20029999
| 1 | The Sorcerer: Introduction | Douglas Fairbanks, Jr. | 3:40 |
| 2 | The Sorcerer: Overture | London Symphony Orchestra, Alexander Faris | 2:19 |
| 3 | The Sorcerer: Act I. Ring Forth, Ye Bells | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:41 |
| 4 | The Sorcerer: Act I. Constance, My Daughter, Why This Strange Depression? | Enid Hartle, Janis Kelly, London Symphony Orchestra, Alexander Faris | 2:29 |
| 5 | The Sorcerer: Act I. When He Is Here | Janis Kelly, London Symphony Orchestra, Alexander Faris | 2:42 |
| 6 | The Sorcerer: Act I. Dialogue 1 | [dialogue] | 1:02 |
| 7 | The Sorcerer: Act I. The Air Is Charged With Amatory Numbers | David Kernan, London Symphony Orchestra, Alexander Faris | 1:24 |
| 8 | The Sorcerer: Act I. Time Was, When Love and I Were Well Acquainted | David Kernan, London Symphony Orchestra, Alexander Faris | 2:35 |
| 9 | The Sorcerer: Act I. Dialogue 2 | [dialogue] | 2:43 |
| 10 | The Sorcerer: Act I. Sir Marmaduke, My Dear Young Friend, Alexis | David Kernan, Donald Adams, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 0:43 |
| 11 | The Sorcerer: Act I. Dialogue 3 | [dialogue] | 4:23 |
| 12 | The Sorcerer: Act I. With Heart and With Voice (Ladies) | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:38 |
| 13 | The Sorcerer: Act I. My Kindly Friends | Nan Christie, London Symphony Orchestra, Alexander Faris | 0:18 |
| 14 | The Sorcerer: Act I. Happy Young Heart | Nan Christie, London Symphony Orchestra, Alexander Faris | 2:00 |
| 15 | The Sorcerer: Act I. My Child I Join in These Congratulations | Nuala Willis, London Symphony Orchestra, Alexander Faris | 0:48 |
| 16 | The Sorcerer: Act I. With Heart and With Voice (Gentlemen) | Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:03 |
| 17 | The Sorcerer: Act I. Welcome, Joy | Donald Adams, Nuala Willis, London Symphony Orchestra, Alexander Faris | 3:40 |
| 18 | The Sorcerer: Act I. All Is Prepared | Mark Lufton, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:11 |
| 19 | The Sorcerer: Act I. Dialogue 4 | [dialogue] | 2:17 |
| 20 | The Sorcerer: Act I. For Love Alone | Alexander Oliver, London Symphony Orchestra, Alexander Faris | 2:47 |
| 21 | The Sorcerer: Act I. Dialogue 5 | [dialogue] | 4:02 |
| 22 | The Sorcerer: Act I. My Name Is John Wellington Wells | Clive Revill, London Symphony Orchestra, Alexander Faris | 2:11 |
| 23 | The Sorcerer: Act I. Dialogue 6 | [dialogue] | 3:54 |
| 24 | The Sorcerer: Act I. Sprites of Earth and Air | Clive Revill, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:10 |
| 25 | The Sorcerer: Act I. Now to the Banquet We Press | Donald Adams, Clive Revill, Nan Christie, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:14 |
| 26 | The Sorcerer: Act II. Introduction | Douglas Fairbanks, Jr. | 3:28 |
| 27 | The Sorcerer: Act II. ’Tis Twelve I Think | Alexander Oliver, Nan Christie, Clive Revill, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 6:19 |
| 28 | The Sorcerer: Act II. Dear Friends, Take Pity on My Lot | Janis Kelly, Mark Lufton, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 5:27 |
| 29 | The Sorcerer: Act II. Dialogue 1 | [dialogue] | 1:53 |
| 30 | The Sorcerer: Act II. It Is Not Love | Alexander Oliver, London Symphony Orchestra, Alexander Faris | 2:28 |
| 31 | The Sorcerer: Act II. Dialogue 2 | [dialogue] | 3:56 |
| 32 | The Sorcerer: Act II. I Rejoice That It’s Decided | Alexander Oliver, Nan Christie, Donald Adams, Enid Hartle, David Kernan, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:49 |
| 33 | The Sorcerer: Act II. Oh, I Have Wrought Much Evil With My Spells! | Clive Revill, Nuala Willis, London Symphony Orchestra, Alexander Faris | 4:07 |
| 34 | The Sorcerer: Act II. Alexis! Doubt Me Not, My Loved One! | Nan Christie, London Symphony Orchestra, Alexander Faris | 2:03 |
| 35 | The Sorcerer: Act II. Engaged to So-And-So | David Kernan, London Symphony Orchestra, Alexander Faris | 2:13 |
| 36 | The Sorcerer: Act II. Oh, Joyous Boon! Oh, Mad Delight! | Nan Christie, David Kernan, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:49 |
| 37 | The Sorcerer: Act II. Prepare for Sad Surprises | Alexander Oliver, London Symphony Orchestra, Alexander Faris | 0:36 |
| 38 | The Sorcerer: Act II. Dialogue 3 | [dialogue] | 1:52 |
| 39 | The Sorcerer: Act II. Or He or I Must Die! | Clive Revill, Donald Adams, David Kernan, Nuala Willis, Alexander Oliver, Nan Christie, Janis Kelly, Mark Lufton, Enid Hartle, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:51 |
| 40 | The Sorcerer: Featurette | Judith de Paul, Clive Revill | 4:50 |
| 1 | H.M.S. Pinafore: Introduction | Douglas Fairbanks, Jr. | 3:03 |
| 2 | H.M.S. Pinafore: Overture – Opening Titles | London Symphony Orchestra, Alexander Faris | 0:51 |
| 3 | H.M.S. Pinafore: Act I. We Sail the Ocean Blue | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:06 |
| 4 | H.M.S. Pinafore: Act I. Hail! Men-o’-War’s Men | Della Jones, London Symphony Orchestra, Alexander Faris | 2:02 |
| 5 | H.M.S. Pinafore: Act I. Dialogue 1 | [dialogue] | 1:31 |
| 6 | H.M.S. Pinafore: Act I. But Tell Me Who’s the Youth | Della Jones, London Symphony Orchestra, Alexander Faris | 0:26 |
| 7 | H.M.S. Pinafore: Act I. The Nightingale Sighed for the Moon’s Bright Ray | Michael Bulman, Della Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:57 |
| 8 | H.M.S. Pinafore: Act I. A Maiden Fair to See | Michael Bulman, London Symphony Orchestra, Alexander Faris | 1:45 |
| 9 | H.M.S. Pinafore: Act I. Dialogue 2 | [dialogue] | 0:55 |
| 10 | H.M.S. Pinafore: Act I. My Gallant Crew, Good-Morning | Peter Marshall, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:15 |
| 11 | H.M.S. Pinafore: Act I. Sir, You Are Sad | Della Jones, Peter Marshall, London Symphony Orchestra, Alexander Faris | 1:35 |
