The Complete Wilhelm Furtwängler on Record
20210924
Labels: Warner
Labels: Warner Classics
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Weber / Beethoven / Mendelssohn / Bach / Schubert
| 1 | Der Freischütz, op. 77: Overture | Carl Maria von Weber | 9:59 |
| 2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Ludwig van Beethoven | 6:25 |
| 3 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Ludwig van Beethoven | 11:10 |
| 4 | Symphony no. 5 in C minor, op. 67: III. Allegro | Ludwig van Beethoven | 5:45 |
| 5 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | Ludwig van Beethoven | 8:54 |
| 6 | A Midsummer Night's Dream, op. 21: Overture | Felix Mendelssohn | 12:39 |
| 7 | Orchestral Suite no. 3, BWV 1068: II. Air | Johann Sebastian Bach | 5:07 |
| 8 | Rosamunde, D. 797: Entracte no. 3 | Franz Schubert | 5:16 |
| 9 | Rosamunde, D. 797: Ballet no. 2 | Franz Schubert | 5:15 |
Wagner / Schubert / R. Strauss
| 1 | Lohengrin: Act I. Prelude | Richard Wagner | 9:45 |
| 2 | Tristan und Isolde: Act I. Prelude | Richard Wagner | 10:31 |
| 3 | Tristan und Isolde: Act III. Isoldes Liebestod | Richard Wagner | 6:33 |
| 4 | Rosamunde, D. 797: Overture | Franz Schubert | 9:53 |
| 5 | Till Eulenspiegels lustige Streiche, op. 28 | Richard Strauss | 15:00 |
| 6 | Till Eulenspiegels (Rehearsal) | Richard Strauss | 8:57 |
Mendelssohn / Berlioz / Dvořák / Bach / Rossini / Brahms / Weber
| 1 | The Hebrides, op. 26 “Fingal's Cave” | Felix Mendelssohn | 9:52 |
| 2 | The Hebrides (Rehearsal) | Felix Mendelssohn | 2:59 |
| 3 | La Damnation de Faust, op. 24: Marche hongroise | Hector Berlioz | 4:20 |
| 4 | Slavonic Dance in A-flat major, op. 46 no. 3 | Antonín Dvořák | 4:29 |
| 5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. | Johann Sebastian Bach | 7:18 |
| 6 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Johann Sebastian Bach | 3:30 |
| 7 | La gazza ladra: Overture | Gioachino Rossini | 9:18 |
| 8 | Hungarian Dances: No. 1 in G minor | Johannes Brahms | 2:54 |
| 9 | Hungarian Dances: No. 10 in E major | Johannes Brahms | 2:01 |
| 10 | Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) | Carl Maria von Weber | 8:24 |
Wagner / Beethoven / Mozart / Rossini / Weber / J. Strauss II
| 1 | Götterdämmerung: Act III. Siegfried's Funeral March | Richard Wagner | 8:23 |
| 2 | Egmont, op. 84: Overture | Ludwig van Beethoven | 8:34 |
| 3 | Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart | 4:14 |
| 4 | Die Entführung aus dem Serail, K. 384: Overture | Wolfgang Amadeus Mozart | 4:51 |
| 5 | Il barbiere di Siviglia: Overture | Gioachino Rossini | 7:13 |
| 6 | Der Freischütz, op. 77: Overture | Carl Maria von Weber | 9:46 |
| 7 | Der Freischütz, op. 77: Act III. Prelude | Carl Maria von Weber | 3:21 |
| 8 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Wolfgang Amadeus Mozart | 4:21 |
| 9 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante | Wolfgang Amadeus Mozart | 5:50 |
| 10 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio | Wolfgang Amadeus Mozart | 2:01 |
| 11 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Wolfgang Amadeus Mozart | 3:01 |
| 12 | Die Fledermaus: Overture | Johann Strauss II | 8:20 |
Beethoven: Symphony no. 9
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Ludwig van Beethoven | 1:47 |
| 2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Ludwig van Beethoven | 11:28 |
| 3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Ludwig van Beethoven | 2:01 |
| 4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | Ludwig van Beethoven | 7:02 |
| 5 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | Ludwig van Beethoven | 3:47 |
| 6 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | Ludwig van Beethoven | 3:48 |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | Ludwig van Beethoven | 6:18 |
| 8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End | Ludwig van Beethoven | 4:05 |
Wagner: Die Walküre Act III
| 1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | Richard Wagner | 7:15 |
| 2 | Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | Richard Wagner | 8:40 |
| 3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) | Richard Wagner | 8:25 |
| 4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) | Richard Wagner | 2:49 |
| 5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | Richard Wagner | 9:31 |
| 6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | Richard Wagner | 8:10 |
| 7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) | Richard Wagner | 2:32 |
| 8 | Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) | Richard Wagner | 8:07 |
| 9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | Richard Wagner | 7:24 |
Wagner: Die Götterdämmerung Excerpts I
| 1 | Götterdämmerung: Prologue. Orchestra (after the Norns) | Richard Wagner | 3:22 |
| 2 | Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) | Richard Wagner | 2:45 |
| 3 | Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) | Richard Wagner | 6:21 |
| 4 | Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) | Richard Wagner | 2:49 |
| 5 | Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | Richard Wagner | 7:49 |
| 6 | Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) | Richard Wagner | 9:51 |
| 7 | Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) | Richard Wagner | 5:39 |
