Simon Rattle: The CBSO Years
20159999
Labels: Warner Classics
No reviews available.
Disc1
| 1 | Mša glagolskaja: I. Úvod | Leoš Janáček | 3:20 |
| 2 | Mša glagolskaja: II. Gospodi pomiluj | Leoš Janáček | 3:08 |
| 3 | Mša glagolskaja: III. Slava | Leoš Janáček | 6:10 |
| 4 | Mša glagolskaja: IV. Vĕruju | Leoš Janáček | 11:13 |
| 5 | Mša glagolskaja: V. Svet | Leoš Janáček | 5:48 |
| 6 | Mša glagolskaja: VI. Agneče Božij | Leoš Janáček | 5:00 |
| 7 | Mša glagolskaja: VII. Postludium: Varhany sólo | Leoš Janáček | 2:36 |
| 8 | Mša glagolskaja: VIII. Intrada | Leoš Janáček | 1:51 |
| 9 | War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys) | Benjamin Britten | 6:09 |
| 10 | War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor) | Benjamin Britten | 2:20 |
| 11 | War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus) | Benjamin Britten | 1:25 |
Disc2
| 1 | War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) | Benjamin Britten | 3:58 |
| 2 | War Requiem, op. 66: II. Dies irae. Bugles sang, saddening the evening air (baritone) | Benjamin Britten | 2:46 |
| 3 | War Requiem, op. 66: II. Dies irae. Liber scriptus proferetur (soprano/semi-chorus) | Benjamin Britten | 2:46 |
| 4 | War Requiem, op. 66: II. Dies irae. Out there, we've walked quite friendly up to Death (tenor/baritone) | Benjamin Britten | 1:45 |
| 5 | War Requiem, op. 66: II. Dies irae. Recordare Jesu pie (chorus) | Benjamin Britten | 4:44 |
| 6 | War Requiem, op. 66: II. Dies irae. Be slowly lifted up, thou long black arm (baritone) | Benjamin Britten | 1:52 |
| 7 | War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) | Benjamin Britten | 1:17 |
| 8 | War Requiem, op. 66: II. Dies irae. Lacrimosa dies illa (soprano/chorus) | Benjamin Britten | 2:04 |
| 9 | War Requiem, op. 66: II. Dies irae. Move him into the sun (tenor/soprano/chorus) / Pie Jesu (chorus) | Benjamin Britten | 5:55 |
| 10 | War Requiem, op. 66: III. Offertorium. Domine Jesu Christe (boys/chorus) | Benjamin Britten | 3:33 |
| 11 | War Requiem, op. 66: III. Offertorium. So Abram rose, and clave the wood, and went (tenor/baritone/boys) | Benjamin Britten | 6:16 |
| 12 | War Requiem, op. 66: IV. Sanctus. Sanctus, sanctus, sanctus (soprano/chorus) | Benjamin Britten | 3:18 |
| 13 | War Requiem, op. 66: IV. Sanctus. Benedictus qui venit in nomine Domini (soprano/chorus) | Benjamin Britten | 2:52 |
| 14 | War Requiem, op. 66: IV. Sanctus. After the blast of lightning from the East (baritone) | Benjamin Britten | 3:43 |
| 15 | War Requiem, op. 66: V. Agnus Dei (tenor/chorus) | Benjamin Britten | 3:44 |
| 16 | War Requiem, op. 66: VI. Libera me. Libera me, Domine, de morte aeterna (soprano/chorus) | Benjamin Britten | 7:34 |
| 17 | War Requiem, op. 66: VI. Libera me. It seemed that out of battle I escaped (tenor/baritone) | Benjamin Britten | 9:47 |
| 18 | War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" (tenor/baritone/boys/soprano/chorus) | Benjamin Britten | 5:25 |
Disc3
| 1 | An American Overture | Benjamin Britten | 10:31 |
| 2 | Ballad of Heroes, op. 14: I. Funeral March (Swingler) - | Benjamin Britten | 5:47 |
| 3 | Ballad of Heroes, op. 14: II. Scherzo (Auden) - | Benjamin Britten | 4:24 |
| 4 | Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler) | Benjamin Britten | 6:24 |
| 5 | Diversions, op. 21 for Piano (left hand) and Orchestra: Theme - | Benjamin Britten | 1:20 |
| 6 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var I: Recitative - | Benjamin Britten | 1:39 |
| 7 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var. II: Romance - | Benjamin Britten | 1:20 |
| 8 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var III. Variation 3: March - | Benjamin Britten | 1:15 |
| 9 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var IV: Arabesque - | Benjamin Britten | 1:50 |
| 10 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var V: Chant - | Benjamin Britten | 1:48 |
| 11 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var VI: Nocturne - | Benjamin Britten | 2:00 |
| 12 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var VII: Badinerie - | Benjamin Britten | 1:21 |
| 13 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var VIII: Burlesque - | Benjamin Britten | 1:37 |
| 14 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var IX: Toccata I - Toccata II - Cadenza - | Benjamin Britten | 2:50 |
| 15 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var X: Adagio - | Benjamin Britten | 4:00 |
| 16 | Diversions, op. 21 for Piano (left hand) and Orchestra: Var XI: Finale (Tarantella) | Benjamin Britten | 2:42 |
| 17 | The Building of the House, op. 79 | Benjamin Britten | 5:08 |
| 18 | Praise We Great Men (ed. & orch. by Colin Matthews): Praide we great men - | Benjamin Britten | 3:30 |
| 19 | Praise We Great Men (ed. & orch. by Colin Matthews): Praise we the just - | Benjamin Britten | 2:22 |
| 20 | Praise We Great Men (ed. & orch. by Colin Matthews): (Coda) | Benjamin Britten | 1:35 |
| 21 | Suite on English Folk Tunes "A Time There Was", op. 90: I. Cakes and Ale | Benjamin Britten | 2:34 |
| 22 | Suite on English Folk Tunes "A Time There Was", op. 90: II. The Bitter Withy | Benjamin Britten | 2:57 |
| 23 | Suite on English Folk Tunes "A Time There Was", op. 90: III. Hankin Booby | Benjamin Britten | 2:31 |
| 24 | Suite on English Folk Tunes "A Time There Was", op. 90: IV. Hunt the Squirrel | Benjamin Britten | 1:18 |
| 25 | Suite on English Folk Tunes "A Time There Was", op. 90: V. Lord Melbourne | Benjamin Britten | 5:25 |
Disc4
| 1 | Canadian Carnival, op. 19 | Benjamin Britten | 14:02 |
| 2 | Young Apollo, op. 16 | Benjamin Britten | 7:41 |
| 3 | Quatre Chansons françaises: No. 1. Les Nuits de Juin | Benjamin Britten | 2:49 |
| 4 | Quatre Chansons françaises: No. 2. Sagesse | Benjamin Britten | 2:49 |
| 5 | Quatre Chansons françaises: No. 3. L'Enfance | Benjamin Britten | 4:31 |
| 6 | Quatre Chansons françaises: No. 4. Chanson d'automne | Benjamin Britten | 2:30 |
| 7 | Scottish Ballad, op. 26 | Benjamin Britten | 15:22 |
| 8 | Occasional Overture, op. 38 | Benjamin Britten | 7:16 |
| 9 | Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben marcato - | Benjamin Britten | 8:39 |
| 10 | Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco - | Benjamin Britten | 5:22 |
| 11 | Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo | Benjamin Britten | 6:27 |
Disc5
| 1 | Die sieben Todsünden: Prolog | Kurt Weill | 3:31 |
| 2 | Die sieben Todsünden: I. Faulheit (Family) | Kurt Weill | 3:48 |
| 3 | Die sieben Todsünden: II. Stolz (Anna I / Family) | Kurt Weill | 4:28 |
| 4 | Die sieben Todsünden: III. Zorn (Anna I & II / Family) | Kurt Weill | 4:23 |
| 5 | Die sieben Todsünden: IV. Völlerei (Family) | Kurt Weill | 3:24 |
| 6 | Die sieben Todsünden: V. Unzucht (Anna I & II / Family) | Kurt Weill | 5:37 |
| 7 | Die sieben Todsünden: VI. Habsucht (Family) | Kurt Weill | 3:10 |
| 8 | Die sieben Todsünden: VII. Neid (Anna I / Family) | Kurt Weill | 4:30 |
| 9 | Die sieben Todsünden: Epilog (Anna I & II) | Kurt Weill | 1:39 |
| 10 | On Wenlock Edge: No. 1. On Wenlock Edge | Ralph Vaughan Williams | 3:48 |
| 11 | On Wenlock Edge: No. 2. From Far, From Eve and Morning | Ralph Vaughan Williams | 2:00 |
