1 |
Introduction by Paul Hume |
Paul Hume |
2:46 |
2 |
March, “Washington Post” |
John Philip Sousa |
2:38 |
3 |
March, “The Thunderer” |
John Philip Sousa |
2:27 |
4 |
Cornet Solo, “Creanonian” Polka |
A.F. Weldon |
3:43 |
5 |
March, “Klar zum Gefecht” |
Hermann Blankenburg |
3:44 |
6 |
“Crazy Bone” Rag (One‐Step or Trot) |
C.L. Johnson |
3:50 |
7 |
March, “Semper fidelis” |
John Philip Sousa |
2:34 |
8 |
“Dream Hour” broadcast introduction with “The Marines’ Hymn” |
Jacques Offenbach |
2:16 |
9 |
Grand March from The Queen of Sheba |
Charles Gounod |
5:05 |
10 |
Hungarian Rhapsody no. 14 |
Franz Liszt |
9:02 |
11 |
Overture, “Morning, Noon and Night in Vienna” |
Franz von Suppé |
8:19 |
12 |
“A Witches’ Sabbath” from Symphonie Fantastique |
Hector Berlioz, trans. Kline |
9:03 |
13 |
A Message from the President of the United States |
Ronald Reagan |
1:56 |
14 |
“Concord” |
Clare Grundman |
5:29 |
15 |
National Hymn, “God of Our Fathers” |
George W. Warren, arr. Knox |
4:09 |
16 |
Galop from Geneviève de Brabant |
Jacques Offenbach, trans. Bourgeois |
2:18 |
17 |
March, “Washington Post” |
John Philip Sousa |
2:35 |