| 8 | Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) | Richard Wagner | 3:07 |
| 9 | Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) | Richard Wagner | 6:06 |
| 10 | Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) | Richard Wagner | 2:50 |
Wagner: Die Götterdämmerung Excerpts II
| 1 | Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) | Richard Wagner | 1:27 |
| 2 | Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) | Richard Wagner | 1:33 |
| 3 | Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) | Richard Wagner | 3:57 |
| 4 | Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | Richard Wagner | 2:30 |
| 5 | Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) | Richard Wagner | 5:36 |
| 6 | Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) | Richard Wagner | 2:48 |
| 7 | Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) | Richard Wagner | 2:28 |
| 8 | Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) | Richard Wagner | 3:25 |
| 9 | Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | Richard Wagner | 3:11 |
| 10 | Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) | Richard Wagner | 5:28 |
| 11 | Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) | Richard Wagner | 2:19 |
| 12 | Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) | Richard Wagner | 3:57 |
| 13 | Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) | Richard Wagner | 2:24 |
| 14 | Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | Richard Wagner | 2:22 |
| 15 | Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) | Richard Wagner | 3:46 |
| 16 | Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | Richard Wagner | 2:26 |
| 17 | Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) | Richard Wagner | 1:12 |
| 18 | Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) | Richard Wagner | 6:14 |
Beethoven: Symphony no. 5 / Wagner: Tristan und Isolde Excerpts / Parsifal Excerpts
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Ludwig van Beethoven | 7:42 |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Ludwig van Beethoven | 10:16 |
| 3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Ludwig van Beethoven | 5:48 |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | Ludwig van Beethoven | 8:19 |
| 5 | Tristan und Isolde: Act I. Prelude | Richard Wagner | 11:05 |
| 6 | Tristan und Isolde: Act III. Isoldes Liebestod | Richard Wagner | 6:57 |
| 7 | Parsifal: Act I. Prelude | Richard Wagner | 14:10 |
| 8 | Parsifal: Act III. Karfreitagszauber | Richard Wagner | 10:47 |
Tchaikovsky: Symphony no. 6 “Pathétique”
| 1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | Pyotr Ilyich Tchaikovsky | 2:00 |
| 2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | Pyotr Ilyich Tchaikovsky | 8:49 |
| 3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky | 9:16 |
| 4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky | 10:24 |
Furtwängler / Beethoven / Bruckner / Gluck
| 1 | Symphonic Concerto for Piano & Orchestra in B minor: II. Adagio solenne | Wilhelm Furtwängler | 11:15 |
| 2 | Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130) | Ludwig van Beethoven | 8:38 |
| 3 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | Anton Bruckner | 2:16 |
| 4 | Alceste: Overture | Christoph Willibald Gluck | 8:21 |
Brahms: Haydn Variations / Beethoven: Symphony no. 6 “Pastoral”
| 1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | Johannes Brahms | 2:23 |
| 2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | Johannes Brahms | 1:21 |
| 3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | Johannes Brahms | 1:04 |
| 4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | Johannes Brahms | 2:06 |
| 5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | Johannes Brahms | 2:59 |
| 6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | Johannes Brahms | 0:56 |
| 7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | Johannes Brahms | 1:26 |
| 8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | Johannes Brahms | 3:47 |
| 9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | Johannes Brahms | 1:04 |
| 10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | Johannes Brahms | 4:03 |
| 11 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | Ludwig van Beethoven | 11:26 |
| 12 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | Ludwig van Beethoven | 13:58 |
| 13 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven | 5:47 |
| 14 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | Ludwig van Beethoven | 3:56 |
| 15 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven | 9:15 |
Beethoven: Violin Concerto
| 1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Ludwig van Beethoven | 2:24 |
| 2 | Violin Concerto in D major, op. 61: II. Larghetto | Ludwig van Beethoven | 10:56 |
| 3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | Ludwig van Beethoven | 10:08 |
Beethoven: Symphony no. 3 “Eroica” / Coriolan Overture
| 1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Ludwig van Beethoven | 16:05 |
| 2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Ludwig van Beethoven | 1:44 |
| 3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | Ludwig van Beethoven | 6:15 |
| 4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Ludwig van Beethoven | 12:44 |
| 5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) | Ludwig van Beethoven | 5:16 |
