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20201199
Labels: Sony Classical
1 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor” | Johann Sebastian Bach | 3:59 |
2 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto) | Johann Sebastian Bach | 4:48 |
3 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor) | Johann Sebastian Bach | 5:54 |
4 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara” | Johann Sebastian Bach | 1:30 |
5 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass) | Johann Sebastian Bach | 3:24 |
6 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor) | Johann Sebastian Bach | 1:57 |
7 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano) | Johann Sebastian Bach | 7:25 |
8 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater” | Johann Sebastian Bach | 0:44 |
9 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig” | Johann Sebastian Bach | 3:05 |
10 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor) | Johann Sebastian Bach | 7:01 |
11 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto) | Johann Sebastian Bach | 0:53 |
12 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass) | Johann Sebastian Bach | 3:30 |
13 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano) | Johann Sebastian Bach | 0:46 |
14 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig” | Johann Sebastian Bach | 0:48 |
1 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme” | Johann Sebastian Bach | 6:55 |
2 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor) | Johann Sebastian Bach | 0:58 |
3 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass) | Johann Sebastian Bach | 5:52 |
4 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen” | Johann Sebastian Bach | 3:57 |
5 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass) | Johann Sebastian Bach | 1:29 |
6 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass) | Johann Sebastian Bach | 6:33 |
7 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen” | Johann Sebastian Bach | 1:56 |
8 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus) | Johann Sebastian Bach | 3:23 |
9 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor) | Johann Sebastian Bach | 1:25 |
10 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor) | Johann Sebastian Bach | 3:45 |
11 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass) | Johann Sebastian Bach | 1:00 |
12 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano) | Johann Sebastian Bach | 3:48 |
13 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!” | Johann Sebastian Bach | 0:54 |
14 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia | Johann Sebastian Bach | 3:37 |
15 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir” | Johann Sebastian Bach | 2:20 |
16 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor) | Johann Sebastian Bach | 5:36 |
17 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone) | Johann Sebastian Bach | 0:48 |
18 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano) | Johann Sebastian Bach | 5:14 |
19 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus) | Johann Sebastian Bach | 0:25 |
20 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto) | Johann Sebastian Bach | 1:41 |
21 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren” | Johann Sebastian Bach | 2:02 |
1 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!” | Johann Sebastian Bach | 7:58 |
2 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor) | Johann Sebastian Bach | 1:20 |
3 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto) | Johann Sebastian Bach | 0:47 |
4 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto) | Johann Sebastian Bach | 5:39 |
5 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen” | Johann Sebastian Bach | 1:10 |
6 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor) | Johann Sebastian Bach | 0:26 |
7 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass) | Johann Sebastian Bach | 3:00 |
8 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass) | Johann Sebastian Bach | 5:07 |
9 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein” | Johann Sebastian Bach | 1:07 |
10 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia | Johann Sebastian Bach | 5:17 |
11 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor) | Johann Sebastian Bach | 0:36 |
12 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht” | Johann Sebastian Bach | 1:14 |
13 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano) | Johann Sebastian Bach | 0:44 |
14 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass) | Johann Sebastian Bach | 0:42 |
15 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor) | Johann Sebastian Bach | 3:40 |
16 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor) | Johann Sebastian Bach | 0:19 |
17 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall” | Johann Sebastian Bach | 0:38 |
18 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass) | Johann Sebastian Bach | 0:55 |
19 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto) | Johann Sebastian Bach | 9:02 |
20 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor) | Johann Sebastian Bach | 0:13 |
21 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe” | Johann Sebastian Bach | 2:59 |
22 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass) | Johann Sebastian Bach | 0:20 |
23 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer” | Johann Sebastian Bach | 1:23 |
24 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen” | Johann Sebastian Bach | 1:58 |
25 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor) | Johann Sebastian Bach | 0:00 |
26 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen” | Johann Sebastian Bach | 0:49 |
27 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass) | Johann Sebastian Bach | 0:42 |