| 12 | H.M.S. Pinafore: Act I. Sorry Her Lot Who Loves Too Well | Meryl Drower, London Symphony Orchestra, Alexander Faris | 2:49 |
| 13 | H.M.S. Pinafore: Act I. Dialogue 3 | [dialogue] | 1:11 |
| 14 | H.M.S. Pinafore: Act I. Over the Bright Blue Sea | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:37 |
| 15 | H.M.S. Pinafore: Act I. Sir Joseph’s Barge Is Seen | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:53 |
| 16 | H.M.S. Pinafore: Act I. Now Give Three Cheers | Frankie Howerd, Peter Marshall, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:23 |
| 17 | H.M.S. Pinafore: Act I. When I Was a Lad | Frankie Howerd, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:37 |
| 18 | H.M.S. Pinafore: Act I. Dialogue 4 | [dialogue] | 4:22 |
| 19 | H.M.S. Pinafore: Act I. For I Hold That on the Seas | Frankie Howerd, London Symphony Orchestra, Alexander Faris | 0:19 |
| 20 | H.M.S. Pinafore: Act I. Dialogue 5 | [dialogue] | 1:20 |
| 21 | H.M.S. Pinafore: Act I. A British Tar Is A | Michael Bulman, Gordon Sandison, [unknown], Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:08 |
| 22 | H.M.S. Pinafore: Act I. Dialogue 6 | [dialogue] | 2:37 |
| 23 | H.M.S. Pinafore: Act I. Refrain, Audacious Tar | Meryl Drower, Michael Bulman, London Symphony Orchestra, Alexander Faris | 2:56 |
| 24 | H.M.S. Pinafore: Act I. Can I Survive This Overbearing | Michael Bulman, Alan Watt, Meryl Drower, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:41 |
| 25 | H.M.S. Pinafore: Act II. Introduction | Douglas Fairbanks, Jr. | 1:51 |
| 26 | H.M.S. Pinafore: Act II. Fair Moon, to Thee I Sing | Peter Marshall, London Symphony Orchestra, Alexander Faris | 3:34 |
| 27 | H.M.S. Pinafore: Act II. Dislogue 1 | [dialogue] | 1:38 |
| 28 | H.M.S. Pinafore: Act II. Things Are Seldom What They Seem | Della Jones, Peter Marshall, London Symphony Orchestra, Alexander Faris | 2:42 |
| 29 | H.M.S. Pinafore: Act II. Dialogue 2 | [dialogue] | 1:52 |
| 30 | H.M.S. Pinafore: Act II. The Hours Creep on Apace | Meryl Drower, London Symphony Orchestra, Alexander Faris | 4:26 |
| 31 | H.M.S. Pinafore: Act II. Dialogue 3 | [dialogue] | 1:03 |
| 32 | H.M.S. Pinafore: Act II. Never Mind the Why and Wherefore | Peter Marshall, Frankie Howerd, Meryl Drower, London Symphony Orchestra, Alexander Faris | 2:34 |
| 33 | H.M.S. Pinafore: Act II. Dialogue 4 | [dialogue] | 1:09 |
| 34 | H.M.S. Pinafore: Act II. Kind Captain, I’ve Important Information | Alan Watt, Peter Marshall, London Symphony Orchestra, Alexander Faris | 2:02 |
| 35 | H.M.S. Pinafore: Act II. Dialogue 5 | [dialogue] | 0:26 |
| 36 | H.M.S. Pinafore: Act II. Carefully on Tip-Toe Stealing | Alan Watt, Peter Marshall, Michael Bulman, Meryl Drower, Gordon Sandison, Frankie Howerd, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 6:34 |
| 37 | H.M.S. Pinafore: Act II. Dialogue 6 | [dialogue] | 1:58 |
| 38 | H.M.S. Pinafore: Act II. Farewell, My Own | Michael Bulman, Frankie Howerd, Gordon Sandison, Alan Watt, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:25 |
| 39 | H.M.S. Pinafore: Act II. A Many Years Ago | Della Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:35 |
| 40 | H.M.S. Pinafore: Act II. Dialogue 7 | [dialogue] | 2:52 |
| 41 | H.M.S. Pinafore: Act II. Oh Joy! Oh Rapture Unforeseen | Michael Bulman, Meryl Drower, Peter Marshall, Della Jones, Frankie Howerd, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:27 |
| 42 | H.M.S. Pinafore: Act II. Featurette | Judith de Paul, Frankie Howerd, Alexander Faris, Terry Gilbert | 2:02 |
| 1 | The Pirates of Penzance: Introduction | Douglas Fairbanks, Jr. & Arthur Sullivan | 2:59 |
| 2 | The Pirates of Penzance: Overture – Titles | London Symphony Orchestra, Alexander Faris | 2:11 |
| 3 | The Pirates of Penzance: Act I. Pour, Oh Pour, the Pirate Sherry | Brian Donlan, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:39 |
| 4 | The Pirates of Penzance: Act I. Dialogue 1 | [dialogue] | 0:53 |
| 5 | The Pirates of Penzance: Act I. When Fred’ric Was a Little Lad | Gillian Knight, London Symphony Orchestra, Alexander Faris | 2:11 |
| 6 | The Pirates of Penzance: Act I. Dialogue 2 | [dialogue] | 3:50 |
| 7 | The Pirates of Penzance: Act I. Oh, Better Far to Live and Die | Peter Allen, London Symphony Orchestra, Alexander Faris | 2:20 |
| 8 | The Pirates of Penzance: Act I. Dialogue 3 | [dialogue] | 2:02 |
| 9 | The Pirates of Penzance: Act I. Oh! False One, You Have Deceiv’d Me! | Alexander Oliver, Gillian Knight, London Symphony Orchestra, Alexander Faris | 2:54 |
| 10 | The Pirates of Penzance: Act I. Climbing Over Rocky Mountains | Kate Flowers, Jenny Wren, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:46 |
| 11 | The Pirates of Penzance: Act I. Dialogue 4 | [dialogue] | 1:10 |
| 12 | The Pirates of Penzance: Act I. Stop, Ladies, Pray! | Alexander Oliver, Kate Flowers, Jenny Wren, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:15 |
| 13 | The Pirates of Penzance: Act I. Oh, Is There Not One Maiden Breast | Alexander Oliver, Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:00 |
| 14 | The Pirates of Penzance: Act I. Poor Wand’ring One! | Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:35 |
| 15 | The Pirates of Penzance: Act I. What Ought We to Do? | Janis Kelly, Jenny Wren, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:38 |
| 16 | The Pirates of Penzance: Act I. How Beautifully Blue the Sky | Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:11 |
| 17 | The Pirates of Penzance: Act I. Stay, We Must Not Lose Our Senses | Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:28 |
| 18 | The Pirates of Penzance: Act I. Hold, Monsters! | Janis Kelly, Brian Donlan, Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:49 |