| 12 | On Wenlock Edge: No. 3. Is My Team Ploughing | Ralph Vaughan Williams | 3:35 |
| 13 | On Wenlock Edge: No. 4. Oh, When I Was in Love With You | Ralph Vaughan Williams | 0:44 |
| 14 | On Wenlock Edge: No. 5. Bredon Hill | Ralph Vaughan Williams | 7:09 |
| 15 | On Wenlock Edge: No. 6. Clun | Ralph Vaughan Williams | 3:07 |
| 16 | Song of Travel: No. 1. The Vagabond | Ralph Vaughan Williams | 3:02 |
| 17 | Song of Travel: No. 2. Let Beauty Awake | Ralph Vaughan Williams | 1:41 |
| 18 | Song of Travel: No. 3. The Roadside Fire | Ralph Vaughan Williams | 2:20 |
| 19 | Song of Travel: No. 4. Youth and Love | Ralph Vaughan Williams | 3:17 |
| 20 | Song of Travel: No. 5. In Dreams | Ralph Vaughan Williams | 2:36 |
| 21 | Song of Travel: No. 6. The Infinite Shining Heavens | Ralph Vaughan Williams | 2:06 |
| 22 | Song of Travel: No. 7. Whither Must I Wander | Ralph Vaughan Williams | 3:49 |
| 23 | Song of Travel: No. 8. Bright Is the Ring of Words | Ralph Vaughan Williams | 1:55 |
| 24 | Song of Travel: No. 9. I Have Trod the Upward and Downward Slope | Ralph Vaughan Williams | 2:06 |
Disc6
| 1 | Symphonic Dances, op. 45: I. Non allegro | Sergei Rachmaninov | 12:09 |
| 2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninov | 10:03 |
| 3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | Sergei Rachmaninov | 14:38 |
| 4 | Vocalise, op. 34 no. 14 | Sergei Rachmaninov | 6:59 |
| 5 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso | Gustav Mahler | 2:23 |
Disc7
| 1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | Gustav Mahler | 10:16 |
| 2 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung | Gustav Mahler | 11:18 |
| 3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler | 5:07 |
| 4 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend - | Gustav Mahler | 6:48 |
| 5 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit - | Gustav Mahler | 3:07 |
| 6 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso - | Gustav Mahler | 4:36 |
| 7 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend - | Gustav Mahler | 5:59 |
| 8 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso - | Gustav Mahler | 6:34 |
| 9 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter - | Gustav Mahler | 3:23 |
| 10 | Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen - | Gustav Mahler | 4:42 |
Disc8
| 1 | Das klagende Lied: I. Waldmärchen | Gustav Mahler | 2:51 |
| 2 | Das klagende Lied: II. Der Spielmann | Gustav Mahler | 1:45 |
| 3 | Das klagende Lied: III. Hochzeitsstück | Gustav Mahler | 1:53 |
Disc9
| 1 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | Johannes Brahms | 14:07 |
| 2 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo | Johannes Brahms | 8:24 |
| 3 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | Johannes Brahms | 10:52 |
| 4 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto | Johannes Brahms | 9:24 |
| 5 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | Gustav Mahler | 2:32 |
Disc10
| 1 | Symphony no. 6 in A minor: II. Andante moderato | Gustav Mahler | 1:40 |
| 2 | Symphony no. 6 in A minor: III. Scherzo: Wuchtig | Gustav Mahler | 13:15 |
| 3 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | Gustav Mahler | 3:02 |
Disc11
| 1 | Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico | Jean Sibelius | 12:01 |
| 2 | Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento | Jean Sibelius | 10:09 |
| 3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | Jean Sibelius | 5:45 |
| 4 | Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia: Andante - Allegro molto | Jean Sibelius | 13:48 |
| 5 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto | Jean Sibelius | 12:49 |
| 6 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius | 8:21 |
| 7 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius | 9:17 |
Disc12
| 1 | Symphony no. 2 in D, op. 43: I. Allegretto | Jean Sibelius | 9:50 |
| 2 | Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato | Jean Sibelius | 14:22 |
| 3 | Symphony no. 2 in D, op. 43: III. Vivacissimo | Jean Sibelius | 6:31 |
| 4 | Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato | Jean Sibelius | 14:24 |
| 5 | Symphony no. 3 in C, op. 52: I. Allegro moderato | Jean Sibelius | 10:33 |
| 6 | Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto | Jean Sibelius | 9:43 |
| 7 | Symphony no. 3 in C, op. 52: III. Moderato - Allegro (ma non tanto) | Jean Sibelius | 8:18 |
Disc13
| 1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Jean Sibelius | 10:53 |
| 2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Jean Sibelius | 4:47 |
| 3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Jean Sibelius | 11:45 |
| 4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Jean Sibelius | 10:17 |
| 5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Jean Sibelius | 9:08 |
| 6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Jean Sibelius | 6:18 |
| 7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Jean Sibelius | 3:48 |
| 8 | Symphony no. 6 in D minor, op. 104: IV. Allegro - Allegro assai | Jean Sibelius | 10:32 |
| 9 | The Oceanides, op. 73 | Jean Sibelius | 10:32 |
Disc14
| 1 | Symphony no. 7 in C, op. 105: I. Adagio - | Jean Sibelius | 7:59 |
| 2 | Symphony no. 7 in C, op. 105: II. Un pochettino meno allegro - Vivacissimo - Adagio - | Jean Sibelius | 4:59 |
| 3 | Symphony no. 7 in C, op. 105: III. Allegro molto moderato - | Jean Sibelius | 4:02 |
| 4 | Symphony no. 7 in C, op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius | 5:36 |
| 5 | Kuolema, op. 44: Scene with Cranes | Jean Sibelius | 5:33 |
| 6 | Pan and Syrinx, op. 49 | Carl Nielsen | 8:33 |
| 7 | Symphony no. 4, op. 29 "The Inextinquishable": I. Allegro - | Carl Nielsen | 11:46 |
| 8 | Symphony no. 4, op. 29 "The Inextinquishable": II. Poco allegretto - | Carl Nielsen | 5:18 |
| 9 | Symphony no. 4, op. 29 "The Inextinquishable": III. Poco adagio quasi andante - | Carl Nielsen | 10:47 |
| 10 | Symphony no. 4, op. 29 "The Inextinquishable": IV. Allegro | Carl Nielsen | 8:49 |
Disc15
| 1 | Turangalîla-Symphonie: I. Introduction | Olivier Messiaen | 6:18 |
| 2 | Turangalîla-Symphonie: II. Chant d'amour I | Olivier Messiaen | 8:52 |
| 3 | Turangalîla-Symphonie: III. Turangalîla I | Olivier Messiaen | 5:55 |
| 4 | Turangalîla-Symphonie: IV. Chant d'amour II | Olivier Messiaen | 12:06 |
| 5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Olivier Messiaen | 6:38 |
| 6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Olivier Messiaen | 12:24 |
| 7 | Turangalîla-Symphonie: VII. Turangalîla II | Olivier Messiaen | 3:48 |
| 8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen | 12:05 |
| 9 | Turangalîla-Symphonie: IX. Turangalîla III | Olivier Messiaen | 4:25 |
| 10 | Turangalîla-Symphonie: X. Final | Olivier Messiaen | 7:28 |
Disc16
| 1 | The Dream of Gerontius, op. 38: Part I. Prelude: Lento, mistico - Moderato - Andantino - Come prima | Sir Edward Elgar | 10:18 |
| 2 | The Dream of Gerontius, op. 38: Part I. Jesu, Maria - I am near to death (Gerontius) | Sir Edward Elgar | 3:18 |
| 3 | The Dream of Gerontius, op. 38: Part I. So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus) | Sir Edward Elgar | 2:45 |