| 6 | Coriolan Overture, op. 62 | Ludwig van Beethoven | 8:35 |
Mozart: Serenade “Gran Partita”
| 1 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro | Wolfgang Amadeus Mozart | 6:49 |
| 2 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto | Wolfgang Amadeus Mozart | 5:50 |
| 3 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio | Wolfgang Amadeus Mozart | 6:27 |
| 4 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto | Wolfgang Amadeus Mozart | 3:18 |
| 5 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio | Wolfgang Amadeus Mozart | 5:29 |
| 6 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni | Wolfgang Amadeus Mozart | 8:54 |
| 7 | Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) | Wolfgang Amadeus Mozart | 3:27 |
Brahms: Symphony no. 1
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | Johannes Brahms | 14:47 |
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Johannes Brahms | 10:37 |
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Johannes Brahms | 5:05 |
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | Johannes Brahms | 16:33 |
Brahms: Symphony no. 2
| 1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | Johannes Brahms | 15:17 |
| 2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | Johannes Brahms | 10:54 |
| 3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai | Johannes Brahms | 5:58 |
| 4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | Johannes Brahms | 9:01 |
| 5 | Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) | Johannes Brahms | 3:08 |
| 6 | Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) | Johannes Brahms | 2:56 |
| 7 | Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) | Johannes Brahms | 3:43 |
| 8 | Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) | Johannes Brahms | 4:47 |
Wagner: Die Götterdämmerung, Act III / Mendelssohn: Hebrides Overture / Mozart: Symphony no. 40
| 1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) | Richard Wagner | 2:25 |
| 2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | Richard Wagner | 2:31 |
| 3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) | Richard Wagner | 3:46 |
| 4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) | Richard Wagner | 2:33 |
| 5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | Richard Wagner | 1:16 |
| 6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) | Richard Wagner | 6:38 |
| 7 | The Hebrides, op. 26 “Fingal's Cave” | Felix Mendelssohn | 10:12 |
| 8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart | 7:03 |
| 9 | Symphony no. 40 in G minor, K. 550: II. Andante | Wolfgang Amadeus Mozart | 8:31 |
| 10 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart | 4:27 |
| 11 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Wolfgang Amadeus Mozart | 4:38 |
Wagner: Siegfried Idyll / Tannhäuser / Die Götterdämmerung / Der fliegende Holländer Excerpts
| 1 | Siegfried Idyll | Richard Wagner | 1:42 |
| 2 | Tannhäuser: Overture | Richard Wagner | 14:05 |
| 3 | Götterdämmerung: Siegfried's Rhine Journey | Richard Wagner | 11:53 |
| 4 | Der fliegende Holländer: Overture | Richard Wagner | 11:46 |
Brahms / Wagner / Berlioz / Mozart / Brahms / Wagner
| 1 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante | Johannes Brahms | 2:09 |
| 2 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato | Johannes Brahms | 1:17 |
| 3 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace | Johannes Brahms | 0:59 |
| 4 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto | Johannes Brahms | 2:07 |
| 5 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto | Johannes Brahms | 2:46 |
| 6 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace | Johannes Brahms | 0:53 |
| 7 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace | Johannes Brahms | 1:22 |
| 8 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso | Johannes Brahms | 3:17 |
| 9 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo | Johannes Brahms | 0:58 |
| 10 | Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante | Johannes Brahms | 3:56 |
| 11 | Die Walküre: Act III. Ride of the Walkyries | Richard Wagner | 5:20 |
| 12 | La Damnation de Faust, op. 24: Marche hongroise | Hector Berlioz | 4:28 |
| 13 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Wolfgang Amadeus Mozart | 4:21 |
| 14 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante | Wolfgang Amadeus Mozart | 4:49 |
| 15 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto | Wolfgang Amadeus Mozart | 2:12 |
| 16 | Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro | Wolfgang Amadeus Mozart | 3:06 |
| 17 | Hungarian Dances: No. 1 in G major | Johannes Brahms | 3:07 |
| 18 | Hungarian Dances: No. 3 in F major | Johannes Brahms | 2:32 |
| 19 | Hungarian Dances: No. 10 in E major | Johannes Brahms | 1:54 |
| 20 | Die Meistersinger von Nürnberg: Act I. Prelude | Richard Wagner | 9:44 |
| 21 | Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices | Richard Wagner | 2:45 |
Wagner: Lohengrin (Prelude to Act I) / Brahms: Violin Concerto
| 1 | Lohengrin: Act I. Prelude | Richard Wagner | 9:09 |
| 2 | Violin Concerto in D major, op. 77: I. Allegro non troppo | Johannes Brahms | 2:12 |
| 3 | Violin Concerto in D major, op. 77: II. Adagio | Johannes Brahms | 9:53 |
| 4 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Johannes Brahms | 8:04 |