| 19 | The Pirates of Penzance: Act I. I Am the Very Model of a Modern Major-General | Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:59 |
| 20 | The Pirates of Penzance: Act I. Dialogue 5 | [dialogue] | 2:29 |
| 21 | The Pirates of Penzance: Act I. Oh, Men of Dark and Dismal Fate | Keith Michell, Peter Allen, Brian Donlan, Gillian Knight, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:21 |
| 22 | The Pirates of Penzance: Act II. Introduction | Douglas Fairbanks, Jr. | 1:21 |
| 23 | The Pirates of Penzance: Act II. Oh, Dry the Glist’ning Tear | Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:30 |
| 24 | The Pirates of Penzance: Act II. Dialogue 1 | [dialogue] | 2:17 |
| 25 | The Pirates of Penzance: Act II. Then, Frederic, Let Your Escort Lion-Hearted | Keith Michell, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 0:21 |
| 26 | The Pirates of Penzance: Act II. When the Foeman Bares His Steel | Paul Hudson, Janis Kelly, Kate Flowers, Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 5:03 |
| 27 | The Pirates of Penzance: Act II. Now for the Pirates’ Lair | Alexander Oliver, Peter Allen, Gillian Knight, London Symphony Orchestra, Alexander Faris | 1:24 |
| 28 | The Pirates of Penzance: Act II. When You Had Left Our Pirate Fold | Gillian Knight, Alexander Oliver, Peter Allen, London Symphony Orchestra, Alexander Faris | 3:07 |
| 29 | The Pirates of Penzance: Act II. Dialogue 2 | [dialogue] | 1:18 |
| 30 | The Pirates of Penzance: Act II. Away, Away! My Heart’s on Fire! | Peter Allen, Gillian Knight, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 1:31 |
| 31 | The Pirates of Penzance: Act II. All Is Prep’red, Your Gallant Crew Await You | Janis Kelly, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 1:12 |
| 32 | The Pirates of Penzance: Act II. Stay, Fred’ric, Stay! | Janis Kelly, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:41 |
| 33 | The Pirates of Penzance: Act II. No, I’ll Be Brave | Janis Kelly, Paul Hudson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:03 |
| 34 | The Pirates of Penzance: Act II. When a Felon’s Not Engaged in His Employment | Paul Hudson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:03 |
| 35 | The Pirates of Penzance: Act II. A Rollicking Band of Pirates We | Paul Hudson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:47 |
| 36 | The Pirates of Penzance: Act II. With Cat-Like Tread | Brian Donlan, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:43 |
| 37 | The Pirates of Penzance: Act II. Hush, Hush, Not a Word! | Alexander Oliver, Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:08 |
| 38 | The Pirates of Penzance: Act II. Sighing Softly to the River | Keith Michell, Janis Kelly, Alexander Oliver, Peter Allen, Paul Hudson, Gillian Knight, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 10:35 |
| 39 | The Pirates of Penzance: Featurette | Judith de Paul, Peter Allen, Keith Michell, Michael Geliot | 1:42 |
| 1 | Patience: Introduction | Douglas Fairbanks, Jr. | 2:16 |
| 2 | Patience: Overture | London Symphony Orchestra, Alexander Faris | 2:41 |
| 3 | Patience: Act I, no. 1, Twenty Love-sick Maidens Be | Shirley Chapman, Patricia Hay, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:48 |
| 4 | Patience: Act I, Dialogue 1 | [dialogue] | 1:35 |
| 5 | Patience: Act I, no. 2, Still Brooding on Their Mad Infatuation | Sandra Dugdale, Shelagh Squires, Shirley Chapman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:03 |
| 6 | Patience: Act I, no. 2a, I Cannot Tell What This Love May Be | Sandra Dugdale, London Symphony Orchestra, Alexander Faris | 2:25 |
| 7 | Patience: Act I, Dialogue 2 | [dialogue] | 1:14 |
| 8 | Patience: Act I, no. 2b, Twenty Love-sick Maidens Be | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:35 |
| 9 | Patience: Act I, no. 3, The Soldiers of Our Queen | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:14 |
| 10 | Patience: Act I, Dialogue 3 | [dialogue] | 2:06 |
| 11 | Patience: Act I, no. 4, In a Doleful Train Two by Two We Walk | Shirley Chapman, Patricia Hay, Shelagh Squires, Derek Hammond-Stroud, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:48 |
| 12 | Patience: Act I, Dialogue 4 | [dialogue] | 4:28 |
| 13 | Patience: Act I, no. 4a, Twenty Love-sick Maidens Be | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:32 |
| 14 | Patience: Act I, Dialogue 5 | [dialogue] | 0:11 |
| 15 | Patience: Act I, no. 5, When I First Put This Uniform On | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:30 |
| 16 | Patience: Act I, no. 6, Am I Alone and Unobserved | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | 4:14 |
| 17 | Patience: Act I, Dialogue 6 | [dialogue] | 5:37 |
| 18 | Patience: Act I, no. 7, Long Years Ago, Fourteen May Be | Sandra Dugdale, Shirley Chapman, London Symphony Orchestra, Alexander Faris | 1:58 |
| 19 | Patience: Act I, Dialogue 7 | [dialogue] | 0:28 |
| 20 | Patience: Act I, no. 8, Prithee, Pretty Maiden | Sandra Dugdale, John Fryatt, London Symphony Orchestra, Alexander Faris | 2:06 |
| 21 | Patience: Act I, Dialogue 8 | [dialogue] | 3:41 |
| 22 | Patience: Act I, no. 8a, Though to Marry You Would Very Selfish Be | Sandra Dugdale, John Fryatt, London Symphony Orchestra, Alexander Faris | 0:35 |
| 23 | Patience: Act I, no. 9, Let the Merry Cymbals Sound | Derek Hammond-Stroud, Donald Adams, Terry Jenkins, Anne Collins, Sandra Dugdale, Roderick Kennedy, Shelagh Squires, Shirley Chapman, Patricia Hay, John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:44 |
| 24 | Patience: Act II, Introduction | Douglas Fairbanks, Jr. | 2:45 |
| 25 | Patience: Act II, no. 10, On Such Eyes as Maidens Cherish | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:22 |
