1 | Ich was ein chint so wolgetan, CB 185 | [anonymous] | 4:03 |
2 | Axe Phebus aureo, CB 71 | [anonymous] | 2:34 |
3 | Bache bene venies, CB 200 | [anonymous] | 4:28 |
4 | Dulce solum, CB 119 | [anonymous] | 9:48 |
5 | In taberna quando sumus, CB 196 | [anonymous] | 3:14 |
6 | Veris dulcis in tempore, CB 85 e 159 | [anonymous] | 3:09 |
7 | Alte clamat Epicurus, CB 211 e 211˚ | [anonymous] | 5:07 |
8 | Exiit dilucolo rustica puella, CB 90 | [anonymous] | 3:23 |
9 | Olim sudor Herculis, CB 63 | Petrus Blesensis | 9:44 |
10 | Virent prata hiemata, CB 151 | [anonymous] | 3:44 |
11 | Sic mea fata, CB 116 | [anonymous] | 6:26 |
12 | Walthers ton (da CB 211) | Walther von der Vogelweide | 1:18 |
13 | Tempus transit gelidum (CB 153) | [anonymous] | 3:12 |
1 | Bonum est confidere, CB 27 | Philippe Le Chancelier | 2:38 |
2 | Nomen a solemnibus, CB 52 | [anonymous] | 3:53 |
3 | Dic Christi veritas, CB 131 / Bulla fulminante, CB 131 | Philippe Le Chancelier | 6:02 |
4 | O varium Fortune lubricum, CB 14 | [anonymous] | 5:01 |
5 | Fas et nefas, CB 19 | Gualterus de Castiglione | 3:08 |
6 | Veritas veritatum, CB 21 | Philippe Le Chancelier | 2:12 |
7 | Currit ad vocem, CB 47a | [anonymous] | 1:47 |
8 | Crucifigat omnes, CB 47 | [anonymous] | 3:38 |
9 | Procurans odium, CB 12 | [anonymous] | 1:51 |
10 | Ave nobilis, CB 11 | [anonymous] | 7:06 |
11 | Ecce torpet probitas, CB 3 | Gualterus de Castiglione | 4:35 |
12 | Planctus ante nescia, CB 14 | [anonymous] | 7:03 |
13 | Licet ager cum egrotis, CB 8 | Gualterus de Castiglione | 7:07 |
14 | Celum non animum, CB 15 | [anonymous] | 4:14 |
1 | I. Appellatio Crucifigat omnes, CB 47 | [anonymous] | 2:38 |
2 | I. Appellatio, Seignor, sachiez qui or ne s'en ira | Thibaut de Champagne | 6:56 |
3 | I. Appellatio, La Quinte Estampie Real | [anonymous] | 3:12 |
4 | I. Appellatio, Parti de mal et a bien atourné | [anonymous] | 5:14 |
5 | I. Appellatio, Chevalier, mult estes guariz | [anonymous] | 6:13 |
6 | I. Appellatio, De transfretantibus | [anonymous] | 1:44 |
7 | I. Appellatio, Au tans plain de felonie | Thibaut de Champagne | 3:43 |
8 | II. Dure Departie, La Seconde Estampie Royal | [anonymous] | 2:00 |
9 | Bien me defisse targier | Conon de Béthune | 7:21 |
10 | II. Dure Departie, Dame, ensinc est qu'il m'en covient aler | Thibaut de Champagne | 5:01 |
11 | II. Dure Departie, A vous, Amors, plus qu'a nule autre gent | Le Chatelain de Coucy | 5:07 |
12 | II. Dure Departie, Li departirs de la douce contree | Chardon de Croisilles | 5:53 |
13 | II. Dure Departie, Li nouveax temps et maiz et violete | Le Chatelain de Coucy | 7:44 |
14 | II. Dure Departie, Aler m'estuet la ou je trerai paine | [anonymous] | 8:16 |
1 | III. Passagium Laboriosum, Ja nuns hons pris, 1 | Richard I. | 8:18 |
2 | III. Passagium Laboriosum, Ja nuns hons pris, 2 | Richard I. | 1:16 |
3 | III. Passagium Laboriosum, Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel) | [anonymous] | 2:45 |
4 | III. Passagium Laboriosum, Maugré tous sainz et maugré dieu ausi | Huon d'Oisi | 4:27 |
5 | III. Passagium Laboriosum, Congregati sunt | [anonymous] | 2:44 |
6 | III. Passagium Laboriosum, La Quarte Estampie Royal | [anonymous] | 2:23 |
7 | III. Passagium Laboriosum, In gotes namen fara wir | [anonymous] | 0:58 |
8 | III. Passagium Laboriosum, Chanterai por mon coraige | Guiot de Dijon | 7:47 |
9 | III. Passagium Laboriosum, Diro satis percussus vulnere - Tristan's Lament | Riccardo di San Germano / Anon. | 3:59 |
10 | III. Passagium Laboriosum, Nus ne porroit de mauvese reson | [anonymous] | 3:39 |
11 | IV. Hierosolyma Caelestis, Ierusalem mirabilis | [anonymous] | 4:52 |
12 | IV. Hierosolyma Caelestis, Nû alrêst lebe ich mir werde | Walther von der Vogelweide | 11:28 |
13 | IV. Hierosolyma Caelestis, Nomen a solemnibus, CB 52 | [anonymous] | 3:56 |
1 | Ductia Manuscript London, British Library, Harley 978, f. 8v-9r | [anonymous] | 1:22 |
2 | Petrone Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43v | [anonymous] | 4:36 |
3 | Nota Manuscript, Oxford, Bodleian Library, Douce 139 | [anonymous] | 2:19 |
4 | Ductia Manuscript London, British Library, Harley 978, f. 9r/I | [anonymous] | 2:04 |
5 | Ductia Manuscript London, British Library, Harley 978, f. 9r/II | [anonymous] | 4:18 |
6 | Fragment Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r | [anonymous] | 1:44 |
7 | Ductia Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r | [anonymous] | 6:28 |
8 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal | [anonymous] | 3:10 |
9 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal | [anonymous] | 2:04 |
10 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial | [anonymous] | 5:38 |
11 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal | [anonymous] | 2:21 |
12 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real | [anonymous] | 3:14 |
13 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real | [anonymous] | 4:30 |
14 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real | [anonymous] | 6:25 |
15 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real | [anonymous] | 3:02 |
16 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real | [anonymous] | 3:16 |
17 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: [untitled] | [anonymous] | 7:38 |
18 | Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse | [anonymous] | 1:51 |
1 | Ghaetta | [anonymous] | 4:18 |
2 | Saltarello (2) | [anonymous] | 1:32 |
3 | La Manfredina, Rotta della Manfredina | [anonymous] | 3:19 |
4 | Chançoneta Tedescha (2) | [anonymous] | 2:09 |
5 | Isabella | [anonymous] | 4:33 |
6 | Saltarello (4) | [anonymous] | 2:18 |
7 | Saltarello (3) | [anonymous] | 3:02 |
8 | Chançoneta Tedescha (1) | [anonymous] | 4:54 |
9 | Chançoneta Tedescha (4) | [anonymous] | 3:00 |
10 | Principio di virtù | [anonymous] | 6:20 |
11 | Dança amorosa, suo Troto | [anonymous] | 3:19 |
12 | Chominiciamento di Gioia | [anonymous] | 5:49 |
13 | Chançoneta Tedescha (3) | [anonymous] | 4:03 |
14 | Trotto | [anonymous] | 1:50 |
15 | Bel fiore dança | [anonymous] | 2:54 |
16 | Lamento di Tristano, sua Rotta | [anonymous] | 5:47 |