| 1 | Introduction | Wendy Carlos | 2:06 |
| 2 | Examples of Analog Timbres | Wendy Carlos | 3:45 |
| 3 | Choral Tone, Vibrato, Articulation | Wendy Carlos | 2:55 |
| 4 | Vocal Synthesis | Wendy Carlos | 6:51 |
| 5 | Performance Values | Wendy Carlos | 4:31 |
| 6 | Simple Orchestration | Wendy Carlos | 2:22 |
| 7 | Electronic Pointillism & Hocketing | Wendy Carlos | 3:35 |
| 8 | For Spatial Motion | Wendy Carlos | 1:11 |
| 9 | Ensemble Performance Via Click‐Tracks | Wendy Carlos | 2:30 |
| 10 | Imitative Synthesis | Wendy Carlos | 0:59 |
| 11 | Musique Concrete Plus Synthesizer | Wendy Carlos | 2:21 |
| 12 | Orchestra With Synthesizer | Wendy Carlos | 0:52 |
| 13 | Digital Synthesis | Wendy Carlos | 5:46 |
| 14 | Digital vs. Analog | Wendy Carlos | 5:58 |
| 15 | Hybrid Timbres | Wendy Carlos | 3:08 |
| 16 | Alternative Tunings ‐ The Future | Wendy Carlos | 3:24 |