| 4 | The Dream of Gerontius, op. 38: Part I. Rouse thee, my fainting soul... Be merciful (Gerontius, chorus) | Sir Edward Elgar | 3:50 |
| 5 | The Dream of Gerontius, op. 38: Part I. Sanctus fortis, Sanctus Deus (Gerontius) | Sir Edward Elgar | 4:53 |
| 6 | The Dream of Gerontius, op. 38: Part I. I can no more (Gerontius) | Sir Edward Elgar | 2:10 |
| 7 | The Dream of Gerontius, op. 38: Part I. Rescue him, O Lord (chorus) | Sir Edward Elgar | 2:13 |
| 8 | The Dream of Gerontius, op. 38: Part I. Novissima hora est (semi-chorus, chorus, Gerontius) | Sir Edward Elgar | 1:34 |
| 9 | The Dream of Gerontius, op. 38: Part I. Proficiscere, anima Christiana (Priest) | Sir Edward Elgar | 1:55 |
| 10 | The Dream of Gerontius, op. 38: Part I. Go in the name of Angels (chorus, Priest, semi-chorus) | Sir Edward Elgar | 1:16 |
| 11 | The Dream of Gerontius, op. 38: Part I. Go forth upon thy Journey (chorus, Priest, semi-chorus) | Sir Edward Elgar | 3:21 |
Disc17
| 1 | The Dream of Gerontius, op. 38: Part II. (Andantino) | Sir Edward Elgar | 1:50 |
| 2 | The Dream of Gerontius, op. 38: Part II. I went to sleep (Soul of Gerontius) | Sir Edward Elgar | 2:58 |
| 3 | The Dream of Gerontius, op. 38: Part II. Another marvel | Sir Edward Elgar | 1:18 |
| 4 | The Dream of Gerontius, op. 38: Part II. My work is done (Angel, Soul) | Sir Edward Elgar | 2:16 |
| 5 | The Dream of Gerontius, op. 38: Part II. It is a member of that family... A presage falls upon thee (Angel, Soul) | Sir Edward Elgar | 6:03 |
| 6 | The Dream of Gerontius, op. 38: Part II. But hark! Upon my senses (Soul) | Sir Edward Elgar | 0:42 |
| 7 | The Dream of Gerontius, op. 38: Part II. Low-born clods of brute earth (chorus) | Sir Edward Elgar | 0:49 |
| 8 | The Dream of Gerontius, op. 38: Part II. Dispossessed, aside thrust (chorus) | Sir Edward Elgar | 1:27 |
| 9 | The Dream of Gerontius, op. 38: Part II. The mind bold and independent (chorus) | Sir Edward Elgar | 2:15 |
| 10 | The Dream of Gerontius, op. 38: Part II. I see not those false spirits (Soul) | Sir Edward Elgar | 2:06 |
| 11 | The Dream of Gerontius, op. 38: Part II. There was a mortal (Angel) | Sir Edward Elgar | 1:18 |
| 12 | The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (semi-chorus, chorus, Angel) | Sir Edward Elgar | 2:42 |
| 13 | The Dream of Gerontius, op. 38: Part II. The Sound is like the rushing of the wind (Soul) | Sir Edward Elgar | 0:16 |
| 14 | The Dream of Gerontius, op. 38: Part II. Glory to Him (semi-chorus, chorus) | Sir Edward Elgar | 0:31 |
| 15 | The Dream of Gerontius, op. 38: Part II. They sing of thy approaching agony (Soul, Angel, chorus) | Sir Edward Elgar | 0:49 |
| 16 | The Dream of Gerontius, op. 38: Part II. But hark! a grand mysterious harmony (Soul, Angel, chorus) | Sir Edward Elgar | 0:47 |
| 17 | The Dream of Gerontius, op. 38: Part II. And now on the threshold (Angel) | Sir Edward Elgar | 0:25 |
| 18 | The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (chorus) | Sir Edward Elgar | 6:54 |
| 19 | The Dream of Gerontius, op. 38: Part II. Thy judgment now is near (Angel, Soul) | Sir Edward Elgar | 3:15 |
| 20 | The Dream of Gerontius, op. 38: Part II. Jesu! by that shuddering dread (Angel of the Agony, Soul) | Sir Edward Elgar | 4:54 |
| 21 | The Dream of Gerontius, op. 38: Part II. Be merciful, be gracious (semi-chorus, chorus) | Sir Edward Elgar | 0:57 |
| 22 | The Dream of Gerontius, op. 38: Part II. Praise to His Name! (Angel) | Sir Edward Elgar | 1:17 |
| 23 | The Dream of Gerontius, op. 38: Part II. Take me away (Soul) | Sir Edward Elgar | 3:18 |
| 24 | The Dream of Gerontius, op. 38: Part II. Lord, Thou hast been our refuge (chorus) | Sir Edward Elgar | 1:09 |
| 25 | The Dream of Gerontius, op. 38: Part II. Softly and gently (Angel, chorus, semi-chorus) | Sir Edward Elgar | 7:05 |
Disc18
| 1 | Petrushka (1947 version): Tableau I. Fete populaire de la semaine grasse | Igor Stravinsky | 7:19 |
| 2 | Petrushka (1947 version): Tableau I. Le tour de passe-passe - Danse russe | Igor Stravinsky | 2:35 |
| 3 | Petrushka (1947 version): Tableau II. Chez Petrushka | Igor Stravinsky | 4:35 |
| 4 | Petrushka (1947 version): Tableau III. Chez le maure - Danse de la ballerine | Igor Stravinsky | 3:36 |
| 5 | Petrushka (1947 version): Tableau III. Valse - La ballerine et le maure | Igor Stravinsky | 3:12 |
| 6 | Petrushka (1947 version): Tableau IV. Fête populaire de la semaine grasse | Igor Stravinsky | 1:11 |
| 7 | Petrushka (1947 version): Tableau IV. Danse des nounous | Igor Stravinsky | 2:40 |
| 8 | Petrushka (1947 version): Tableau IV. Paysan et l'ours | Igor Stravinsky | 1:17 |
| 9 | Petrushka (1947 version): Tableau IV. Bohémien et marchand malhonnête | Igor Stravinsky | 1:05 |
| 10 | Petrushka (1947 version): Tableau IV. Danse des cochers et des palefreniers | Igor Stravinsky | 2:06 |
| 11 | Petrushka (1947 version): Tableau IV. Les déguisés | Igor Stravinsky | 1:33 |
| 12 | Petrushka (1947 version): Tableau IV. Le rixe: Le maure et Petrushka | Igor Stravinsky | 0:48 |
| 13 | Petrushka (1947 version): Tableau IV. Mort de Petrushka | Igor Stravinsky | 0:55 |
| 14 | Petrushka (1947 version):Tableau IV. Police et l'enchanteur - Vocifération du double de Petrushka | Igor Stravinsky | 2:16 |
| 15 | Symphony In Three Movements: I. [Crotchet: 160] | Igor Stravinsky | 9:39 |
| 16 | Symphony In Three Movements: II. Andante - Interlude (L'istesso tempo) | Igor Stravinsky | 5:44 |
| 17 | Symphony in Three Movements: III. Con moto | Igor Stravinsky | 6:06 |
Disc19
| 1 | L'Oiseau de feu (1947 version): Introduction | Igor Stravinsky | 6:18 |
| 2 | L'Oiseau de feu (1947 version): Tableau I. Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch | Igor Stravinsky | 11:09 |
| 3 | L'Oiseau de feu (1947 version): Tableau I. Danse de l'Oiseau de feu - Capture de l'Oiseau de feu par Ivan Tsarévitch - Supplications de l'Oiseau de feu - Apparition des treize princesses enchantées | Igor Stravinsky | 2:40 |
| 4 | L'Oiseau de feu (1947 version): Tableau I. Brusque apparition d'Ivan Tsarévitch - Khorovode des princesses (Ronde) - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï - Carillon féerique - Apparition des monstres-gardiens de Kachtcheï - Capture d'Ivan Tsarévitch - Arrivée de Kachtcheï l'Immortel - Dialogue de Kachtcheï avec Ivan Tsarévitch - Intercession des princesses - Apparition de l'Oiseau de feu | Igor Stravinsky | 12:52 |
| 5 | L'Oiseau de feu (1947 version): Tableau I. Danse de la suite de Kachtcheî enchantée par l'Oiseau de feu - Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky | 5:23 |
| 6 | L'Oiseau de feu (1947 version): Tableau I. Berceuse (L'Oiseau de feu) - Réveil de Kachtcheï - Mort de Kachtcheï - Profonds ténébres | Igor Stravinsky | 5:45 |
| 7 | L'Oiseau de feu (1947 version): Tableau II. Disparation de palais et des sortilèges de Kachtcheï - Animation des chevaliers pétrifiés - Allégresse générale | Igor Stravinsky | 3:26 |
| 8 | Scherzo à la Russe (jazz band version) | Igor Stravinsky | 3:54 |
| 9 | Four Studies: I. Danse | Igor Stravinsky | 0:57 |
| 10 | Four Studies: II. Excentrique | Igor Stravinsky | 2:05 |
| 11 | Four Studies: III. Cantique | Igor Stravinsky | 3:59 |
| 12 | Four Studies: IV. Madrid | Igor Stravinsky | 2:38 |
| 13 | Scherzo à la Russe (orchestral version) | Igor Stravinsky | 3:56 |