Beethoven: Symphony no. 7 / Schubert: Symphony no. 8 “Unfinished”
| 1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Ludwig van Beethoven | 12:58 |
| 2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Ludwig van Beethoven | 10:16 |
| 3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Ludwig van Beethoven | 8:39 |
| 4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Ludwig van Beethoven | 7:02 |
| 5 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | Franz Schubert | 11:30 |
| 6 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | Franz Schubert | 12:09 |
R. Strauss / J. Strauss II / Beethoven
| 1 | Death and Transfiguration, op. 24 | Richard Strauss | 2:26 |
| 2 | Kaiser-Walzer, op. 437 | Johann Strauss II | 9:35 |
| 3 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Ludwig van Beethoven | 10:53 |
| 4 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Ludwig van Beethoven | 12:17 |
| 5 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | Ludwig van Beethoven | 5:55 |
| 6 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven | 7:24 |
Wagner / Weber / Schubert / Tchaikovsky / Strauss / Mozart
| 1 | Götterdämmerung: Act III. Siegfried's Funeral March | Richard Wagner | 8:41 |
| 2 | Die Meistersinger von Nürnberg: Act III. Prelude | Richard Wagner | 6:37 |
| 3 | Oberon, J. 306: Overture | Carl Maria von Weber | 10:01 |
| 4 | Rosamunde: Entracte no. 3 | Franz Schubert | 4:52 |
| 5 | Rosamunde: Ballet music no. 2 | Franz Schubert | 4:59 |
| 6 | Serenade in C major, op. 48: II. Valse: Moderato | Pyotr Ilyich Tchaikovsky | 4:21 |
| 7 | Serenade in C major, op. 48: IV. Finale: Tema russo | Pyotr Ilyich Tchaikovsky | 7:52 |
| 8 | Pizzicato Polka (with glockenspiel) | Johann Strauss II & Josef Strauss | 2:51 |
| 9 | Pizzicato Polka (without glockenspiel) | Johann Strauss II & Josef Strauss | 2:46 |
| 10 | Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” | Wolfgang Amadeus Mozart | 4:42 |
| 11 | Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” | Wolfgang Amadeus Mozart | 2:59 |
Schubert / Tchaikovsky / Cherubini
| 1 | Rosamunde: Overture | Franz Schubert | 10:44 |
| 2 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | Pyotr Ilyich Tchaikovsky | 1:55 |
| 3 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky | 10:19 |
| 4 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro | Pyotr Ilyich Tchaikovsky | 5:56 |
| 5 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco | Pyotr Ilyich Tchaikovsky | 9:20 |
| 6 | Anacréon: Overture | Luigi Cherubini | 9:42 |
Haydn / Nicolai / Schumann / Smetana
| 1 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro | Wilhelm Furtwängler | 7:06 |
| 2 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | Wilhelm Furtwängler | 7:46 |
| 3 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet | Wilhelm Furtwängler | 4:06 |
| 4 | Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace | Wilhelm Furtwängler | 4:01 |
| 5 | The Merry Wives of Windsor: Overture | Otto Nicolai | 8:41 |
| 6 | Manfred, op. 115: Overture | Robert Schumann | 12:25 |
| 7 | Má Vlast: No. 2. Vltava “The Moldau” | Bedřich Smetana | 12:35 |
Beethoven: Piano Concerto no. 5 “Emperor” / Mendelssohn: Violin Concerto
| 1 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Ludwig van Beethoven | 2:04 |
| 2 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio, un poco mosso | Ludwig van Beethoven | 7:51 |
| 3 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) | Ludwig van Beethoven | 10:28 |
| 4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Felix Mendelssohn | 12:32 |
| 5 | Violin Concerto in E minor, op. 64: II. Andante | Felix Mendelssohn | 7:50 |
| 6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn | 6:45 |
Beethoven: Symphony no. 9 “Choral”
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | [no artist] | 1:11 |
| 2 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Ludwig van Beethoven | 1:46 |
| 3 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | [no artist] | 0:55 |
| 4 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Ludwig van Beethoven | 11:59 |
| 5 | Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience | [no artist] | 0:34 |
| 6 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Ludwig van Beethoven | 1:57 |
| 7 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning | Ludwig van Beethoven | 6:59 |
| 8 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” | Ludwig van Beethoven | 3:51 |
| 9 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) | Ludwig van Beethoven | 4:00 |
| 10 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso | Ludwig van Beethoven | 5:59 |
| 11 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause | Ludwig van Beethoven | 4:19 |
Schubert / Furtwängler
| 1 | Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - Allegro ma non troppo | Franz Schubert | 14:41 |
| 2 | Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto | Franz Schubert | 1:43 |
| 3 | Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo: Allegro vivace | Franz Schubert | 11:15 |
| 4 | Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale: Allegro vivace | Franz Schubert | 11:42 |
| 5 | Symphony no. 2 in E minor: I. Assai moderato | Wilhelm Furtwängler | 2:27 |
Furtwängler / Haydn
| 1 | Symphony no. 2 in E minor: II. Andante simplice | Wilhelm Furtwängler | 12:42 |
