B-flat major, D. 125: 3. Menuetto. Allegro vivace – Trio | Franz Schubert | 3:28 |
4 | Symphony no. 2 in B-flat major, D. 125: 4. Presto vivace | Franz Schubert | 5:56 |
5 | Symphony no. 3 in D major, D. 200: 1. Adagio maestoso – Allegro con brio | Franz Schubert | 8:38 |
6 | Symphony no. 3 in D major, D. 200: 2. Allegretto | Franz Schubert | 4:59 |
7 | Symphony no. 3 in D major, D. 200: 3. Menuetto. Vivace | Franz Schubert | 3:47 |
8 | Symphony no. 3 in D major, D. 200: 4. Presto vivace | Franz Schubert | 4:25 |
1 | L’Heure espagnole: Introduction | Maurice Ravel | 2:12 |
2 | L’Heure espagnole: Scène I. "Señor Torquemada, horloger de Tolède?" (Ramiro, Torquemada) | Maurice Ravel | 1:48 |
3 | L’Heure espagnole: Scène II. "Totor!" (Concepción, Torquemada, Ramiro) | Maurice Ravel | 2:02 |
4 | L’Heure espagnole: Scène III. "Il reste, voilà bien ma chance!" (Concepción, Ramiro) | Maurice Ravel | 2:16 |
5 | L’Heure espagnole: Scène IV. "Il était temps, voici Gonzalve!" (Concepción, Gonzalve) | Maurice Ravel | 2:54 |
6 | L’Heure espagnole: Scène V. "C’est fait, l’horloge est à sa place" (Ramiro, Concepción, Gonzalve) | Maurice Ravel | 1:31 |
7 | L’Heure espagnole: Scène VI. "Maintenant, pas de temps à perdre!" (Concepción, Gonzalve) | Maurice Ravel | 1:36 |
8 | L’Heure espagnole: Scène VII. "Salut à la belle horlogère!" (Iñigo, Concepción) | Maurice Ravel | 1:57 |
9 | L’Heure espagnole: Scène VIII. "Voilà! … Et maintenant à l’autre!" (Ramiro, Concepción, Iñigo) | Maurice Ravel | 1:17 |
10 | L’Heure espagnole: Scène IX. "Évidemment, elle me congédie" (Iñigo) | Maurice Ravel | 2:03 |
11 | L’Heure espagnole: Scène X. "Voilà ce que j’appelle une femme charmante" (Ramiro) | Maurice Ravel | 1:52 |
12 | L’Heure espagnole: Scène XI. "Monsieur, ah! Monsieur!" (Concepción, Ramiro) | Maurice Ravel | 0:30 |
13 | L’Heure espagnole: Scène XII. "Enfin, il part!" (Iñigo, Concepción) | Maurice Ravel | 2:56 |
14 | L’Heure espagnole: Scène XIII. "Voilà l’objet!" (Ramiro, Concepción, Iñigo) | Maurice Ravel | 1:00 |
15 | L’Heure espagnole: Scène XIV. "Ah! vous, n’est-ce pas, preste! leste!" (Concepción, Gonzalve) | Maurice Ravel | 1:32 |
16 | L’Heure espagnole: Scène XV. "En dépit de cette inhumaine" (Gonzalve) | Maurice Ravel | 1:30 |
17 | L’Heure espagnole: Scène XVI. "Voilà ce que j’appelle une femme charmante" (Ramiro, Concepción) | Maurice Ravel | 2:36 |
18 | L’Heure espagnole: Scène XVII. "Oh! la pitoyable aventure!" (Concepción, Gonzalve) | Maurice Ravel | 2:51 |
19 | L’Heure espagnole: Scène XVIII. "Voilà! … Et maintenant, Señora, je suis prêt" (Ramiro, Concepción) | Maurice Ravel | 1:25 |
20 | L’Heure espagnole: Scène XIX. "Mon œil anxieux interroge" (Iñigo, Gonzalve) | Maurice Ravel | 2:10 |
21 | L’Heure espagnole: Scène XIX. "Adieu, cellule, adieu, donjon!" (Gonzalve, Iñigo) | Maurice Ravel | 1:39 |
22 | L’Heure espagnole: Scène XX. "Il n’est pour l’horloger" (Torquemada, Iñigo, Gonzalve) | Maurice Ravel | 2:03 |
23 | L’Heure espagnole: Scène XXI. "Pardieu, déménageur, vous venez à propos!" (Iñigo, Torquemada, Ramiro, Concepción) | Maurice Ravel | 1:19 |
24 | L’Heure espagnole: Scène XXI. "Un financier … Et un poète" (Gonzalve, Iñigo, Concepción, Torquemada, Ramiro) | Maurice Ravel | 3:11 |
1 | El amor brujo: Introducción y escena | Manuel de Falla | 0:41 |
2 | El amor brujo: En la cueva: la noche | Manuel de Falla | 2:00 |
3 | El amor brujo: Canción del amor dolido | Manuel de Falla | 1:29 |
4 | El amor brujo: El aparecido | Manuel de Falla | 0:13 |
5 | El amor brujo: Danza del terror | Manuel de Falla | 1:56 |
6 | El amor brujo: El círculo mágico. Romance del pescador | Manuel de Falla | 2:04 |
7 | El amor brujo: A medianoche. Los sortilegios | Manuel de Falla | 0:36 |
8 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla | 3:53 |
9 | El amor brujo: Escena | Manuel de Falla | 0:56 |
10 | El amor brujo: Canción del fuego fatuo | Manuel de Falla | 1:49 |
11 | El amor brujo: Pantomima | Manuel de Falla | 3:57 |
12 | El amor brujo: Danza del juego de amor | Manuel de Falla | 2:59 |
13 | El amor brujo: Final. Las campanas del amanecer | Manuel de Falla | 1:13 |
14 | Dances from “El sombrero de tres picos”: Danza de la molinera (Fandango) | Manuel de Falla | 7:59 |
15 | Dances from “El sombrero de tres picos”: Danza de los vecinos (Seguidilla) | Manuel de Falla | 3:33 |
16 | Dances from “El sombrero de tres picos”: Danza del molinero (Farruca) | Manuel de Falla | 2:31 |
17 | Dances from “El sombrero de tres picos”: Danza final (Jota) | Manuel de Falla | 6:12 |