Disc20
| 1 | Apollo: Tableau I. Naissance d'Apollon | Igor Stravinsky | 5:13 |
| 2 | Apollo: Tableau II. Variation d'Apollon (Apollon et les Muses) | Igor Stravinsky | 2:59 |
| 3 | Apollo: Tableau II. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore) | Igor Stravinsky | 4:15 |
| 4 | Apollo: Tableau II. Variation de Calliope (l'Alexandrin) | Igor Stravinsky | 1:25 |
| 5 | Apollo: Tableau II. Variation de Polymnie | Igor Stravinsky | 1:12 |
| 6 | Apollo: Tableau II. Variation de Terpsichore | Igor Stravinsky | 1:39 |
| 7 | Apollo: Tableau II. Variation d'Apollon | Igor Stravinsky | 2:35 |
| 8 | Apollo: Tableau II. Pas de deux (Apollon et Terpsichore) | Igor Stravinsky | 3:50 |
| 9 | Apollo: Tableau II. Coda (Apollon et les Muses) | Igor Stravinsky | 3:26 |
| 10 | Apollo: Tableau II. Apothéose | Igor Stravinsky | 3:31 |
| 11 | Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Introduction - Les augures printaniers - Danses des adolescents - Jeu du rapt | Igor Stravinsky | 8:01 |
| 12 | Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Rondes printaniéres - Jeux des cités rivales - Cortège du sage | Igor Stravinsky | 6:09 |
| 13 | Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Le sage - Danse de la terre | Igor Stravinsky | 1:33 |
| 14 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Introduction | Igor Stravinsky | 4:54 |
| 15 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Cercles mystérieux des adolescents | Igor Stravinsky | 2:59 |
| 16 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Glorification de l´élue - Èvocation des ancêtres - Action rituelle des ancêtres | Igor Stravinsky | 6:04 |
| 17 | Le Sacre du printemps: Seconde Partie: Le Sacrifice: Danse sacrale (L'élue) | Igor Stravinsky | 5:00 |
Disc21
| 1 | Five Orchestral Pieces, op. 16: I. Vorgefühle: Sehr rasch | Arnold Schönberg | 2:22 |
| 2 | Five Orchestral Pieces, op. 16: II. Vergangenes: Mässige Viertel | Arnold Schönberg | 5:54 |
| 3 | Five Orchestral Pieces, op. 16: III. Farben: Mässige Viertel | Arnold Schönberg | 4:13 |
| 4 | Five Orchestral Pieces, op. 16: IV. Peripetie: Sehr rasch | Arnold Schönberg | 2:32 |
| 5 | Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | Arnold Schönberg | 3:41 |
| 6 | Six Orchestral Pieces, op. 6: I. Langsam | Anton Webern | 1:04 |
| 7 | Six Orchestral Pieces, op. 6: II. Bewegt | Anton Webern | 1:33 |
| 8 | Six Orchestral Pieces, op. 6: III. Mässig | Anton Webern | 0:55 |
| 9 | Six Orchestral Pieces, op. 6: IV. Sehr mässig | Anton Webern | 4:24 |
| 10 | Six Orchestral Pieces, op. 6: V. Sehr langsam | Anton Webern | 2:43 |
| 11 | Six Orchestral Pieces, op. 6: VI. Langsam | Anton Webern | 1:56 |
| 12 | Lulu Suite: I. Rondo: Andante und Hymne | Alban Berg | 14:50 |
| 13 | Lulu Suite: II. Ostinato: Allegro | Alban Berg | 3:51 |
| 14 | Lulu Suite: III. Lied der Lulu: Comodo | Alban Berg | 3:01 |
| 15 | Lulu Suite: IV. Variationen: Moderato | Alban Berg | 3:23 |
| 16 | Lulu Suite: V. Adagio | Alban Berg | 9:06 |
Disc22
| 1 | Le Roi Lear (orch. by Roger-Ducasse): Fanfare d’ouverture | Claude Debussy | 1:33 |
| 2 | Le Roi Lear (orch. by Roger-Ducasse): Le Sommeil de Lear | Claude Debussy | 3:23 |
| 3 | Jeux ("Poème dansé") | Claude Debussy | 1:57 |
| 4 | Images: I. Gigues | Claude Debussy | 7:52 |
| 5 | Images: II. Ibéria: 1. Par les rues et par les chemins | Claude Debussy | 7:14 |
| 6 | Images: II. Ibéria: 2. Les Parfums de la nuit - | Claude Debussy | 9:16 |
| 7 | Images: II. Ibéria: 3. Le matin de jour de fête | Claude Debussy | 4:33 |
| 8 | Images: III. Gigues | Claude Debussy | 8:20 |
Disc23
| 1 | The Creation, Hob. XXI:2: Part I. Overture: Representation of Chaos (orchestra) | Joseph Haydn | 6:01 |
| 2 | The Creation, Hob. XXI:2: Part I, no. 1. In the beginning (Raphael/chorus/Uriel) | Joseph Haydn | 2:33 |
| 3 | The Creation, Hob. XXI:2: Part I, no. 2. Now vanish before the holy beams (Uriel/chorus) | Joseph Haydn | 3:49 |
| 4 | The Creation, Hob. XXI:2: Part I, no. 3. And God made the firmament (Raphael) | Joseph Haydn | 1:43 |
| 5 | The Creation, Hob. XXI:2: Part I, no. 4. The marvellous work (Gabriel/chorus) | Joseph Haydn | 2:15 |
| 6 | The Creation, Hob. XXI:2: Part I, no. 5. And God said, Let the waters (Raphael) | Joseph Haydn | 0:38 |
| 7 | The Creation, Hob. XXI:2: Part I, no. 6. Rolling in foaming billows (Raphael) | Joseph Haydn | 4:27 |
| 8 | The Creation, Hob. XXI:2: Part I, no. 7. And God said, Let the earth (Gabriel) | Joseph Haydn | 0:27 |
| 9 | The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel) | Joseph Haydn | 4:51 |
| 10 | The Creation, Hob. XXI:2: Part I, no. 9. And the heavenly host (Uriel) | Joseph Haydn | 0:00 |
| 11 | The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) | Joseph Haydn | 2:09 |
| 12 | The Creation, Hob. XXI:2: Part I, no. 11. And God said, Let there be lights (Uriel) | Joseph Haydn | 0:39 |
| 13 | The Creation, Hob. XXI:2: Part I, no. 12. In splendour bright (Uriel) | Joseph Haydn | 2:39 |
| 14 | The Creation, Hob. XXI:2: Part I, no. 13. The heavens are telling (chorus/Gabgiel/Uriel/Raphael) | Joseph Haydn | 3:48 |
| 15 | The Creation, Hob. XXI:2: Part II, no. 14. And God said, Let the waters (chorus/Gabriel/Uriel/Raphael) | Joseph Haydn | 0:22 |
| 16 | The Creation, Hob. XXI:2: Part II, no. 15. On mighty pens (Gabriel) | Joseph Haydn | 7:26 |
| 17 | The Creation, Hob. XXI:2: Part II, no. 16. And God created great whales (Raphael) | Joseph Haydn | 2:22 |
| 18 | The Creation, Hob. XXI:2: Part II, no. 17. And the angels (Raphael) | Joseph Haydn | 0:16 |
| 19 | The Creation, Hob. XXI:2: Part II, no. 18. Most beautiful appear (Gabriel/Uriel/Raphael) | Joseph Haydn | 3:52 |
| 20 | The Creation, Hob. XXI:2: Part II, no. 19. The Lord is great (chorus/Gabriel/Uriel/Raphael) | Joseph Haydn | 2:27 |
Disc24
| 1 | The Creation, Hob. XXI:2: Part II, no. 20. And God said, Let the earth (Raphael) | Joseph Haydn | 0:42 |
| 2 | The Creation, Hob. XXI:2: Part II, no. 21. Straight opening her fertile womb (Raphael) | Joseph Haydn | 3:01 |
| 3 | The Creation, Hob. XXI:2: Part II, no. 22. Now heaven in all her glory shines (Raphael) | Joseph Haydn | 3:14 |
| 4 | The Creation, Hob. XXI:2: Part II, no. 23. So God created Man (Uriel) | Joseph Haydn | 0:37 |
| 5 | The Creation, Hob. XXI:2: Part II, no. 24. In native worth (Raphael) | Joseph Haydn | 3:30 |
| 6 | The Creation, Hob. XXI:2: Part II, no. 25. And God saw everything (Raphael) | Joseph Haydn | 0:19 |
| 7 | The Creation, Hob. XXI:2: Part II, no. 26. Achieved is the glorious work (chorus) | Joseph Haydn | 1:25 |
| 8 | The Creation, Hob. XXI:2: Part II, no. 27. On thee each living soul (Gabriel/Uriel/Raphael) | Joseph Haydn | 4:19 |
| 9 | The Creation, Hob. XXI:2: Part II, no. 28. Achieved is the glorious work (chorus) | Joseph Haydn | 3:05 |
| 10 | The Creation, Hob. XXI:2: Part III, no. 29. In rosy mantle (Uriel) | Joseph Haydn | 3:43 |
| 11 | The Creation, Hob. XXI:2: Part III, no. 30. The Creation: By thee with bliss (Adam/Eve/chorus) | Joseph Haydn | 2:55 |
| 12 | The Creation, Hob. XXI:2: Part III, no. 30. The Creation: Of stars the fairest (Adam/Eve/chorus) | Joseph Haydn | 4:00 |
| 13 | The Creation, Hob. XXI:2: Part III, no. 30. Hail! bounteous Lord! (chorus) | Joseph Haydn | 2:06 |