28 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan” | Johann Sebastian Bach | 0:45 |
29 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass) | Johann Sebastian Bach | 7:03 |
30 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor) | Johann Sebastian Bach | 1:10 |
31 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto) | Johann Sebastian Bach | 4:55 |
32 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto) | Johann Sebastian Bach | 0:25 |
33 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren” | Johann Sebastian Bach | 0:55 |
34 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor) | Johann Sebastian Bach | 0:20 |
35 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil” | Johann Sebastian Bach | 0:54 |
36 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen” | Johann Sebastian Bach | 2:11 |
1 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken” | Johann Sebastian Bach | 6:07 |
2 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor) | Johann Sebastian Bach | 0:25 |
3 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben” | Johann Sebastian Bach | 2:29 |
4 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano) | Johann Sebastian Bach | 6:00 |
5 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne” | Johann Sebastian Bach | 1:28 |
6 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor) | Johann Sebastian Bach | 4:52 |
7 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen” | Johann Sebastian Bach | 2:03 |
8 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen” | Johann Sebastian Bach | 7:29 |
9 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor) | Johann Sebastian Bach | 0:22 |
10 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto) | Johann Sebastian Bach | 1:43 |
11 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt” | Johann Sebastian Bach | 0:56 |
12 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass) | Johann Sebastian Bach | 4:23 |
13 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor) | Johann Sebastian Bach | 0:11 |
14 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto) | Johann Sebastian Bach | 0:32 |
15 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor) | Johann Sebastian Bach | 1:14 |
16 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor) | Johann Sebastian Bach | 5:26 |
17 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto) | Johann Sebastian Bach | 0:25 |
18 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube” | Johann Sebastian Bach | 1:07 |
19 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben” | Johann Sebastian Bach | 5:23 |
20 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass) | Johann Sebastian Bach | 0:40 |
21 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano) | Johann Sebastian Bach | 0:52 |
22 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano) | Johann Sebastian Bach | 4:31 |
23 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor) | Johann Sebastian Bach | 1:09 |
24 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier” | Johann Sebastian Bach | 1:10 |
25 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor) | Johann Sebastian Bach | 0:20 |
26 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor) | Johann Sebastian Bach | 1:52 |
27 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor) | Johann Sebastian Bach | 4:41 |
28 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass) | Johann Sebastian Bach | 0:34 |
29 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen” | Johann Sebastian Bach | 3:23 |
1 | Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato | George Frideric Handel | 3:19 |
2 | Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor) | George Frideric Handel | 3:03 |
3 | Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor) | George Frideric Handel | 3:48 |
4 | Messiah: Part I. No. 4 Chorus “And the glory of the Lord” | George Frideric Handel | 2:32 |
5 | Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass) | George Frideric Handel | 1:33 |
6 | Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto) | George Frideric Handel | 4:08 |
7 | Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto) | George Frideric Handel | 3:18 |
8 | Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus) | George Frideric Handel | 5:48 |
9 | Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass) | George Frideric Handel | 1:53 |
10 | Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass) | George Frideric Handel | 3:24 |
11 | Messiah: Part I. No. 11 Chorus: “For unto us a Child is born” | George Frideric Handel | 4:53 |
12 | Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano) | George Frideric Handel | 1:04 |
13 | Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano) | George Frideric Handel | 1:03 |
14 | Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano) | George Frideric Handel | 0:15 |
15 | Messiah: Part I. No. 15 Chorus: “Glory to God in the highest” | George Frideric Handel | 2:12 |
16 | Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto) | George Frideric Handel | 5:16 |
17 | Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano) | George Frideric Handel | 5:33 |
18 | Messiah: Part I. No. 18 Chorus: “His yoke is easy” | George Frideric Handel | 2:59 |
19 | Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God” | George Frideric Handel | 2:47 |
20 | Messiah: Part II. No. 20 Air: “He was despised” (alto) | George Frideric Handel | 10:43 |
1 | Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs” | George Frideric Handel | 2:02 |
2 | Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed” | George Frideric Handel | 1:49 |
3 | Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray” | George Frideric Handel | 3:39 |
4 | Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor) | George Frideric Handel | 0:43 |