| 26 | Patience: Act II, Dialogue 1 | [dialogue] | 0:43 |
| 27 | Patience: Act II, no. 11, Sad Is That Woman’s Lot | Anne Collins, London Symphony Orchestra, Alexander Faris | 4:29 |
| 28 | Patience: Act II, no. 12, Turn, Oh Turn in This Direction | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:14 |
| 29 | Patience: Act II, Dialogue 2 | [dialogue] | 3:12 |
| 30 | Patience: Act II, no. 13, A Magnet Hung in a Hardware Shop | John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:26 |
| 31 | Patience: Act II, Dialogue 3 | [dialogue] | 3:16 |
| 32 | Patience: Act II, no. 14, Love Is a Plaintive Song | Sandra Dugdale, London Symphony Orchestra, Alexander Faris | 3:00 |
| 33 | Patience: Act II, Dialogue 4 | [dialogue] | 1:14 |
| 34 | Patience: Act II, no. 15, So Go to Him, and Say to Him | Anne Collins, Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | 3:18 |
| 35 | Patience: Act II, no. 16, It’s Clear That Mediaeval Art | Terry Jenkins, Roderick Kennedy, Donald Adams, London Symphony Orchestra, Alexander Faris | 2:19 |
| 36 | Patience: Act II, Dialogue 5 | [dialogue] | 3:01 |
| 37 | Patience: Act II, no. 17, If Saphir I Choose to Marry | Shirley Chapman, Shelagh Squires, Terry Jenkins, Roderick Kennedy, Donald Adams, London Symphony Orchestra, Alexander Faris | 2:42 |
| 38 | Patience: Act II, Dialogue 6 | [dialogue] | 3:33 |
| 39 | Patience: Act II, no. 18, When I Go Out of Door | Derek Hammond-Stroud, John Fryatt, London Symphony Orchestra, Alexander Faris | 1:27 |
| 40 | Patience: Act II, Dialogue 7 | [dialogue] | 1:47 |
| 41 | Patience: Act II, no. 19, I’m a Waterloo House Young Man | John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:39 |
| 42 | Patience: Act II, Dialogue 8 | [dialogue] | 2:09 |
| 43 | Patience: Act II, no. 20, After Much Debate Internal | Terry Jenkins, Derek Hammond-Stroud, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:09 |
| 1 | Iolanthe: Introduction | Douglas Fairbanks, Jr. | 2:46 |
| 2 | Iolanthe: Overture – Titles | London Symphony Orchestra, Alexander Faris | 2:44 |
| 3 | Iolanthe: Act I. 1. Tripping Hither, Tripping Thither | Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:18 |
| 4 | Iolanthe: Act I. Dialogue 1 | [dialogue] | 2:50 |
| 5 | Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | Anne Collins, Sandra Dugdale, Pamela Field, Beverley Mills, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:34 |
| 6 | Iolanthe: Act I. Dialogue 2 | [dialogue] | 1:10 |
| 7 | Iolanthe: Act I. 3. Good-Morrow, Good Mother | Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:42 |
| 8 | Iolanthe: Act I. Dialogue 3 | [dialogue] | 2:47 |
| 9 | Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:07 |
| 10 | Iolanthe: Act I. 4a. Good-Morrow, Good Lover | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 0:44 |
| 11 | Iolanthe: Act I. Dialogue 4 | [dialogue] | 1:19 |
| 12 | Iolanthe: Act I. 5. None Shall Part Us | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 3:01 |
| 13 | Iolanthe: Act I. 6. Loudly Let the Trumpet Bray | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 5:45 |
| 14 | Iolanthe: Act I. 7. the Law Is the True Embodiment | Derek Hammond-Stroud, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:58 |
| 15 | Iolanthe: Act I. Dialogue 5 | [dialogue] | 2:09 |
| 16 | Iolanthe: Act I. 8. My Well-Loved Lord | Kate Flowers, David Hillman, Thomas Hemsley, London Symphony Orchestra, Alexander Faris | 3:50 |
| 17 | Iolanthe: Act I. 9. Nay, Tempt Me Not | Kate Flowers, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:30 |
| 18 | Iolanthe: Act I. 10. Spurn Not the Nobly Born | David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:21 |
| 19 | Iolanthe: Act I. 11. My Lords, It May Not Be | Kate Flowers, Derek Hammond-Stroud, Alexander Oliver, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:47 |
| 20 | Iolanthe: Act I. Dialogue 6 | [dialogue] | 1:44 |
| 21 | Iolanthe: Act I. 12. When I Went to the Bar | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | 1:28 |
| 22 | Iolanthe: Act I. Dialogue 7 | [dialogue] | 1:07 |
| 23 | Iolanthe: Act I Finale. 13. When Darkly Looms the Day | Alexander Oliver, Kate Flowers, Thomas Hemsley, Beverley Mills, David Hillman, Derek Hammond-Stroud, Anne Collins, Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:46 |
| 24 | Iolanthe: Act II. Introduction | Douglas Fairbanks, Jr. | 1:03 |
| 25 | Iolanthe: Act II. 14. When All Night Long a Chap Remains | Richard van Allen, London Symphony Orchestra, Alexander Faris | 3:41 |
| 26 | Iolanthe: Act II. 15. Strephon’s a Member of Parliament | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:26 |
| 27 | Iolanthe: Act II. Dialogue 1 | [dialogue] | 1:22 |
| 28 | Iolanthe: Act II. 16. When Britain Really Ruled the Waves | Thomas Hemsley, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:48 |
| 29 | Iolanthe: Act II. Dialogue 2 | [dialogue] | 0:29 |
| 30 | Iolanthe: Act II. 17. In Vain to Us You Plead | Pamela Field, Sandra Dugdale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:44 |
| 31 | Iolanthe: Act II. Dialogue 3 | [dialogue] | 1:27 |
| 32 | Iolanthe: Act II. 18. Oh, Foolish Fay | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:14 |
| 33 | Iolanthe: Act II. Dialogue 4 | [dialogue] | 3:17 |
| 34 | Iolanthe: Act II. 19. Tho’ P’r’aps I May Incur Thy Blame | David Hillman, Thomas Hemsley, Kate Flowers, Richard van Allen, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:47 |
| 35 | Iolanthe: Act II. 20. Love Unrequited Robs Me of My Rest | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | 3:19 |
| 36 | Iolanthe: Act II. Dialogue 5 | [dialogue] | 1:59 |
| 37 | Iolanthe: Act II. 21. If You Go in You’re Sure to Win | Derek Hammond-Stroud, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:22 |