| 14 | The Creation, Hob. XXI:2: Part III, no. 31. Our duty we have now performed (Adam) | Joseph Haydn | 2:27 |
| 15 | The Creation, Hob. XXI:2: Part III, no. 32. Graceful consort (Adam/Eve) | Joseph Haydn | 3:00 |
| 16 | The Creation, Hob. XXI:2: Part III, no. 32. The dew-dropping morn (Adam/Eve) | Joseph Haydn | 4:09 |
| 17 | The Creation, Hob. XXI:2: Part III, no. 33. O happy pair (Uriel) | Joseph Haydn | 0:22 |
| 18 | The Creation, Hob. XXI:2: Part III, no. 34. Sing the Lord (chorus and soloists) | Joseph Haydn | 3:30 |
Disc25
| 1 | Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto | Joseph Haydn | 5:47 |
| 2 | Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante | Joseph Haydn | 4:33 |
| 3 | Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio | Joseph Haydn | 4:14 |
| 4 | Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto | Joseph Haydn | 2:54 |
| 5 | Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione) | Joseph Haydn | 4:24 |
| 6 | Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo) | Joseph Haydn | 1:32 |
| 7 | Symphony no. 70 in D, Hob. I:70: I. Vivace con brio | Joseph Haydn | 3:26 |
| 8 | Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante) | Joseph Haydn | 7:06 |
| 9 | Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio | Joseph Haydn | 3:08 |
| 10 | Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio) | Joseph Haydn | 3:07 |
| 11 | Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai | Joseph Haydn | 6:37 |
| 12 | Symphony no. 90 in C, Hob. I:90: II. Andante | Joseph Haydn | 7:17 |
| 13 | Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio | Joseph Haydn | 5:16 |
| 14 | Symphony no. 90 in C, Hob. I:90: IV. Finale | Joseph Haydn | 6:53 |
Disc26
| 1 | Fanfare (for the ballet L'Éventail de Jeanne) | Maurice Ravel | 2:18 |
| 2 | Shéhérazade: I. Asie | Maurice Ravel | 10:05 |
| 3 | Shéhérazade: II. La Flûte enchantée | Maurice Ravel | 3:10 |
| 4 | Shéhérazade: III. L'Indifférent | Maurice Ravel | 4:22 |
| 5 | Alborada del gracioso | Maurice Ravel | 7:41 |
| 6 | Miroirs - La Vallée des cloches | Maurice Ravel | 5:37 |
| 7 | Ma Mère l'Oye: Prélude - | Maurice Ravel | 3:21 |
| 8 | Ma Mère l'Oye: Danse du Rouet et Scène - | Maurice Ravel | 3:39 |
| 9 | Ma Mère l'Oye: Pavane de la Belle au bois dormant - | Maurice Ravel | 1:48 |
| 10 | Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête - | Maurice Ravel | 5:06 |
| 11 | Ma Mère l'Oye: (Interlude) - Petit poucet - | Maurice Ravel | 4:10 |
| 12 | Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes - | Maurice Ravel | 5:02 |
| 13 | Ma Mère l'Oye: Le Jardin Féerique | Maurice Ravel | 5:36 |
| 14 | La Valse ("Poème chorégraphique") | Maurice Ravel | 12:33 |
Disc27
| 1 | Daphnis et Chloé: Première Partie. Introduction et Danse religieuse... | Maurice Ravel | 8:21 |
| 2 | Daphnis et Chloé: Première Partie. Les jeunes filles attirent Daphnis et l'entourent de leurs danses / Danse générale - | Maurice Ravel | 3:14 |
| 3 | Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon | Maurice Ravel | 1:45 |
| 4 | Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis | Maurice Ravel | 2:57 |
| 5 | Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense... / Danse de Lyceion | Maurice Ravel | 3:29 |
| 6 | Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte | Maurice Ravel | 1:44 |
| 7 | Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint | Maurice Ravel | 5:29 |
| 8 | Daphnis et Chloé: Première Partie. Interlude | Maurice Ravel | 6:19 |
| 9 | Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé | Maurice Ravel | 4:01 |
| 10 | Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus | Maurice Ravel | 2:41 |
| 11 | Daphnis et Chloé: Troisiéme Partie. Lever du jour | Maurice Ravel | 5:25 |
| 12 | Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx | Maurice Ravel | 6:51 |
| 13 | Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale | Maurice Ravel | 5:05 |
| 14 | Boléro | Maurice Ravel | 16:15 |
Disc28
| 1 | Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo | Gustav Mahler | 2:12 |
| 2 | Symphony no. 7 in E minor: II. Nachtmusik I: Allegro Moderato | Gustav Mahler | 14:40 |
| 3 | Symphony no. 7 in E minor: III. Scherzo: Schattenhaft | Gustav Mahler | 10:14 |
| 4 | Symphony no. 7 in E minor: IV. Nachtmusik II: Andante Amoroso | Gustav Mahler | 12:19 |
| 5 | Symphony no. 7 in E minor: V. Rondo - Finale | Gustav Mahler | 1:47 |
Disc29
| 1 | Blumine | Gustav Mahler | 7:29 |
| 2 | Symphony no. 1 in D: I. Langsam. Schleppend - Im Anfang sehr gemächlich | Gustav Mahler | 16:23 |
| 3 | Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler | 8:13 |
| 4 | Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen - | Gustav Mahler | 11:28 |
| 5 | Symphony no. 1 in D: IV. Stürmisch bewegt | Gustav Mahler | 2:07 |
Disc30
| 1 | Symphony no. 5 in B-flat, op. 100: I. Andante | Sergei Prokofiev | 13:05 |
| 2 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato | Sergei Prokofiev | 8:32 |
| 3 | Symphony no. 5 in B-flat, op. 100: III. Adagio | Sergei Prokofiev | 12:24 |
| 4 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso | Sergei Prokofiev | 9:45 |
| 5 | Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce | Sergei Prokofiev | 6:22 |
| 6 | Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto | Sergei Prokofiev | 2:57 |
| 7 | Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino | Sergei Prokofiev | 5:43 |
| 8 | Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun | Sergei Prokofiev | 5:11 |
Disc31
| 1 | Barcarola | City of Birmingham Symphony Orchestra, Simon Rattle | 2:09 |
| 2 | Symphony no. 7: I. Tanz - Lebhaft und beseelt | City of Birmingham Symphony Orchestra, Simon Rattle | 10:57 |
| 3 | Symphony no. 7: II. Ruhig bewegt | City of Birmingham Symphony Orchestra, Simon Rattle | 12:42 |
| 4 | Symphony no. 7: III. Unablässig in Bewegung | City of Birmingham Symphony Orchestra, Simon Rattle | 5:12 |
| 5 | Symphony no. 7: IV. Ruhig, verhalten | City of Birmingham Symphony Orchestra, Simon Rattle | 9:28 |
Disc32
| 1 | The Young Person's Guide to the Orchestra, op. 34: Theme (Allegro maestoso e largamente) | Benjamin Britten | 1:57 |
| 2 | The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes and piccolo (PrestO) | Benjamin Britten | 0:30 |
| 3 | The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes (Lento) | Benjamin Britten | 0:57 |
| 4 | The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets (Moderato) | Benjamin Britten | 0:45 |
| 5 | The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons (Allegro alla marcia) | Benjamin Britten | 0:51 |
| 6 | The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins Brillante: alla polacca) | Benjamin Britten | 0:32 |
| 7 | The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas (Meno mosso) | Benjamin Britten | 1:01 |
| 8 | The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos | Benjamin Britten | 1:14 |
| 9 | The Young Person's Guide to the Orchestra, op. 34: Variation H: Double basses (Comminciando lento ma poco a poco accel. al Allegro) | Benjamin Britten | 1:00 |
| 10 | The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp (Maestoso) | Benjamin Britten | 0:47 |
| 11 | The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns (L'istesso tempo) | Benjamin Britten | 0:50 |