5 | Messiah: Part II. No. 25 Chorus: “He trusted in God” | George Frideric Handel | 2:20 |
6 | Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano) | George Frideric Handel | 1:38 |
7 | Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano) | George Frideric Handel | 1:18 |
8 | Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor) | George Frideric Handel | 0:22 |
9 | Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor) | George Frideric Handel | 2:17 |
10 | Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor) | George Frideric Handel | 3:21 |
11 | Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him” | George Frideric Handel | 1:36 |
12 | Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto) | George Frideric Handel | 3:09 |
13 | Messiah: Part II. No. 33 Chorus: “The Lord gave the word” | George Frideric Handel | 1:16 |
14 | Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano) | George Frideric Handel | 2:00 |
15 | Messiah: Part II. No. 35a Chorus: “Their sound is gone out” | George Frideric Handel | 1:19 |
16 | Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass) | George Frideric Handel | 2:56 |
17 | Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor) | George Frideric Handel | 1:58 |
18 | Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor) | George Frideric Handel | 2:04 |
19 | Messiah: Part II. No. 39 Chorus: “Hallelujah!” | George Frideric Handel | 4:05 |
20 | Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano) | George Frideric Handel | 5:57 |
21 | Messiah: Part III. No. 41 Chorus: “Since by man came death” | George Frideric Handel | 1:46 |
22 | Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass) | George Frideric Handel | 0:41 |
23 | Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass) | George Frideric Handel | 8:36 |
24 | Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor) | George Frideric Handel | 0:58 |
25 | Messiah: Part III. No. 45 Chorus: “But thanks be to God” | George Frideric Handel | 2:08 |
26 | Messiah: Part III. No. 46 Air: “If God be for us” (soprano) | George Frideric Handel | 4:46 |
27 | Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb” | George Frideric Handel | 6:40 |
1 | Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos | Joseph Haydn | 5:40 |
2 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes” | Joseph Haydn | 2:31 |
3 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken” | Joseph Haydn | 4:05 |
4 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael) | Joseph Haydn | 2:12 |
5 | Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...” | Joseph Haydn | 2:16 |
6 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael) | Joseph Haydn | 0:42 |
7 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael) | Joseph Haydn | 4:02 |
8 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel) | Joseph Haydn | 0:36 |
9 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel) | Joseph Haydn | 5:18 |
10 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel) | Joseph Haydn | 0:14 |
11 | Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!” | Joseph Haydn | 2:17 |
12 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel) | Joseph Haydn | 0:48 |
13 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel) | Joseph Haydn | 3:16 |
14 | Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael) | Joseph Haydn | 4:24 |
1 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel) | Joseph Haydn | 0:30 |
2 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel) | Joseph Haydn | 7:47 |
3 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael) | Joseph Haydn | 2:11 |
4 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael) | Joseph Haydn | 0:18 |
5 | Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht” | Joseph Haydn | 7:02 |
6 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael) | Joseph Haydn | 0:25 |
7 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael) | Joseph Haydn | 3:10 |
8 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael) | Joseph Haydn | 3:20 |
9 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel) | Joseph Haydn | 0:47 |
10 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel) | Joseph Haydn | 3:58 |
11 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael) | Joseph Haydn | 0:20 |
12 | Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael) | Joseph Haydn | 9:17 |
13 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel) | Joseph Haydn | 3:55 |
14 | Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht” | Joseph Haydn | 10:20 |
15 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva) | Joseph Haydn | 2:12 |
16 | Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva) | Joseph Haydn | 7:57 |
17 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel) | Joseph Haydn | 0:24 |
18 | Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!” | Joseph Haydn | 3:37 |
1 | Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano) | Wolfgang Amadeus Mozart | 4:57 |
2 | Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus) | Wolfgang Amadeus Mozart | 2:56 |
3 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus) | Wolfgang Amadeus Mozart | 1:50 |
4 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass) | Wolfgang Amadeus Mozart | 3:52 |
5 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus) | Wolfgang Amadeus Mozart | 1:58 |
6 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass) | Wolfgang Amadeus Mozart | 6:19 |
7 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus) | Wolfgang Amadeus Mozart | 2:35 |
8 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus) | Wolfgang Amadeus Mozart | 3:07 |
9 | Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass) | Wolfgang Amadeus Mozart | 3:50 |
10 | Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus) | Wolfgang Amadeus Mozart | 3:02 |