| 2 | Symphony no. 2 in E minor: III. Allegro - Moderato - Allegro | Wilhelm Furtwängler | 16:21 |
| 3 | Symphony no. 2 in E minor: IV. Langsam - Moderato andante | Wilhelm Furtwängler | 2:52 |
| 4 | Symphony no. 88 in G major, Hob. I:88: I. Allegro | Joseph Haydn | 6:52 |
| 5 | Symphony no. 88 in G major, Hob. I:88: II. Largo | Joseph Haydn | 6:19 |
| 6 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto | Joseph Haydn | 4:21 |
| 7 | Symphony no. 88 in G major, Hob. I:88: IV. Allegro con spirito | Joseph Haydn | 3:38 |
Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
| 1 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) | Richard Wagner | 2:31 |
| 2 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) | Richard Wagner | 2:29 |
| 3 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) | Richard Wagner | 3:46 |
| 4 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) | Richard Wagner | 2:51 |
| 5 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) | Richard Wagner | 1:20 |
| 6 | Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) | Richard Wagner | 6:52 |
| 7 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | Gustav Mahler | 4:18 |
| 8 | Lieder eines fahrenden Gesellen: II. Ging heut' Morgen übers Feld | Gustav Mahler | 4:49 |
| 9 | Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer | Gustav Mahler | 3:31 |
| 10 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | Gustav Mahler | 5:52 |
Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven | 7:57 |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Ludwig van Beethoven | 7:24 |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Ludwig van Beethoven | 3:52 |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven | 6:27 |
| 5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo | Ludwig van Beethoven | 11:55 |
| 6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | Ludwig van Beethoven | 13:26 |
| 7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven | 5:58 |
| 8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | Ludwig van Beethoven | 4:08 |
| 9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven | 9:23 |
Beethoven: Symphony no. 3 “Eroica”
| 1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Ludwig van Beethoven | 16:11 |
| 2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Ludwig van Beethoven | 1:44 |
| 3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace | Ludwig van Beethoven | 6:30 |
| 4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Ludwig van Beethoven | 12:17 |
Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
| 1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Ludwig van Beethoven | 10:39 |
| 2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Ludwig van Beethoven | 11:49 |
| 3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro | Ludwig van Beethoven | 5:58 |
| 4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven | 7:37 |
| 5 | Tannhäuser: Overture | Richard Wagner | 13:56 |
Beethoven: Violin Concerto / Romances nos. 1 & 2
| 1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Ludwig van Beethoven | 2:24 |
| 2 | Violin Concerto in D major, op. 61: II. Larghetto | Ludwig van Beethoven | 9:41 |
| 3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) | Ludwig van Beethoven | 10:31 |
| 4 | Romance no. 1 in G major, op. 40 | Ludwig van Beethoven | 7:39 |
| 5 | Romance no. 2 in F major, op. 50 | Ludwig van Beethoven | 9:38 |
Schumann: Symphony no. 4 / Franck: Symphony in D minor
| 1 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | Robert Schumann | 11:51 |
| 2 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | Robert Schumann | 5:22 |
| 3 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend | Robert Schumann | 5:57 |
| 4 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Robert Schumann | 8:05 |
| 5 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | César Franck | 1:49 |
| 6 | Symphony in D minor, FWV 48: II. Allegretto | César Franck | 10:34 |
| 7 | Symphony in D minor, FWV 48: III. Allegro non troppo | César Franck | 10:44 |
Bartók: Violin Concerto no. 2
| 1 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo | Béla Bartók | 16:01 |
| 2 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo | Béla Bartók | 10:02 |
| 3 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto | Béla Bartók | 11:40 |
Beethoven: Symphony no. 5
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Ludwig van Beethoven | 8:39 |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Ludwig van Beethoven | 11:22 |
| 3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Ludwig van Beethoven | 6:03 |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | Ludwig van Beethoven | 9:49 |
Wagner / R. Strauss / Liszt
| 1 | Götterdämmerung: Act III. Siegfried's Funeral March | Richard Wagner | 9:17 |
| 2 | Götterdämmerung: Prologue. Siegfried's Rhine Journey | Richard Wagner | 12:01 |
| 3 | Don Juan, op. 20 | Richard Strauss | 1:52 |
| 4 | Till Eulenspiegels lustige Streiche, op. 28 | Richard Strauss | 16:13 |
| 5 | Les Préludes, S. 97 | Franz Liszt | 15:40 |
Wagner / Weber / Gluck / Beethoven
| 1 | Lohengrin: Act I. Prelude | Richard Wagner | 9:57 |
| 2 | Der Freischütz, op. 77: Overture | Carl Maria von Weber | 10:48 |
| 3 | Euryanthe, op. 81: Overture | Carl Maria von Weber | 9:32 |
| 4 | Alceste: Overture | Christoph Willibald Gluck | 8:53 |