| 38 | Iolanthe: Act II. Dialogue 6 | [dialogue] | 2:26 |
| 39 | Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | Alexander Oliver, Kate Flowers, London Symphony Orchestra, Alexander Faris | 1:21 |
| 40 | Iolanthe: Act II. Dialogue 7 | [dialogue] | 2:13 |
| 41 | Iolanthe: Act II. 23. My Lord, a Suppliant at You Feet | Beverley Mills, London Symphony Orchestra, Alexander Faris | 2:15 |
| 42 | Iolanthe: Act II. 24. It May Not Be | Derek Hammond-Stroud, Beverley Mills, Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:48 |
| 43 | Iolanthe: Act II. 25. Soon as We May, Off and Away | Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:36 |
| 1 | Princess Ida: Introduction | Douglas Fairbanks, Jr. | 2:27 |
| 2 | Princess Ida: Overture | London Symphony Orchestra, Alexander Faris | 3:50 |
| 3 | Princess Ida: Act I. Search Throughout the Panorama | Richard Jackson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:31 |
| 4 | Princess Ida: Act I. Dialogue 1 | [dialogue] | 1:28 |
| 5 | Princess Ida: Act I. Now Hearken to My Strict Command | Neil Howlett, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:35 |
| 6 | Princess Ida: Act I. Today We Meet | Laurence Dale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:42 |
| 7 | Princess Ida: Act I. Dialogue 2 | [dialogue] | 1:26 |
| 8 | Princess Ida: Act I. From the Distant Panorama | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:47 |
| 9 | Princess Ida: Act I. We Are Warriors Three | Tano Rea, Peter Savidge, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:30 |
| 10 | Princess Ida: Act I. If You Give Me Your Attention | Frank Gorshin, London Symphony Orchestra, Alexander Faris | 2:13 |
| 11 | Princess Ida: Act I. Dialogue 3 | [dialogue] | 3:23 |
| 12 | Princess Ida: Act I. P’raps If You Address the Lady | Frank Gorshin, Neil Howlett, Bernard Dickerson, Laurence Dale, Richard Jackson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 6:44 |
| 13 | Princess Ida: Act II. Introduction | Douglas Fairbanks, Jr. | 1:06 |
| 14 | Princess Ida: Act II. Towards the Empryean Heights | Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:39 |
| 15 | Princess Ida: Act II. Dialogue 1 | [dialogue] | 1:19 |
| 16 | Princess Ida: Act II. Mighty Maiden With a Mission | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:30 |
| 17 | Princess Ida: Act II. Minerva! Oh, Hear Me | Nan Christie, London Symphony Orchestra, Alexander Faris | 2:48 |
| 18 | Princess Ida: Act II. Dialogue 2 | [dialogue] | 2:36 |
| 19 | Princess Ida: Act II. And Thus to Empryean Heights | Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:42 |
| 20 | Princess Ida: Act II. Dialogue 3 | [dialogue] | 0:38 |
| 21 | Princess Ida: Act II. Gently, Gently | Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris | 3:59 |
| 22 | Princess Ida: Act II. Dialogue 4 | [dialogue] | 0:42 |
| 23 | Princess Ida: Act II. I Am a Maiden | Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris | 2:32 |
| 24 | Princess Ida: Act II. Dialogue 5 | [dialogue] | 1:50 |
| 25 | Princess Ida: Act II. The World Is but a Broken Toy | Nan Christie, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris | 2:56 |
| 26 | Princess Ida: Act II. Dialogue 6 | [dialogue] | 2:06 |
| 27 | Princess Ida: Act II. A Lady Fair of Lineage High | Josephine Gordon, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris | 2:18 |
| 28 | Princess Ida: Act II. Dialogue 7 | [dialogue] | 1:22 |
| 29 | Princess Ida: Act II. The Woman of the Wisest Wit | Josephine Gordon, Claire Powell, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris | 2:11 |
| 30 | Princess Ida: Act II. Dialogue 8 | [dialogue] | 1:58 |
| 31 | Princess Ida: Act II. Now Wouldn’t You Like | Claire Powell, Anne Collins, London Symphony Orchestra, Alexander Faris | 2:22 |
| 32 | Princess Ida: Act II. Dialogue 9 | [dialogue] | 0:29 |
| 33 | Princess Ida: Act II. Merrily Ring the Luncheon Bell | Anne Collins, Bernard Dickerson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:25 |
| 34 | Princess Ida: Act II. Dialogue 10 | [dialogue] | 1:11 |
| 35 | Princess Ida: Act II. Would You Know the Kind of Maid | Bernard Dickerson, London Symphony Orchestra, Alexander Faris | 2:03 |
| 36 | Princess Ida: Act II. Dialogue 11 | [dialogue] | 0:39 |
| 37 | Princess Ida: Act II. Oh, Joy! Our Chief Is Saved | Nan Christie, Neil Howlett, Claire Powell, Josephine Gordon, Anne Collins, Bernard Dickerson, Laurence Dale, Richard Jackson, Tano Rea, Peter Savidge, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 11:21 |
| 38 | Princess Ida: Act III. Introduction | Douglas Fairbanks, Jr. | 1:35 |
| 39 | Princess Ida: Act III. Death to the Invader | Ambrosian Opera Chorus, Claire Powell, London Symphony Orchestra, Alexander Faris | 2:50 |
| 40 | Princess Ida: Act III. Dialogue 1 | [dialogue] | 2:32 |
| 41 | Princess Ida: Act III. I Built Upon a Rock | Nan Christie, London Symphony Orchestra, Alexander Faris | 3:14 |
| 42 | Princess Ida: Act III. Dialogue 2 | [dialogue] | 2:31 |
| 43 | Princess Ida: Act III. Whene’er I Spoke | Frank Gorshin, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:36 |
| 44 | Princess Ida: Act III. Dialogue 3 | [dialogue] | 0:41 |
| 45 | Princess Ida: Act III. When Anger Spreads His Wing | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:05 |
| 46 | Princess Ida: Act III. This Helmet I Suppose | Tano Rea, Peter Savidge, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:05 |
| 47 | Princess Ida: Act III. Dialogue 4 | [dialogue] | 1:26 |
| 48 | Princess Ida: Act III. This Is Our Duty | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:43 |
| 49 | Princess Ida: Act III. Dialogue 5 | [dialogue] | 2:24 |