| 12 | The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets (Vivace) | Benjamin Britten | 0:33 |
| 13 | The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) | Benjamin Britten | 1:07 |
| 14 | The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion (Moderato) | Benjamin Britten | 1:56 |
| 15 | The Young Person's Guide to the Orchestra, op. 34: Fugue (Allegro molto) | Benjamin Britten | 2:48 |
| 16 | Odyssey: Introduction | Nicholas Maw | 8:16 |
| 17 | Odyssey: Part I | Nicholas Maw | 11:52 |
| 18 | Odyssey: Part II | Nicholas Maw | 12:15 |
Disc33
| 1 | Odyssey: Part III | Nicholas Maw | 3:05 |
| 2 | Odyssey: Part IV | Nicholas Maw | 1:48 |
| 3 | Odyssey: Part V | Nicholas Maw | 13:53 |
Disc34
| 1 | Variations on an Original Theme, op. 36 "Enigma": Theme | Sir Edward Elgar | 1:28 |
| 2 | Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (the composer's wife) | Sir Edward Elgar | 2:03 |
| 3 | Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.P. (Hed David Steuart-Powell) | Sir Edward Elgar | 0:48 |
| 4 | Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend) | Sir Edward Elgar | 1:27 |
| 5 | Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (William Meath Baker) | Sir Edward Elgar | 0:27 |
| 6 | Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold) | Sir Edward Elgar | 2:13 |
| 7 | Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Isabel Fitton) | Sir Edward Elgar | 1:19 |
| 8 | Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Troyte Griffit) | Sir Edward Elgar | 1:02 |
| 9 | Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Winifred Norbury) | Sir Edward Elgar | 2:07 |
| 10 | Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (A.J. Jaeger) | Sir Edward Elgar | 4:21 |
| 11 | Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny) | Sir Edward Elgar | 2:48 |
| 12 | Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair) | Sir Edward Elgar | 0:56 |
| 13 | Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson) | Sir Edward Elgar | 3:04 |
| 14 | Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza: *** (Lady Mary Lygon) | Sir Edward Elgar | 2:58 |
| 15 | Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (the composer) | Sir Edward Elgar | 5:28 |
| 16 | Grania and Diarmid, op. 42: Incidental Music | Sir Edward Elgar | 3:01 |
| 17 | Grania and Diarmid, op. 42: Funeral March | Sir Edward Elgar | 6:52 |
| 18 | Falstaff - Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Sir Edward Elgar | 3:13 |
| 19 | Falstaff - Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head. Revelry and Sleep - | Sir Edward Elgar | 13:12 |
| 20 | Falstaff - Symphonic Study in C minor, op. 68: Dream Interlude (Poco allegretto): "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Sir Edward Elgar | 2:28 |
| 21 | Falstaff - Symphonic Study in C minor, op. 68: III. Falstaff's March - The Return | Sir Edward Elgar | 4:18 |
| 22 | Falstaff - Symphonic Study in C minor, op. 68: Interlude: Gloucestershire. Shallow's Orchard (Allegretto) - The New King - The Hurried Ride to London | Sir Edward Elgar | 2:54 |
| 23 | Falstaff - Symphonic Study in C minor, op. 68: IV. King Henry V's progress - The Repudiation of Falstaff, And His Death | Sir Edward Elgar | 9:58 |
Disc35
| 1 | Harmonielehre: Part I | John Adams | 1:44 |
| 2 | Harmonielehre: Part II: The Anfortas Wound | John Adams | 12:26 |
| 3 | Harmonielehre: Part III: Meister Eckhardt and Quackie | John Adams | 10:34 |
| 4 | The Chairman Dances "Foxtrot for Orchestra" | John Adams | 12:47 |
| 5 | Two Fanfares: Tromba lontana | John Adams | 4:07 |
| 6 | Two Fanfares: Short Ride in a Fast Machine | John Adams | 4:24 |
Disc36
| 1 | Drowned Out | Mark-Anthony Turnage | 2:15 |
| 2 | Three Screaming Popes | Mark-Anthony Turnage | 15:46 |
| 3 | Momentum | Mark-Anthony Turnage | 10:49 |
| 4 | Asyla, op. 17: I. | Thomas Adès | 5:32 |
| 5 | Asyla, op. 17: II. | Thomas Adès | 6:00 |
| 6 | Asyla, op. 17: III. Ecstasio | Thomas Adès | 6:20 |
| 7 | Asyla, op. 17: IV. | Thomas Adès | 4:41 |
Disc37
| 1 | The Miraculous Mandarin, op. 19: The Beginning | Béla Bartók | 3:11 |
| 2 | The Miraculous Mandarin, op. 19: First Seduction Game | Béla Bartók | 3:44 |
| 3 | The Miraculous Mandarin, op. 19: Second Seduction Game | Béla Bartók | 3:16 |
| 4 | The Miraculous Mandarin, op. 19: Third Seduction Game - The Mandarin Enters | Béla Bartók | 4:14 |
| 5 | The Miraculous Mandarin, op. 19: Dance of the Girl | Béla Bartók | 4:18 |
| 6 | The Miraculous Mandarin, op. 19: The Chase | Béla Bartók | 4:26 |
| 7 | The Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Appears, | Béla Bartók | 6:25 |
| 8 | The Miraculous Mandarin, op. 19: The Mandarin Falls to the Floor | Béla Bartók | 2:11 |
| 9 | Concerto for Orchestra, Sz. 116: Introduzione: Andante non troppo - Allegro vivace | Béla Bartók | 10:15 |
| 10 | Concerto for Orchestra, Sz. 116: Giuoco delle coppie: Allegretto scherzando | Béla Bartók | 6:38 |
| 11 | Concerto for Orchestra, Sz. 116: Elegia: Andante non troppo | Béla Bartók | 7:23 |
| 12 | Concerto for Orchestra, Sz. 116: Intermezzo interrotto: Allegretto | Béla Bartók | 4:27 |
| 13 | Concerto for Orchestra, Sz. 116: Finale: Pesante - Presto | Béla Bartók | 9:52 |
Disc38
| 1 | Erwartung, op. 17: I. Szene: Hier hinein? Man sieht den Weg nicht... | Arnold Schoenberg | 2:51 |
| 2 | Erwartung, op. 17: II. Szene: Ist das noch der Weg? Hier ist es eben. | Arnold Schoenberg | 2:51 |
| 3 | Erwartung, op. 17: III. Szene: Da kommt ein Licht! | Arnold Schoenberg | 1:51 |
| 4 | Erwartung, op. 17: IV. Szene: Er ist auch nicht da... | Arnold Schoenberg | 2:09 |
| 5 | Erwartung, op. 17: IV. Szene: Das Mondlicht... nein, dort... | Arnold Schoenberg | 2:50 |
| 6 | Erwartung, op. 17: IV. Szene: Was soll ich tun... | Arnold Schoenberg | 4:22 |
| 7 | Erwartung, op. 17: IV. Szene: Aber so seltsam ist dein Auge... | Arnold Schoenberg | 2:23 |
| 8 | Erwartung, op. 17: IV. Szene: Du siehst wieder dort hin?... | Arnold Schoenberg | 1:41 |
| 9 | Erwartung, op. 17: IV. Szene: Oh! Nicht einmal die Gnade... | Arnold Schoenberg | 3:59 |
| 10 | Erwartung, op. 17: IV. Szene: Liebster, Liebster, der Morgen kommt... | Arnold Schoenberg | 4:54 |
| 11 | Variations for Orchestra: Introduction and Theme - | Arnold Schoenberg | 2:43 |
| 12 | Variations for Orchestra: Variation I: Moderato | Arnold Schoenberg | 1:11 |
| 13 | Variations for Orchestra: Variation II: Adagio | Arnold Schoenberg | 2:19 |
| 14 | Variations for Orchestra: Variation III: Mässig | Arnold Schoenberg | 0:49 |
| 15 | Variations for Orchestra: Variation IV: Walzer - Tempo | Arnold Schoenberg | 1:21 |
| 16 | Variations for Orchestra: Variation V: Bewegt | Arnold Schoenberg | 2:09 |
| 17 | Variations for Orchestra: Variation VI: Andante | Arnold Schoenberg | 1:41 |
| 18 | Variations for Orchestra: Variation VII: Langsam | Arnold Schoenberg | 2:50 |
| 19 | Variations for Orchestra: Variation VIII: Sehr rasch | Arnold Schoenberg | 0:36 |
| 20 | Variations for Orchestra: Variation IX: L'istesso tempo | Arnold Schoenberg | 0:59 |
| 21 | Variations for Orchestra: Finale | Arnold Schoenberg | 6:36 |
Disc39
| 1 | Stabat Mater, op. 53: I. Stała Matka bolejąca (Stabat Mater dolorosa) | Karol Szymanowski | 6:11 |
