20030910
Labels: RCA Victor
Labels: Masterworks Broadway
| 1 | Aquarius | Ronald Dyson & Hair Ensemble | 2:54 |
| 2 | Donna | Gerome Ragni & Hair Ensemble | 2:15 |
| 3 | Hashish | Hair Ensemble | 0:58 |
| 4 | Sodomy | Steve Curry & Hair Ensemble | 0:55 |
| 5 | Colored Spade | Lamont Washington & Hair Ensemble | 1:12 |
| 6 | Manchester England | James Rado & Hair Ensemble | 1:20 |
| 7 | I’m Black | Lamont Washington, Steve Curry, James Rado & Gerome Ragni | 0:27 |
| 8 | Ain’t Got No | Steve Curry, Lamont Washington, Hair Ensemble & Melba Moore | 0:45 |
| 9 | I Believe in Love | Melba Moore & Hair Ensemble | 1:07 |
| 10 | Ain’t Got No (reprise) | Hair Ensemble | 1:16 |
| 11 | Air | Sally Eaton, Melba Moore, Hair Ensemble & Shelley Plimpton | 1:30 |
| 12 | Initials | Hair Ensemble | 0:56 |
| 13 | I Got Life | James Rado & Hair Ensemble | 3:08 |
| 14 | Going Down | Gerome Ragni & Hair Ensemble | 2:21 |
| 15 | Hair | Gerome Ragni | 3:01 |
| 16 | My Conviction | Jonathan Kramer | 1:41 |
| 17 | Easy to Be Hard | Lynn Kellogg | 2:40 |
| 18 | Don’t Put It Down | Gerome Ragni & Steve Curry | 2:03 |
| 19 | Frank Mills | Shelley Plimpton | 2:09 |
| 20 | Be-In | Hair Ensemble | 3:08 |
| 21 | Where Do I Go? | James Rado & Hair Ensemble | 2:42 |
| 22 | Electric Blues | Paul Jabara & Hair Ensemble | 2:35 |
| 23 | Manchester England (reprise) | James Rado & Hair Ensemble | 0:32 |
| 24 | Black Boys | Diane Keaton, Natalie Mosco & Suzannah Norstrand | 1:10 |
| 25 | White Boys | Melba Moore, Emmaretta Marks & Lorrie Davis | 2:29 |
| 26 | Walking in Space | Hair Ensemble | 4:50 |
| 27 | Abie Baby | Lorrie Davis, Ronnie Dyson, Donnie Burks & Lamont Washington | 2:44 |
| 28 | Three-Five-Zero-Zero | Hair Ensemble | 3:10 |
| 29 | What a Piece of Work Is Man / Walking in Space (reprise) | Walter Harris & Ronald Dyson, Hair Ensemble & Company | 2:23 |
| 30 | Good Morning Starshine | Lynn Kellogg, James Rado & Gerome Ragni | 2:33 |
| 31 | The Bed | Hair Ensemble | 2:57 |
| 32 | The Flesh Failures (Let the Sunshine in) | James Rado, Lynn Kellogg, Hair Ensemble & Melba Moore | 3:39 |
| 1 | Ain’t Got No | Walker Daniels, Gerome Ragni, Steve Dean & Arnold Wilkerson | 1:22 |
| 2 | I Got Life | Marijane Maricle & Walker Daniels | 2:49 |
| 3 | Air | Jonelle Allen, Shelley Plimpton & Sally Eaton | 1:31 |
| 4 | Going Down | Gerome Ragni & Hair Ensemble (1967) | 2:39 |
| 5 | Hair | Walker Daniels & Gerome Ragni & Hair Ensemble (1967) | 3:08 |
| 6 | Dead End | Jill O’Hara & Hair Ensemble (1967) | 2:38 |
| 7 | Frank Mills | Shelley Plimpton | 1:53 |
| 8 | Hare Krishna | Hair Ensemble (1967) | 3:21 |
| 9 | Where Do I Go? | Walker Daniels & Hair Ensemble (1967) | 3:00 |
| 10 | Electric Blues | Suzannah Evans, Linda Compton & Paul Jabara | 2:32 |
| 11 | Easy to Be Hard | Suzannah Evans, Linda Compton & Paul Jabara | 2:08 |
| 12 | Manchester | Walker Daniels | 1:14 |
| 13 | White Boys | Alma Robinson, Jonelle Allen & Susan Batson | 2:37 |
| 14 | Black Boys | Linda Compton, Suzannah Evans & Shelley Plimpton | 1:05 |
| 15 | Walking in Space | Hair Ensemble (1967) | 4:22 |
| 16 | Aquarius | Hair Ensemble (1967) | 2:17 |
| 17 | Good Morning Starshine | Jill O’Hara & Hair Ensemble (1967) | 3:52 |
| 18 | Exanaplanetooch | Walker Daniels | 2:37 |
| 19 | The Climax | Jill O’Hara | 1:51 |
| 20 | Opening | Galt MacDermot & Hair Band (1967) | 2:27 |
| 21 | Red Blue and White | Marijane Maricle & Arnold Soboloff | 1:44 |
| 22 | Sentimental Ending | Hair Ensemble (1967) | 1:29 |
| 23 | Galt MacDermot Interview: How Did You Become Involved With Hair? | Galt MacDermot | 1:07 |
| 24 | Galt MacDermot Interview: What Do You Remember About the Off-Broadway Cast Recording? | Galt MacDermot | 0:32 |
| 25 | Galt MacDermot Interview: And the Broadway Cast Recording? | Galt MacDermot | 0:30 |
| 26 | Galt MacDermot Interview: In the Recording Session Photos, You Were the Only Person Wearing a Jacket and Tie | Galt MacDermot | 0:13 |
| 27 | Galt MacDermot Interview: How Did the Two Productions Differ? | Galt MacDermot | 1:13 |
| 28 | Galt MacDermot Interview: You Were Not a Traditional Theater Composer. Did You Have Any Models or Influences? | Galt MacDermot | 0:51 |
| 29 | Galt MacDermot Interview: Did Hair Influence Your Later Work, Like Two Gentlemen of Verona? | Galt MacDermot | 0:42 |
| 30 | Galt MacDermot Interview: Hair Was Controversial With Critics and the Public. Did This Affect You at All? | Galt MacDermot | 0:39 |
| 31 | Galt MacDermot Interview: On Writing for the Theater, and What Makes a Popular Song | Galt MacDermot | 0:56 |
| 32 | Galt MacDermot Interview: Did You Ever Rewrite Any of the Hair Songs? | Galt MacDermot | 0:23 |
| 33 | Galt MacDermot Interview: What Sort of Music Do You Write Now? | Galt MacDermot | 0:23 |
| 34 | Galt MacDermot Interview: Do You Use Synthesizers? | Galt MacDermot | 0:20 |
| 35 | Galt MacDermot Interview: Have You Any Advice for People Who Want to Write for Musical Theater? | Galt MacDermot | 0:30 |
| 36 | Galt MacDermot Interview: Does Any One Songs in Hair Express Your Philosophy? | Galt MacDermot | 0:22 |