| 50 | Princess Ida: Act III. With Joy Abiding | Nan Christie, Laurence Dale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:08 |
| 1 | The Mikado: Introduction | Douglas Fairbanks, Jr. | 2:38 |
| 2 | The Mikado: Overture (Opening Titles) | Sir Arthur Sullivan | 1:18 |
| 3 | The Mikado, Act I: 1. If You Want to Know Who We Are | Sir Arthur Sullivan | 2:34 |
| 4 | The Mikado, Act I: 2. A Wand'Ring Minstrel I | Sir Arthur Sullivan | 4:00 |
| 5 | The Mikado, Act I: Dialogue 1 | Sir William Gilbert | 0:41 |
| 6 | The Mikado, Act I: 3. Our Great Mikado, Virtuous Man | Sir Arthur Sullivan | 2:44 |
| 7 | The Mikado, Act I: Dialogue 2 | Sir William Gilbert | 1:53 |
| 8 | The Mikado, Act I: 4. Young Man, Despair, Likewise Go To | Sir Arthur Sullivan | 2:32 |
| 9 | The Mikado, Act I: 4a. And Have I Journey'd for a Month | Sir Arthur Sullivan | 0:55 |
| 10 | The Mikado, Act I: 5. Behold the Lord High Executioner | Sir Arthur Sullivan | 2:29 |
| 11 | The Mikado, Act I: Dialogue 3 | Sir William Gilbert | 0:26 |
| 12 | The Mikado, Act I: 5a. As Some Day It May Happen | Sir Arthur Sullivan | 2:14 |
| 13 | The Mikado, Act I: Dialogue 4 | Sir William Gilbert | 2:39 |
| 14 | The Mikado, Act I: 6. Comes a Train of Little Ladies | Sir Arthur Sullivan | 2:26 |
| 15 | The Mikado, Act I: 7. Three Little Maids From School | Sir Arthur Sullivan | 1:42 |
| 16 | The Mikado, Act I: Dialogue 5 | Sir William Gilbert | 2:43 |
| 17 | The Mikado, Act I: 8. So Please You, Sir, We Much Regret | Sir Arthur Sullivan | 2:05 |
| 18 | The Mikado, Act I: Dialogue 6 | Sir William Gilbert | 2:26 |
| 19 | The Mikado, Act I: 9. Were You Not to Ko-Ko Plighted | Sir Arthur Sullivan | 2:23 |
| 20 | The Mikado, Act I: Dialogue 7 | Sir William Gilbert | 2:19 |
| 21 | The Mikado, Act I: 10. I Am So Proud | Sir Arthur Sullivan | 2:45 |
| 22 | The Mikado, Act I: Dialogue 8 | Sir William Gilbert | 3:59 |
| 23 | The Mikado, Act I: 11. With Aspect Stern and Gloomy Stride (Finale) | Sir Arthur Sullivan | 14:54 |
| 24 | The Mikado, Act II: Introduction | Douglas Fairbanks, Jr. | 1:01 |
| 25 | The Mikado, Act II: 1. Braid the Raven Hair | Sir Arthur Sullivan | 3:21 |
| 26 | The Mikado, Act II: Dialogue 1 | Sir William Gilbert | 0:28 |
| 27 | The Mikado, Act II: 2. The Sun, Whose Rays Are All Ablaze | Sir Arthur Sullivan | 2:10 |
| 28 | The Mikado, Act II: Dialogue 2 | Sir William Gilbert | 1:59 |
| 29 | The Mikado, Act II: 3. Brightly Dawns Our Wedding Day | Sir Arthur Sullivan | 3:25 |
| 30 | The Mikado, Act II: Dialogue 3 | Sir William Gilbert | 2:34 |
| 31 | The Mikado, Act II: 4. Here's a How-De-Do! If I Marry You | Sir Arthur Sullivan | 1:14 |
| 32 | The Mikado, Act II: Dialogue 4 | Sir William Gilbert | 3:10 |
| 33 | The Mikado, Act II: 5. Mi-Ya-Sa-Ma, Mi-Ya-Sa-Ma | Sir Arthur Sullivan | 3:13 |
| 34 | The Mikado, Act II: 6. A More Humane Mikado Never Did in Japan Exist | Sir Arthur Sullivan | 3:23 |
| 35 | The Mikado, Act II: Dialogue 5 | Sir William Gilbert | 0:46 |
| 36 | The Mikado, Act II: 7. The Criminal Cried as He Dropped Him Down | Sir Arthur Sullivan | 2:50 |
| 37 | The Mikado, Act II: Dialogue 6 | Sir William Gilbert | 3:13 |
| 38 | The Mikado, Act II: 8. See How the Fates Their Gifts Allot | Sir Arthur Sullivan | 1:37 |
| 39 | The Mikado, Act II: Dialogue 7 | Sir William Gilbert | 1:50 |
| 40 | The Mikado, Act II: 9. The Flowers That Bloom in the Spring | Sir Arthur Sullivan | 1:33 |
| 41 | The Mikado, Act II: 10. Alone, and Yet Alive | Sir Arthur Sullivan | 2:17 |
| 42 | The Mikado, Act II: Dialogue 8 | Sir William Gilbert | 2:07 |
| 43 | The Mikado, Act II: 11. On a Tree by a River, a Little Tom-Tit Sang, Willow, Tit-Willow | Sir Arthur Sullivan | 2:05 |
| 44 | The Mikado, Act II: Dialogue 9 | Sir William Gilbert | 0:53 |
| 45 | The Mikado, Act II: 12. There Is Beauty in the Bellow of the Blast | Sir Arthur Sullivan | 1:18 |
| 46 | The Mikado, Act II: Dialogue 10 | Sir William Gilbert | 2:03 |
| 47 | The Mikado, Act II: 13. For He's Gone and Married Yum-Yum (Finale) | Sir Arthur Sullivan | 3:29 |
| 1 | Ruddigore: Introduction | Douglas Fairbanks, Jr. | 2:56 |
| 2 | Ruddigore: Overture – Opening Credits | London Symphony Orchestra, Alexander Faris | 1:11 |
| 3 | Ruddigore, Act I: Fair Is Rose | Beryl Korman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:40 |
| 4 | Ruddigore, Act I: Dialogue 1 | [dialogue] | 2:09 |
| 5 | Ruddigore, Act I: Sir Rupert Murgatroyd His Leisure | Johanna Peters, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:58 |
| 6 | Ruddigore, Act I: Dialogue 2 | [dialogue] | 2:29 |
| 7 | Ruddigore, Act I: If Somebody There Chance to Be | Sandra Dugdale, London Symphony Orchestra, Alexander Faris | 2:41 |
| 8 | Ruddigore, Act I: Dialogue 3 | [dialogue] | 1:26 |
| 9 | Ruddigore, Act I: I Know a Youth | Sandra Dugdale, Keith Michell, London Symphony Orchestra, Alexander Faris | 3:13 |
| 10 | Ruddigore, Act I: Dialogue 4 | [dialogue] | 2:14 |
| 11 | Ruddigore, Act I: From the Briny Sea | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:36 |
| 12 | Ruddigore, Act I: Hornpipe | London Symphony Orchestra, Alexander Faris | 1:18 |
| 13 | Ruddigore, Act I: Additional Dialogue | [dialogue] | 3:18 |
| 14 | Ruddigore, Act I: My Boy, You May Take It From Me | Keith Michell, London Symphony Orchestra, Alexander Faris | 1:21 |
| 15 | Ruddigore, Act I: Dialogue 5 | [dialogue] | 5:57 |
| 16 | Ruddigore, Act I: If Well His Suit Has Sped | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:43 |
| 17 | Ruddigore, Act I: Dialogue 6 | [dialogue] | 4:20 |
| 18 | Ruddigore, Act I: In Sailing O’er Life’s Ocean Wide | Sandra Dugdale, John Treleaven, Keith Michell, London Symphony Orchestra, Alexander Faris | 1:39 |
| 19 | Ruddigore, Act I: Cheerily Carols the Lark | Ann Howard, London Symphony Orchestra, Alexander Faris | 4:21 |