| 2 | Stabat Mater, op. 53: II. I któż widział tak cierpiącą (Quis est homo qui non fleret) | Karol Szymanowski | 2:25 |
| 3 | Stabat Mater, op. 53: III. O Matko Źródło Wszechmiłości (Eia Mater, fons amoris) | Karol Szymanowski | 3:51 |
| 4 | Stabat Mater, op. 53: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere) | Karol Szymanowski | 3:02 |
| 5 | Stabat Mater, op. 53: V. Panno słodka racz mozołem (Virgo virginum praeclare) | Karol Szymanowski | 2:54 |
| 6 | Stabat Mater, op. 53: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) | Karol Szymanowski | 4:57 |
| 7 | Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro | Karol Szymanowski | 3:26 |
| 8 | Litany to the Virgin Mary, op. 59: II. Jak krzak skarlały | Karol Szymanowski | 4:35 |
| 9 | Symphony no. 3, op. 27 "Song of the Night": I. Moderato assai | Karol Szymanowski | 7:43 |
| 10 | Symphony no. 3, op. 27 "Song of the Night": II. Vivace, scherzando | Karol Szymanowski | 7:14 |
| 11 | Symphony no. 3, op. 27 "Song of the Night": III. Largo | Karol Szymanowski | 9:45 |
Disc40
| 1 | Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": I. Adagio | Joseph Haydn | 7:13 |
| 2 | Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": II. Presto | Joseph Haydn | 4:09 |
| 3 | Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": III. Menuetto & Trio | Joseph Haydn | 3:38 |
| 4 | Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": IV. Finale: Presto | Joseph Haydn | 2:59 |
| 5 | Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace | Joseph Haydn | 8:19 |
| 6 | Symphony no. 102 in B-flat, Hob. I:102: II. Adagio | Joseph Haydn | 5:19 |
| 7 | Symphony no. 102 in B-flat, Hob. I:102: III. Menuet: Allegro & Trio | Joseph Haydn | 4:50 |
| 8 | Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto | Joseph Haydn | 4:45 |
| 9 | Symphony no. 86 in D: I. Adagio - Allegro spiritoso | Joseph Haydn | 8:30 |
| 10 | Symphony no. 86 in D: II. Capriccio: Largo | Joseph Haydn | 6:08 |
| 11 | Symphony no. 86 in D: III. Menuet (Allegretto) & Trio | Joseph Haydn | 5:15 |
| 12 | Symphony no. 86 in D: IV. Finale: Allegro con spirito | Joseph Haydn | 6:33 |
Disc41
| 1 | Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I) | Dmitri Shostakovich | 2:46 |
| 2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | Dmitri Shostakovich | 8:47 |
| 3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | Dmitri Shostakovich | 2:34 |
| 4 | Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso | Benjamin Britten | 5:47 |
Disc42
| 1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler | 8:29 |
| 2 | Das Lied von der Erde: II. Der Einsame im Herbst | Gustav Mahler | 9:43 |
| 3 | Das Lied von der Erde: III. Von der Jugend | Gustav Mahler | 3:14 |
| 4 | Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler | 7:02 |
| 5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Gustav Mahler | 4:32 |
| 6 | Das Lied von der Erde: VI. Der Abschied | Gustav Mahler | 3:02 |
Disc43
| 1 | Symphony no. 7 in E: I. Allegro moderato | Anton Bruckner | 2:16 |
| 2 | Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam) | Anton Bruckner | 2:24 |
| 3 | Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo | Anton Bruckner | 10:34 |
| 4 | Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell | Anton Bruckner | 13:23 |
Disc44
| 1 | In a Nutshell: I. Arrival Platform Humlet | Percy Grainger | 2:36 |
| 2 | In a Nutshell: II. “Gay but Wistful” (Tune in a Popular London Style) | Percy Grainger | 2:57 |
| 3 | In a Nutshell: III. Pastoral | Percy Grainger | 9:01 |
| 4 | In a Nutshell: IV. “The Gum-Suckers” March | Percy Grainger | 4:16 |
| 5 | Train Music | Percy Grainger | 1:35 |
| 6 | Country Gardens | Percy Grainger | 2:36 |
| 7 | La Vallée des cloches | Maurice Ravel | 5:29 |
| 8 | A Lincolnshire Posy: I. Lisbon (Sailor’s Song) | Percy Grainger | 1:27 |
| 9 | A Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - a local tragedy) | Percy Grainger | 2:44 |
| 10 | A Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | Percy Grainger | 4:43 |
| 11 | A Lincolnshire Posy: IV. The Brisk Young Sailor (who returned to wed his True Love) | Percy Grainger | 1:41 |
| 12 | A Lincolnshire Posy: V. Lord Melbourne (War Song) | Percy Grainger | 3:41 |
| 13 | A Lincolnshire Posy: VI. The Lost Lady Found (Dance Song) | Percy Grainger | 2:28 |
| 14 | Pagodes | Claude Debussy | 5:56 |
| 15 | The Warriors (Music to an Imaginary Ballet) | Percy Grainger | 1:52 |
Disc45
| 1 | Symphony no. 4 in G: I. Bedächtig. Nicht eilen | Gustav Mahler | 1:42 |
| 2 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler | 10:11 |
| 3 | Symphony no. 4 in G: III. Ruhevoll | Gustav Mahler | 2:16 |
| 4 | Symphony no. 4 in G: IV. Sehr behaglich | Gustav Mahler | 9:22 |
Disc46
| 1 | Symphony no. 1 in B-flat minor: I. Allegro assai | Sir William Walton | 14:23 |
| 2 | Symphony no. 1 in B-flat minor: II. Presto, con malizia | Sir William Walton | 6:04 |
| 3 | Symphony no. 1 in B-flat minor: III. Andante con malinconia | Sir William Walton | 11:11 |
| 4 | Symphony no. 1 in B-flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso | Sir William Walton | 12:26 |
| 5 | Belshazzar's Feast: Thus Spake Isaiah: Maestoso - | Sir William Walton | 10:39 |
| 6 | Belshazzar's Feast: Babylon Was a Great City: Quasi recitativo - | Sir William Walton | 8:59 |
| 7 | Belshazzar's Feast: Thus in Babylon, the Mighty City: Allegro molto - | Sir William Walton | 3:11 |
| 8 | Belshazzar's Feast: And in That Same Hour as They Feasted: Quasi recitativo - | Sir William Walton | 1:45 |
| 9 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso | Sir William Walton | 5:54 |
| 10 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro | Sir William Walton | 3:53 |
Disc47
| 1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | Mahler | 3:21 |
| 2 | Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig | Mahler | 10:21 |
| 3 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | Mahler | 1:41 |
Disc48
| 1 | Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso, Durchaus ppp | Gustav Mahler | 9:23 |
| 2 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler | 3:57 |
| 3 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | Gustav Mahler | 2:14 |
| 4 | Des Knaben Wunderhorn: Der Schildewache Nactlied | Gustav Mahler | 5:50 |
| 5 | Des Knaben Wunderhorn: Verlor'ne Muüh' | Gustav Mahler | 2:30 |
| 6 | Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht | Gustav Mahler | 1:57 |
| 7 | Des Knaben Wunderhorn: Wo die schönen Trompeten blasen | Gustav Mahler | 6:59 |
| 8 | Des Knaben Wunderhorn: Revelge | Gustav Mahler | 6:30 |
| 9 | Des Knaben Wunderhorn: Der Tambourg'sell | Gustav Mahler | 5:27 |
| 10 | Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt | Gustav Mahler | 3:46 |
| 11 | Des Knaben Wunderhorn: Ablösung im Sommer (Orch. L. Berio) | Gustav Mahler | 1:41 |
Disc49
| 1 | Król Roger, op. 46: Act I. "Hagios! Hagios!" | Karol Szymanowski | 2:42 |
| 2 | Król Roger, op. 4: Act I. "Boże pobłogosław Panie praodwieczny" | Karol Szymanowski | 2:29 |
| 3 | Król Roger, op. 4: Act I. "Czyś słyszał?" | Karol Szymanowski | 4:24 |
| 4 | Król Roger, op. 4: Act I. "Oto bluźnierca!" | Karol Szymanowski | 1:20 |
| 5 | Król Roger, op. 4: Act I. "Mój Bóg jest piękny jako ja" | Karol Szymanowski | 4:19 |
