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Disc1
| 1 | Ulysses Departs From the Edge of the World | Harry Partch | 6:29 |
| 2 | Revelation in the Courthouse Park - Chorus One | Harry Partch | 11:56 |
| 3 | Chorus Three, in Part | Harry Partch | 7:30 |
| 4 | From Scene One: Hymn to Dionysus: Holy Joy and Get Religion | Harry Partch | 1:16 |
| 5 | From Scene Two: Hymn to Dionysus: What the Majority Believes | Harry Partch | 1:27 |
| 6 | From Scene Two: Hymn to Dionysus: Glory to the Male Womb | Harry Partch | 1:45 |
| 7 | End of Scene Three and All of Chorus Four | Harry Partch | 8:19 |
| 8 | End of Scene Four and Coda | Harry Partch | 6:44 |
| 9 | Introduction to King Oedipus | Harry Partch | 7:44 |
| 10 | King Oedipus: Introduction | Harry Partch | 1:59 |
| 11 | King Oedipus: Opening Scene | Harry Partch | 6:41 |
| 12 | King Oedipus: First Chorus | Harry Partch | 3:01 |
| 13 | King Oedipus: Tiresias Scene (Beginning) | Harry Partch | 7:59 |
Disc2
| 1 | King Oedipus: Tiresias Scene (Continued) | Harry Partch | 5:22 |
| 2 | King Oedipus: Second Chorus | Harry Partch | 1:10 |
| 3 | King Oedipus: Creon Scene | Harry Partch | 6:27 |
| 4 | King Oedipus: Jocasta Scene | Harry Partch | 6:12 |
| 5 | King Oedipus: Incidental Music | Harry Partch | 5:02 |
| 6 | King Oedipus: Third Chorus | Harry Partch | 1:43 |
| 7 | King Oedipus: Messenger Scene | Harry Partch | 9:40 |
| 8 | King Oedipus: Fourth Chorus | Harry Partch | 1:06 |
| 9 | King Oedipus: Herdsman Scene | Harry Partch | 5:36 |
| 10 | King Oedipus: Oedipus Scene | Harry Partch | 2:18 |
| 11 | King Oedipus: Fifth Chorus | Harry Partch | 2:11 |
| 12 | King Oedipus: Instrumental Commentary | Harry Partch | 2:58 |
| 13 | King Oedipus: Antiphony | Harry Partch | 2:19 |
| 14 | King Oedipus: Exit Oedipus - Dance-Pantomime | Harry Partch | 7:58 |
| 15 | King Oedipus: Final Chorus | Harry Partch | 1:44 |
| 16 | Johann Krieger: Menuet From Partita in G | Harry Partch | 0:53 |
| 17 | Douglas Moore: Come Away, Death | Harry Partch | 3:02 |
| 18 | Come Away, Death From December, 1942 | Harry Partch | 2:46 |
| 19 | By the Rivers of Babylon (137th Psalm) | Harry Partch | 3:39 |
| 20 | Introduction to the Bewitched | Harry Partch | 4:05 |
Disc3
| 1 | The Bewitched: Prologue | Harry Partch | 1:53 |
| 2 | Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall | Harry Partch | 5:00 |
| 3 | Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint | Harry Partch | 5:34 |
| 4 | Scene 3: Background for the Inspired Romancing of a Pathological Liar | Harry Partch | 5:20 |
| 5 | Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music | Harry Partch | 5:23 |
| 6 | Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room | Harry Partch | 4:08 |
| 7 | Scene 6: Background for the Euphoria on a Sausalito Stairway | Harry Partch | 4:41 |
| 8 | Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit | Harry Partch | 5:33 |
| 9 | Scene 8: Background for the Apotheosis of a Court in Its Own Contempt | Harry Partch | 5:36 |
| 10 | Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise | Harry Partch | 6:01 |
| 11 | Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails | Harry Partch | 7:30 |
| 12 | The Bewitched: Epilogue | Harry Partch | 2:01 |