| 20 | Ruddigore, Act I: Dialogue 7 | [dialogue] | 3:30 |
| 21 | Ruddigore, Act I: Welcome, Gentry | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:32 |
| 22 | Ruddigore, Act I: Oh, Why Am I Moody and Sad? | Vincent Price, London Symphony Orchestra, Alexander Faris | 2:09 |
| 23 | Ruddigore, Act I: Dialogue 8 | [dialogue] | 4:21 |
| 24 | Ruddigore, Act I: You Understand? I Think I Do | John Treleaven, Vincent Price, London Symphony Orchestra, Alexander Faris | 1:23 |
| 25 | Ruddigore, Act I: Finale: Hail the Bride of Seventeen Summers / When the Buds Are Blossoming / When I’m a Bad Bart, I Will Tell Taradiddles! / Oh, Happy the Lily | Vincent Price, Keith Michell, Sandra Dugdale, John Treleaven, Ann Howard, Johanna Peters, Paul Hudson, Beryl Korman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 12:35 |
| 26 | Ruddigore, Act II: Introduction | Douglas Fairbanks, Jr. | 1:28 |
| 27 | Ruddigore, Act II: I Once Was Meek | Keith Michell, Paul Hudson, London Symphony Orchestra, Alexander Faris | 2:32 |
| 28 | Ruddigore, Act II: Dialogue 1 | [dialogue] | 1:49 |
| 29 | Ruddigore, Act II: Happily Coupled Are We | Sandra Dugdale, John Treleaven, London Symphony Orchestra, Alexander Faris | 1:46 |
| 30 | Ruddigore, Act II: Dialogue 2 | [dialogue] | 1:04 |
| 31 | Ruddigore, Act II: In Bygone Days | Sandra Dugdale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:33 |
| 32 | Ruddigore, Act II: Dialogue 3 | [dialogue] | 1:04 |
| 33 | Ruddigore, Act II: Painted Emblems | Keith Michell, Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 4:09 |
| 34 | Ruddigore, Act II: When the Night Wind Howls | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:15 |
| 35 | Ruddigore, Act II: Dialogue 4 | [dialogue] | 4:25 |
| 36 | Ruddigore, Act II: He Yields | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:34 |
| 37 | Ruddigore, Act II: Dialogue 5 | [dialogue] | 0:53 |
| 38 | Ruddigore, Act II: I Once Was a Very | Ann Howard, Vincent Price, London Symphony Orchestra, Alexander Faris | 2:51 |
| 39 | Ruddigore, Act II: Dialogue 6 | [dialogue] | 5:19 |
| 40 | Ruddigore, Act II: My Eyes Are Fully Open | Ann Howard, Keith Michell, Vincent Price, London Symphony Orchestra, Alexander Faris | 1:30 |
| 41 | Ruddigore, Act II: Dialogue 7 | [dialogue] | 3:53 |
| 42 | Ruddigore, Act II: There Grew a Little Flower | Johanna Peters, Donald Adams, London Symphony Orchestra, Alexander Faris | 1:10 |
| 43 | Ruddigore, Act II: Finale: Oh, Happy the Lily (reprise) – Closing Credits | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:19 |
| 1 | The Yeomen of the Guard: Introduction | Douglas Fairbanks, Jr. | 1:52 |
| 2 | The Yeomen of the Guard: Overture – Titles | London Symphony Orchestra, Alexander Faris | 2:04 |
| 3 | The Yeomen of the Guard: Act I. When Maiden Loves She Sits and Sighs | Claire Powell, London Symphony Orchestra, Alexander Faris | 2:19 |
| 4 | The Yeomen of the Guard: Act I. Dialogue 1 | [dialogue] | 2:32 |
| 5 | The Yeomen of the Guard: Act I. Tower Warders Under Orders | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:29 |
| 6 | The Yeomen of the Guard: Act I. This the Autumn | [Second Yeoman], London Symphony Orchestra, Alexander Faris | 2:11 |
| 7 | The Yeomen of the Guard: Act I. Dialogue 2 | [dialogue] | 1:39 |
| 8 | The Yeomen of the Guard: Act I. When Our Gallant Norman Foes | Elizabeth Bainbridge, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:56 |
| 9 | The Yeomen of the Guard: Act I. Dialogue 3 | [dialogue] | 6:42 |
| 10 | The Yeomen of the Guard: Act I. Here’s a Man of Jollity | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 0:49 |
| 11 | The Yeomen of the Guard: Act I. Dialogue 4 | [dialogue] | 1:29 |
| 12 | The Yeomen of the Guard: Act I. I Have a Song to Sing, O! | Joel Grey, Elizabeth Gale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:46 |
| 13 | The Yeomen of the Guard: Act I. Dialogue 5 | [dialogue] | 2:46 |
| 14 | The Yeomen of the Guard: Act I. How Say You Maiden, Will You Wed | Peter Savidge, Elizabeth Gale, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:29 |
| 15 | The Yeomen of the Guard: Act I. Dialogue 6 | [dialogue] | 0:45 |
| 16 | The Yeomen of the Guard: Act I. I’ve Jibe and Joke and Quip and Crank | Joel Grey, London Symphony Orchestra, Alexander Faris | 1:40 |
| 17 | The Yeomen of the Guard: Act I. Dialogue 7 | [dialogue] | 1:38 |
| 18 | The Yeomen of the Guard: Act I. ’Tis Done! I Am a Bride! | Elizabeth Gale, London Symphony Orchestra, Alexander Faris | 3:36 |
| 19 | The Yeomen of the Guard: Act I. Dialogue 8 | [dialogue] | 3:30 |
| 20 | The Yeomen of the Guard: Act I. Were I Thy Bride | Claire Powell, London Symphony Orchestra, Alexander Faris | 1:59 |
| 21 | The Yeomen of the Guard: Act I. Dialogue 9 | [dialogue] | 1:32 |
| 22 | The Yeomen of the Guard: Act I. Oh, Sergeant Meryll, Is It True | Geoffrey Chard, David Hillman, [first yeoman], [second yeoman], Claire Powell, Alfred Marks, Elizabeth Gale, Peter Savidge, Elizabeth Bainbridge, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:44 |
| 23 | The Yeomen of the Guard: Act II. Introduction | Douglas Fairbanks, Jr. | 1:37 |
| 24 | The Yeomen of the Guard: Act II. Night Has Spread Her Pall Once More | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:34 |
| 25 | The Yeomen of the Guard: Act II. Warders Are Ye? | Elizabeth Gale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:54 |
| 26 | The Yeomen of the Guard: Act II. Dialogue 1 | [dialogue] | 2:30 |
| 27 | The Yeomen of the Guard: Act II. Oh! A Private Buffoon Is a Light-Hearted Loon | Joel Grey, London Symphony Orchestra, Alexander Faris | 2:40 |
| 28 | The Yeomen of the Guard: Act II. Dialogue 2 | [dialogue] | 1:33 |