| 5 | Iphigénie en Aulide: Overture | Christoph Willibald Gluck | 10:15 |
| 6 | Leonore Overture no. 2, op. 72a | Ludwig van Beethoven | 15:58 |
Bach: Matthäus-Passion (First Part)
| 1 | Matthäus-Passion, BWV 244: First Part. Hall ambience | [no artist] | 1:12 |
| 2 | Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus) | Johann Sebastian Bach | 8:14 |
| 3 | Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus) | Johann Sebastian Bach | 0:54 |
| 4 | Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus) | Johann Sebastian Bach | 1:40 |
| 5 | Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist) | Johann Sebastian Bach | 0:32 |
| 6 | Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus) | Johann Sebastian Bach | 0:17 |
| 7 | Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist) | Johann Sebastian Bach | 0:38 |
| 8 | Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus) | Johann Sebastian Bach | 0:37 |
| 9 | Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus) | Johann Sebastian Bach | 1:57 |
| 10 | Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto) | Johann Sebastian Bach | 1:24 |
| 11 | Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto) | Johann Sebastian Bach | 5:18 |
| 12 | Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas) | Johann Sebastian Bach | 0:43 |
| 13 | Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano) | Johann Sebastian Bach | 5:40 |
| 14 | Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus) | Johann Sebastian Bach | 0:16 |
| 15 | Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus) | Johann Sebastian Bach | 0:28 |
| 16 | Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus) | Johann Sebastian Bach | 2:01 |
| 17 | Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus) | Johann Sebastian Bach | 1:31 |
| 18 | Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas) | Johann Sebastian Bach | 4:09 |
| 19 | Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano) | Johann Sebastian Bach | 1:53 |
| 20 | Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus) | Johann Sebastian Bach | 1:32 |
| 21 | Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus) | Johann Sebastian Bach | 1:56 |
| 22 | Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter) | Johann Sebastian Bach | 1:18 |
| 23 | Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus) | Johann Sebastian Bach | 2:12 |
| 24 | Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus) | Johann Sebastian Bach | 3:07 |
| 25 | Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus) | Johann Sebastian Bach | 6:24 |
| 26 | Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus) | Johann Sebastian Bach | 0:57 |
| 27 | Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass) | Johann Sebastian Bach | 1:33 |
| 28 | Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus) | Johann Sebastian Bach | 1:36 |
| 29 | Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus) | Johann Sebastian Bach | 2:03 |
| 30 | Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas) | Johann Sebastian Bach | 2:41 |
| 31 | Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus) | Johann Sebastian Bach | 4:43 |
| 32 | Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus) | Johann Sebastian Bach | 1:21 |
| 33 | Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus) | Johann Sebastian Bach | 8:27 |
Bach: Matthäus-Passion (Second Part beginning)
| 1 | Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus) | Johann Sebastian Bach | 5:47 |
| 2 | Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist) | Johann Sebastian Bach | 0:42 |
| 3 | Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest) | Johann Sebastian Bach | 0:36 |
| 4 | Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest) | Johann Sebastian Bach | 1:52 |
| 5 | Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus) | Johann Sebastian Bach | 0:47 |
| 6 | Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus) | Johann Sebastian Bach | 1:43 |
| 7 | Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid) | Johann Sebastian Bach | 1:21 |
| 8 | Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter) | Johann Sebastian Bach | 1:35 |
| 9 | Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto) | Johann Sebastian Bach | 9:00 |
| 10 | Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate) | Johann Sebastian Bach | 1:06 |
| 11 | Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus) | Johann Sebastian Bach | 2:00 |
| 12 | Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife) | Johann Sebastian Bach | 2:52 |
| 13 | Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate) | Johann Sebastian Bach | 0:14 |
| 14 | Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano) | Johann Sebastian Bach | 1:42 |
| 15 | Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano) | Johann Sebastian Bach | 5:11 |
| 16 | Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus) | Johann Sebastian Bach | 2:21 |
| 17 | Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto) | Johann Sebastian Bach | 1:46 |
| 18 | Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus) | Johann Sebastian Bach | 1:23 |
| 19 | Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus) | Johann Sebastian Bach | 2:19 |
Bach: Matthäus-Passion (Second Part conclusion)
| 1 | Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist) | Johann Sebastian Bach | 1:00 |