| 6 | Król Roger, op. 4: Act I. "W jego uśmiechu!" | Karol Szymanowski | 3:56 |
| 7 | Król Roger, op. 4: Act I. "Niech odejdzie Pasterz" | Karol Szymanowski | 5:37 |
| 8 | Król Roger, op. 4: Act II. (Orchestra) | Karol Szymanowski | 1:56 |
| 9 | Król Roger, op. 4: Act II. "Niepokój bladych gwiazd" | Karol Szymanowski | 5:22 |
| 10 | Król Roger, op. 4: Act II. "A ...!...Roksana! Jej śpiew!" | Karol Szymanowski | 4:18 |
| 11 | Król Roger, op. 4: Act II. "Ktoś mglisty przeszedł między strażą!" | Karol Szymanowski | 1:15 |
| 12 | Król Roger, op. 4: Act II. "O przychodzę sam, jako kazałeś, Królu" | Karol Szymanowski | 5:05 |
| 13 | Król Roger, op. 4: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!" | Karol Szymanowski | 3:05 |
| 14 | Król Roger, op. 4: Act II. "Tajemnych głębin życia żar wszechmocną" | Karol Szymanowski | 2:37 |
| 15 | Król Roger, op. 4: Act II. Dance of the Shepherd's followers | Karol Szymanowski | 1:43 |
| 16 | Król Roger, op. 4: Act II. Roxana's Entrance. "A...! W radosnym tańcu" | Karol Szymanowski | 2:09 |
| 17 | Król Roger, op. 4: Act II. "Kto śmie mój czar łańcuchem pętać rabów?" | Karol Szymanowski | 2:15 |
| 18 | Król Roger, op. 4: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie" | Karol Szymanowski | 5:35 |
| 19 | Król Roger, op. 4: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!" | Karol Szymanowski | 4:50 |
Disc50
| 1 | Król Roger, op. 4: Act III. (Orchestra) | Karol Szymanowski | 1:57 |
| 2 | Król Roger, op. 4: Act III. "Wokół martwota głazów" | Karol Szymanowski | 4:37 |
| 3 | Król Roger, op. 4: Act III. "Rogerze! Rogerze!" | Karol Szymanowski | 1:34 |
| 4 | Król Roger, op. 4: Act III. "Na sąd, na sąd staw się Królu" | Karol Szymanowski | 5:46 |
| 5 | Król Roger, op. 4: Act III. "Syć ofiarny" | Karol Szymanowski | 4:20 |
| 6 | Król Roger, op. 4: Act III. "Edrisi, już świt!" | Karol Szymanowski | 1:37 |
| 7 | Król Roger, op. 4: Act III. "Słońce! Słońce! Edrisi!" | Karol Szymanowski | 2:37 |
| 8 | Symphony no. 4 (Symphonie Concertante), op. 60: I. Moderato. Tempo comodo | Karol Szymanowski | 9:50 |
| 9 | Symphony no. 4 (Symphonie Concertante), op. 60: II. Andante molto sostenuto | Karol Szymanowski | 8:15 |
| 10 | Symphony no. 4 (Symphonie Concertante), op. 60: III. Allegro non troppo, ma agitato ed ansioso | Karol Szymanowski | 6:31 |
Disc51
| 1 | Symphony no. 8 in E-flat major: Erster Teil. Veni, creator spiritus | Gustav Mahler | 1:25 |
| 2 | Symphony no. 8 in E-flat major: Erster Teil. Imple superna gratia | Gustav Mahler | 3:41 |
| 3 | Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis | Gustav Mahler | 2:47 |
| 4 | Symphony no. 8 in E-flat major: Erster Teil. [Tempo I: Allegro, etwas hastig] | Gustav Mahler | 1:25 |
| 5 | Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis | Gustav Mahler | 3:08 |
| 6 | Symphony no. 8 in E-flat major: Erster Teil. Accende lumen sensibus | Gustav Mahler | 5:27 |
| 7 | Symphony no. 8 in E-flat major: Erster Teil. Qui paraclitus diceris | Gustav Mahler | 3:25 |
| 8 | Symphony no. 8 in E-flat major: Erster Teil. Gloria patri domino | Gustav Mahler | 2:24 |
| 9 | Symphony no. 8 in E-flat major: Zweiter Teil. [Poco adagio] | Gustav Mahler | 6:41 |
| 10 | Symphony no. 8 in E-flat major: Zweiter Teil. [Più mosso: Allegro moderato] | Gustav Mahler | 3:02 |
| 11 | Symphony no. 8 in E-flat major: Zweiter Teil. Waldung, sie schwankt heran (chorus and echo) | Gustav Mahler | 4:45 |
| 12 | Symphony no. 8 in E-flat major: Zweiter Teil. Ewiger Wonnebrand (Pater Ecstaticus) | Gustav Mahler | 1:26 |
| 13 | Symphony no. 8 in E-flat major: Zweiter Teil. Wie Felsenabgrund mir zu Füßen (Pater Profundus) | Gustav Mahler | 4:10 |
| 14 | Symphony no. 8 in E-flat major: Zweiter Teil. Gerettet ist das edle Glied (chorus of angels) | Gustav Mahler | 2:35 |
| 15 | Symphony no. 8 in E-flat major: Zweiter Teil. Uns bleibt ein Erdenrest (chorus of angels) | Gustav Mahler | 2:22 |
| 16 | Symphony no. 8 in E-flat major: Zweiter Teil. Ich spür' soeben (chorus of young angels) | Gustav Mahler | 1:02 |
| 17 | Symphony no. 8 in E-flat major: Zweiter Teil. Höchste Herrscherin der Welt! (Doctor Marianus) | Gustav Mahler | 3:49 |
| 18 | Symphony no. 8 in E-flat major: Zweiter Teil. Dir, der Unberührbaren (chorus) | Gustav Mahler | 3:03 |
| 19 | Symphony no. 8 in E-flat major: Zweiter Teil. Bei der Liebe, die den Füßen (Magna Peccatrix) | Gustav Mahler | 4:34 |
| 20 | Symphony no. 8 in E-flat major: Zweiter Teil. Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen)) | Gustav Mahler | 1:38 |
| 21 | Symphony no. 8 in E-flat major: Zweiter Teil. Er überwächst uns schon (chorus of blessed boys) | Gustav Mahler | 2:28 |
| 22 | Symphony no. 8 in E-flat major: Zweiter Teil. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa/chorus) | Gustav Mahler | 1:08 |
| 23 | Symphony no. 8 in E-flat major: Zweiter Teil. Blicket auf zum Retterblick (Doctor Marianus/chorus) | Gustav Mahler | 4:31 |
| 24 | Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus) | Gustav Mahler | 4:21 |
| 25 | Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus) | Gustav Mahler | 2:08 |
Disc52
| 1 | Songs of a Fairy-tale Princess, op. 31: The Lonely Moon | Karol Szymanowski | 4:44 |
| 2 | Songs of a Fairy-tale Princess, op. 31: The Nightingale | Karol Szymanowski | 2:54 |
| 3 | Songs of a Fairy-tale Princess, op. 31: Dance | Karol Szymanowski | 2:11 |
| 4 | Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 1. Driving the Sheep | Karol Szymanowski | 4:23 |
| 5 | Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 2. Mimed Scene (Courtship) | Karol Szymanowski | 2:06 |
| 6 | Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 3. The Tatra Robbers' March | Karol Szymanowski | 1:39 |
| 7 | Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 4. Mimed Scene (The Harnaś and the girl) | Karol Szymanowski | 3:32 |
| 8 | Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 5. The Tatra Robbers' Dance. Finale | Karol Szymanowski | 4:20 |
| 9 | Harnasie, op. 55: Tableau II "In the Inn": No. 6a. The Wedding | Karol Szymanowski | 2:25 |
| 10 | Harnasie, op. 55: Tableau II "In the Inn": No. 6b. Entry of the Bride | Karol Szymanowski | 1:57 |
| 11 | Harnasie, op. 55: Tableau II "In the Inn": No. 6c. Drinking Song | Karol Szymanowski | 1:08 |
| 12 | Harnasie, op. 55: Tableau II "In the Inn": No. 7. The Tatra Highlanders' Dance | Karol Szymanowski | 3:49 |
| 13 | Harnasie, op. 55: Tableau II "In the Inn": No. 8. Raid of the Harnasie. Dance | Karol Szymanowski | 5:31 |
| 14 | Harnasie, op. 55: Tableau II "In the Inn": No. 9. Epilogue | Karol Szymanowski | 2:55 |
| 15 | Love Songs of Hafiz, op. 26: Desires | Karol Szymanowski | 1:51 |
| 16 | Love Songs of Hafiz, op. 26: The Infatuated East Wind | Karol Szymanowski | 1:55 |
| 17 | Love Songs of Hafiz, op. 26: Dance | Karol Szymanowski | 1:48 |
| 18 | Love Songs of Hafiz, op. 26: Pearls of My soul | Karol Szymanowski | 1:50 |
| 19 | Love Songs of Hafiz, op. 26: Eternal Youth | Karol Szymanowski | 3:00 |
| 20 | Love Songs of Hafiz, op. 26: Your Voice | Karol Szymanowski | 2:46 |
| 21 | Love Songs of Hafiz, op. 26: Drinking Song | Karol Szymanowski | 2:34 |
| 22 | Love Songs of Hafiz, op. 26: Hafiz' Grave | Karol Szymanowski | 5:47 |