| 29 | The Yeomen of the Guard: Act II. Hereupon We’re Both Agreed | Joel Grey, Alfred Marks, London Symphony Orchestra, Alexander Faris | 1:44 |
| 30 | The Yeomen of the Guard: Act II. Dialogue 3 | [dialogue] | 3:03 |
| 31 | The Yeomen of the Guard: Act II. Hark! What Was That, Sir? | Geoffrey Chard, David Hillman, Peter Savidge, Alfred Marks, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:49 |
| 32 | The Yeomen of the Guard: Act II. Dialogue 4 | [dialogue] | 1:52 |
| 33 | The Yeomen of the Guard: Act II. A Man Who Would Woo a Fair Maid | David Hillman, Elizabeth Gale, Claire Powell, London Symphony Orchestra, Alexander Faris | 3:10 |
| 34 | The Yeomen of the Guard: Act II. Dialogue 5 | [dialogue] | 7:05 |
| 35 | The Yeomen of the Guard: Act II. Comes the Pretty Young Bride | Claire Powell, Elizabeth Gale, Elizabeth Bainbridge, Peter Savidge, David Hillman, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 12:49 |
| 1 | The Gondoliers: Introduction | Douglas Fairbanks, Jr. | 3:15 |
| 2 | The Gondoliers: Overture – Titles | London Symphony Orchestra, Alexander Faris | 2:01 |
| 3 | The Gondoliers, Act I: “List and Learn” | Lydia Carter, Mark Dublin, Tom McDonnell, Peter Savidge, Alan Watt, Anne Nichols, Francis Egerton, Fiona Kimm, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 15:13 |
| 4 | The Gondoliers, Act I: “From the Sunny Spanish Shore” | Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, London Symphony Orchestra, Alexander Faris | 1:36 |
| 5 | The Gondoliers, Act I: Dialogue 1 | [dialogue] | 1:56 |
| 6 | The Gondoliers, Act I: “In Enterprise of Martial Kind” | Eric Shilling, London Symphony Orchestra, Alexander Faris | 1:38 |
| 7 | The Gondoliers, Act I: “O Rapture, When Alone Together” | Sandra Dugdale, Christopher Booth-Jones, London Symphony Orchestra, Alexander Faris | 1:59 |
| 8 | The Gondoliers, Act I: Dialogue 2 | [dialogue] | 1:51 |
| 9 | The Gondoliers, Act I: “There Was a Time” | Christopher Booth-Jones, Sandra Dugdale, London Symphony Orchestra, Alexander Faris | 3:28 |
| 10 | The Gondoliers, Act I: Dialogue 3 | [dialogue] | 1:35 |
| 11 | The Gondoliers, Act I: “I Stole the Prince” | Keith Michell, Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, London Symphony Orchestra, Alexander Faris | 2:13 |
| 12 | The Gondoliers, Act I: Dialogue 4 | [dialogue] | 1:05 |
| 13 | The Gondoliers, Act I: “But, Bless My Heart” | Sandra Dugdale, Keith Michell, London Symphony Orchestra, Alexander Faris | 0:53 |
| 14 | The Gondoliers, Act I: “Try Me Life-Long” | Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, Keith Michell, London Symphony Orchestra, Alexander Faris | 2:01 |
| 15 | The Gondoliers, Act I: “Bridegroom and Bride” / “When a Merry Maiden Marries” | Fiona Kimm, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:46 |
| 16 | The Gondoliers, Act I: Dialogue 5 | [dialogue] | 3:23 |
| 17 | The Gondoliers, Act I: “Kind Sir, You Cannot Have the Heart” | Nan Christie, Keith Michell, London Symphony Orchestra, Alexander Faris | 3:05 |
| 18 | The Gondoliers, Act I: “Then One of Us” | Francis Egerton, Tom McDonnell, Nan Christie, Fiona Kimm, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 10:55 |
| 19 | The Gondoliers, Act II: Introduction | Douglas Fairbanks, Jr. | 1:34 |
| 20 | The Gondoliers, Act II: “Of Happiness the Very Pith” | Francis Egerton, Tom McDonnell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:08 |
| 21 | The Gondoliers, Act II: Dialogue 1 | [dialogue] | 1:03 |
| 22 | The Gondoliers, Act II: “Rising Early in the Morning” | Tom McDonnell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 2:55 |
| 23 | The Gondoliers, Act II: Dialogue 2 | [dialogue] | 0:29 |
| 24 | The Gondoliers, Act II: “Take a Pair of Sparkling Eyes” | Francis Egerton, London Symphony Orchestra, Alexander Faris | 3:10 |
| 25 | The Gondoliers, Act II: “Here We Are at the Risk” | Lydia Carter, Anne Nichols, Tom McDonnell, Fiona Kimm, Nan Christie, Francis Egerton, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:11 |
| 26 | The Gondoliers, Act II: Dialogue 3 | [dialogue] | 0:20 |
| 27 | The Gondoliers, Act II: “Dance a Cachucha” | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:51 |
| 28 | The Gondoliers, Act II: Dialogue 4 | [dialogue] | 1:48 |
| 29 | The Gondoliers, Act II: “There Lived a King” | Keith Michell, Francis Egerton, Tom McDonnell, London Symphony Orchestra, Alexander Faris | 3:04 |
| 30 | The Gondoliers, Act II: Dialogue 5 | [dialogue] | 2:39 |
| 31 | The Gondoliers, Act II: “In a Contemplative Fashion” | Francis Egerton, Tom McDonnell, Nan Christie, Fiona Kimm, London Symphony Orchestra, Alexander Faris | 2:21 |
| 32 | The Gondoliers, Act II: “With Ducal Pomp” | Eric Shilling, Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 1:52 |
| 33 | The Gondoliers, Act II: Dialogue 6 | [dialogue] | 1:23 |
| 34 | The Gondoliers, Act II: “On the Day When I Was Wedded” | Anne Collins, London Symphony Orchestra, Alexander Faris | 2:22 |
| 35 | The Gondoliers, Act II: Dialogue 7 | [dialogue] | 0:47 |
| 36 | The Gondoliers, Act II: “To Help Unhappy Commoners” | Eric Shilling, Anne Collins, London Symphony Orchestra, Alexander Faris | 3:02 |
| 37 | The Gondoliers, Act II: Dialogue 8 | [dialogue] | 2:48 |
| 38 | The Gondoliers, Act II: “I Am a Courtier Grave and Serious” | Eric Shilling, Anne Collins, Sandra Dugdale, Francis Egerton, Tom McDonnell, London Symphony Orchestra, Alexander Faris | 2:35 |
| 39 | The Gondoliers, Act II: Dialogue 9 | [dialogue] | 0:29 |
| 40 | The Gondoliers, Act II: “Here Is a Case Unprecedented” / Credits | Francis Egerton, Tom McDonnell, Sandra Dugdale, Nan Christie, Fiona Kimm, Keith Michell, Eric Shilling, Anne Collins, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:58 |