| 2 | Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) | Johann Sebastian Bach | 0:46 |
| 3 | Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) | Johann Sebastian Bach | 9:23 |
| 4 | Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) | Johann Sebastian Bach | 2:21 |
| 5 | Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) | Johann Sebastian Bach | 0:15 |
| 6 | Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) | Johann Sebastian Bach | 2:33 |
| 7 | Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus) | Johann Sebastian Bach | 2:50 |
| 8 | Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus) | Johann Sebastian Bach | 2:34 |
| 9 | Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus) | Johann Sebastian Bach | 2:50 |
| 10 | Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass) | Johann Sebastian Bach | 2:37 |
| 11 | Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist) | Johann Sebastian Bach | 0:39 |
| 12 | Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus) | Johann Sebastian Bach | 2:40 |
| 13 | Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus) | Johann Sebastian Bach | 8:33 |
Wagner: Tristan und Isolde (Act I beginning)
| 1 | Tristan und Isolde: Act I. Prelude | Richard Wagner | 11:04 |
| 2 | Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne) | Richard Wagner | 6:17 |
| 3 | Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | Richard Wagner | 10:21 |
| 4 | Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) | Richard Wagner | 9:20 |
| 5 | Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) | Richard Wagner | 12:32 |
| 6 | Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | Richard Wagner | 7:55 |
| 7 | Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) | Richard Wagner | 9:39 |
| 8 | Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) | Richard Wagner | 11:25 |
Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
| 1 | Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) | Richard Wagner | 7:36 |
| 2 | Tristan und Isolde: Act II. Prelude | Richard Wagner | 2:44 |
| 3 | Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) | Richard Wagner | 12:36 |
| 4 | Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) | Richard Wagner | 10:24 |
| 5 | Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) | Richard Wagner | 9:30 |
| 6 | Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde) | Richard Wagner | 5:49 |
| 7 | Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne) | Richard Wagner | 3:27 |
| 8 | Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | Richard Wagner | 7:57 |
| 9 | Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) | Richard Wagner | 8:42 |
| 10 | Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot) | Richard Wagner | 2:10 |
Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
| 1 | Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan) | Richard Wagner | 7:52 |
| 2 | Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan) | Richard Wagner | 6:12 |
| 3 | Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) | Richard Wagner | 10:06 |
| 4 | Tristan und Isolde: Act III. Prelude | Richard Wagner | 7:22 |
| 5 | Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | Richard Wagner | 10:54 |
| 6 | Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) | Richard Wagner | 11:05 |
| 7 | Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) | Richard Wagner | 3:23 |
| 8 | Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) | Richard Wagner | 11:19 |
| 9 | Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | Richard Wagner | 8:35 |
Wagner: Tristan und Isolde (Act III conclusion)
| 1 | Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) | Richard Wagner | 3:30 |
| 2 | Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde) | Richard Wagner | 3:51 |
| 3 | Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde) | Richard Wagner | 6:28 |
| 4 | Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | Richard Wagner | 9:49 |
| 5 | Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde) | Richard Wagner | 7:15 |
Beethoven: Fidelio (Act I)
| 1 | Fidelio, op. 72: Act I. Overture | Ludwig van Beethoven | 6:38 |
| 2 | Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline) | Ludwig van Beethoven | 5:13 |
| 3 | Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline) | Ludwig van Beethoven | 4:44 |
| 4 | Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco) | Ludwig van Beethoven | 4:48 |
| 5 | Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) | Ludwig van Beethoven | 3:01 |
| 6 | Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco) | Ludwig van Beethoven | 7:23 |
| 7 | Fidelio, op. 72: Act I. March | Ludwig van Beethoven | 2:16 |
| 8 | Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus) | Ludwig van Beethoven | 3:24 |
| 9 | Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus) | Ludwig van Beethoven | 4:59 |
| 10 | Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore) | Ludwig van Beethoven | 7:59 |
| 11 | Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner) | Ludwig van Beethoven | 7:25 |
| 12 | Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco) | Ludwig van Beethoven | 6:00 |
| 13 | Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | Ludwig van Beethoven | 2:45 |
| 14 | Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) | Ludwig van Beethoven | 4:47 |
Beethoven: Fidelio (Act II)