11 | Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus) | Wolfgang Amadeus Mozart | 1:19 |
12 | Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass) | Wolfgang Amadeus Mozart | 5:20 |
13 | Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus) | Wolfgang Amadeus Mozart | 3:24 |
14 | Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano) | Wolfgang Amadeus Mozart | 5:45 |
1 | Christus am Ölberge, op. 85: No. 1 Introduction | Ludwig van Beethoven | 5:41 |
2 | Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus) | Ludwig van Beethoven | 3:35 |
3 | Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus) | Ludwig van Beethoven | 5:04 |
4 | Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph) | Ludwig van Beethoven | 1:32 |
5 | Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels) | Ludwig van Beethoven | 8:32 |
6 | Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph) | Ludwig van Beethoven | 1:02 |
7 | Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph) | Ludwig van Beethoven | 5:24 |
8 | Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus) | Ludwig van Beethoven | 1:09 |
9 | Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors) | Ludwig van Beethoven | 1:54 |
10 | Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus) | Ludwig van Beethoven | 1:31 |
11 | Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples) | Ludwig van Beethoven | 2:04 |
12 | Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus) | Ludwig van Beethoven | 1:16 |
13 | Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph) | Ludwig van Beethoven | 4:25 |
14 | Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus) | Ludwig van Beethoven | 3:10 |
15 | Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels) | Ludwig van Beethoven | 1:08 |
16 | Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels) | Ludwig van Beethoven | 3:03 |
1 | Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵] | Ludwig van Beethoven | 9:56 |
2 | Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca | Ludwig van Beethoven | 5:47 |
3 | Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca | Ludwig van Beethoven | 4:55 |
4 | Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4] | Ludwig van Beethoven | 7:03 |
5 | Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca | Ludwig van Beethoven | 4:13 |
6 | Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca | Ludwig van Beethoven | 5:01 |
7 | Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2] | Ludwig van Beethoven | 10:40 |
8 | Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca | Ludwig van Beethoven | 3:44 |
9 | Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8] | Ludwig van Beethoven | 13:07 |
10 | Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca | Ludwig van Beethoven | 7:05 |
11 | Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I | Ludwig van Beethoven | 9:56 |
1 | Messa da Requiem: I. Requiem & Kyrie (chorus, soloists) | Giuseppe Verdi | 8:36 |
2 | Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus) | Giuseppe Verdi | 2:33 |
3 | Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass) | Giuseppe Verdi | 3:32 |
4 | Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus) | Giuseppe Verdi | 5:19 |
5 | Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor) | Giuseppe Verdi | 3:51 |
6 | Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists) | Giuseppe Verdi | 3:37 |
7 | Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano) | Giuseppe Verdi | 4:17 |
8 | Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor) | Giuseppe Verdi | 3:42 |
9 | Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus) | Giuseppe Verdi | 5:56 |
10 | Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus) | Giuseppe Verdi | 5:45 |
1 | Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists) | Giuseppe Verdi | 4:52 |
2 | Messa da Requiem: III. Offertorio: “Hostias” (soloists) | Giuseppe Verdi | 5:58 |
3 | Messa da Requiem: IV. Sanctus (chorus) | Giuseppe Verdi | 3:01 |
4 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus) | Giuseppe Verdi | 4:55 |
5 | Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass) | Giuseppe Verdi | 6:29 |
6 | Messa da Requiem: VII. Libera me (soprano, chorus) | Giuseppe Verdi | 2:39 |
7 | Messa da Requiem: VII. Libera me: “Dies irae” (chorus) | Giuseppe Verdi | 5:40 |
8 | Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus) | Giuseppe Verdi | 6:49 |
1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus) | Johannes Brahms | 9:58 |
2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus) | Johannes Brahms | 16:02 |
3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus) | Johannes Brahms | 10:47 |
4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus) | Johannes Brahms | 5:54 |
5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus) | Johannes Brahms | 7:00 |
6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus) | Johannes Brahms | 12:35 |
7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus) | Johannes Brahms | 9:45 |
1 | Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto | Antonín Dvořák | 2:03 |
2 | Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto | Antonín Dvořák | 11:35 |
3 | Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto | Antonín Dvořák | 7:11 |
4 | Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo | Antonín Dvořák | 9:14 |
1 | Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto | Antonín Dvořák | 5:14 |
2 | Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto | Antonín Dvořák | 6:58 |
3 | Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo | Antonín Dvořák | 6:50 |
4 | Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto | Antonín Dvořák | 5:26 |
5 | Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso | Antonín Dvořák | 6:09 |
6 | Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto | Antonín Dvořák | 7:39 |