| 1 | Fidelio, op. 72: Act II. Introduction | Ludwig van Beethoven | 4:05 |
| 2 | Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan) | Ludwig van Beethoven | 7:31 |
| 3 | Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco) | Ludwig van Beethoven | 2:15 |
| 4 | Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) | Ludwig van Beethoven | 4:40 |
| 5 | Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco) | Ludwig van Beethoven | 6:42 |
| 6 | Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) | Ludwig van Beethoven | 5:22 |
| 7 | Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan) | Ludwig van Beethoven | 2:48 |
| 8 | Fidelio, op. 72: Act II. Leonore Overture no. 3 | Ludwig van Beethoven | 15:19 |
| 9 | Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus) | Ludwig van Beethoven | 2:00 |
| 10 | Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus) | Ludwig van Beethoven | 4:43 |
| 11 | Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | Ludwig van Beethoven | 3:01 |
| 12 | Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) | Ludwig van Beethoven | 4:03 |
Wagner: Die Walküre (Act I)
| 1 | Die Walküre: Act I. Prelude | Richard Wagner | 3:56 |
| 2 | Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) | Richard Wagner | 9:32 |
| 3 | Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde) | Richard Wagner | 3:57 |
| 4 | Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | Richard Wagner | 10:15 |
| 5 | Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) | Richard Wagner | 10:19 |
| 6 | Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) | Richard Wagner | 6:13 |
| 7 | Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde) | Richard Wagner | 6:54 |
| 8 | Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) | Richard Wagner | 10:13 |
| 9 | Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde) | Richard Wagner | 5:13 |
Wagner: Die Walküre (Act II beginning)
| 1 | Die Walküre: Act II. Prelude | Richard Wagner | 2:04 |
| 2 | Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde) | Richard Wagner | 2:53 |
| 3 | Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) | Richard Wagner | 10:22 |
| 4 | Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) | Richard Wagner | 7:35 |
| 5 | Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) | Richard Wagner | 10:03 |
| 6 | Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde) | Richard Wagner | 10:56 |
| 7 | Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde) | Richard Wagner | 7:33 |
| 8 | Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) | Richard Wagner | 11:47 |
Wagner: Die Walküre (Act II conclusion)
| 1 | Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde) | Richard Wagner | 9:39 |
| 2 | Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) | Richard Wagner | 10:35 |
| 3 | Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | Richard Wagner | 9:14 |
Wagner: Die Walküre (Act III)
| 1 | Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | Richard Wagner | 8:06 |
| 2 | Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | Richard Wagner | 10:04 |
| 3 | Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | Richard Wagner | 9:56 |
| 4 | Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) | Richard Wagner | 3:25 |
| 5 | Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) | Richard Wagner | 10:12 |
| 6 | Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) | Richard Wagner | 9:27 |
| 7 | Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) | Richard Wagner | 2:54 |
| 8 | Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) | Richard Wagner | 8:01 |
| 9 | Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) | Richard Wagner | 7:39 |
Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
| 1 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | Franz Schubert | 11:46 |
| 2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience | [no artist] | 0:48 |
| 3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | Franz Schubert | 12:12 |
| 4 | Kaiser-Walzer, op. 437 (Play-through - test recording) | Johann Strauss II | 10:23 |
| 5 | Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) | Richard Wagner | 8:42 |
| 6 | Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) | Franz Schubert | 5:12 |
| 7 | Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) | Franz Schubert | 4:48 |
| 8 | Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) | Pyotr Ilyich Tchaikovsky | 9:02 |
| 9 | Tuning, buzzers and false starts | [no artist] | 4:38 |
Bonus - Documentary: Wilhelm Furtwängler - A Memoir
| 1 | Wilhelm Furtwängler - A Memoir: Introduction - Overview | Jon Tolansky | 3:49 |
| 2 | Wilhelm Furtwängler - A Memoir: Berlin, 1930s | Jon Tolansky | 4:37 |
| 3 | Wilhelm Furtwängler - A Memoir: Conducting Technique | Jon Tolansky | 4:07 |
| 4 | Wilhelm Furtwängler - A Memoir: Europe, 1940s | Jon Tolansky | 6:28 |
| 5 | Wilhelm Furtwängler - A Memoir: Demands in Rehearsal | Jon Tolansky | 3:56 |
| 6 | Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results | Jon Tolansky | 13:46 |
| 7 | Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists | Jon Tolansky | 6:51 |
| 8 | Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording | Jon Tolansky | 1:49 |
| 9 | Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity | Jon Tolansky | 6:24 |
| 10 | Wilhelm Furtwängler - A Memoir: Final appearances | Jon Tolansky | 4:05 |